Travels in Alaska. John Muir
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Travels in Alaska
Preface
Forty years ago John Muir wrote to a friend; “I am hopelessly and forever a mountaineer. . . . Civilization and fever, and all the morbidness that has been hooted at me, have not dimmed my glacial eyes, and I care to live only to entice people to look at Nature's loveliness.” How gloriously he fulfilled the promise of his early manhood! Fame, all unbidden, wore a path to his door, but he always remained a modest, unspoiled mountaineer. Kindred spirits, the greatest of his time, sought him out, even in his mountain cabin, and felt honored by his friendship. Ralph Waldo Emerson urged him to visit Concord and rest awhile from the strain of his solitary studies in the Sierra Nevada. But nothing could dislodge him from the glacial problems of the high Sierra; with passionate interest he kept at his task. “The grandeur of these forces and their glorious results,” he once wrote, “overpower me and inhabit my whole being. Waking or sleeping, I have no rest. In dreams I read blurred sheets of glacial writing, or follow lines of cleavage, or struggle with the difficulties of some extraordinary rock-form.”
There is a note of pathos, the echo of an unfulfilled hope, in the record of his later visit to Concord. “It was seventeen years after our parting on Wawona ridge that I stood beside his [Emerson's] grave under a pine tree on the hill above Sleepy Hollow. He had gone to higher Sierras, and, as I fancied, was again waving his hand in friendly recognition.” And now John Muir has followed his friend of other days to the “higher Sierras.” His earthly remains lie among trees planted by his own hand. To the pine tree of Sleepy Hollow answers a guardian sequoia in the sunny Alhambra Valley.
In 1879 John Muir went to Alaska for the first time. Its stupendous living glaciers aroused his unbounded interest, for they enabled him to verify his theories of glacial action. Again and again he returned to this continental laboratory of landscapes. The greatest of the tide-water glaciers appropriately commemorates his name. Upon this book of Alaska travels, all but finished before his unforeseen departure, John Muir expended the last months of his life. It was begun soon after his return from Africa in 1912. His eager leadership of the ill-fated campaign to save his beloved Hetch-Hetchy Valley from commercial destruction seriously interrupted his labors. Illness, also, interposed some checks as he worked with characteristic care and thoroughness through the great mass of Alaska notes that had accumulated under his hands for more than thirty years.
The events recorded in this volume end in the middle of the trip of 1890. Muir's notes on the remainder of the journey have not been found, and it is idle to speculate how he would have concluded the volume if he had lived to complete it. But no one will read the fascinating description of the Northern Lights without feeling a poetical appropriateness in the fact that his last work ends with a portrayal of the auroras–one of those phenomena which elsewhere he described as “the most glorious of all the terrestrial manifestations of God.”
Muir's manuscripts bear on every page impressive evidence of the pains he took in his literary work, and the lofty standard he set himself in his scientific studies. The counterfeiting of a fact or of an experience was a thing unthinkable in connection with John Muir. He was tireless in pursuing the meaning of a physiographical fact, and his extraordinary physical endurance usually enabled him to trail it to its last hiding-place. Often, when telling the tale of his adventures in Alaska, his eyes would kindle with youthful enthusiasm, and he would live over again the red-blooded years that yielded him “shapeless harvests of revealed glory.”
For a number of months just prior to his death he had the friendly assistance of Mrs. Marion Randall Parsons. Her familiarity with the manuscript, and with Mr. Muir's expressed and penciled intentions of revision and arrangement, made her the logical person to prepare it in final form for publication. It was a task to which she brought devotion as well as ability. The labor involved was the greater in order that the finished work might exhibit the last touches of Muir's master-hand, and yet contain nothing that did not flow from his pen. All readers of this book will feel grateful for her labor of love.
I add these prefatory lines to the work of my departed friend with pensive misgiving, knowing that he would have deprecated any discharge of musketry over his grave. His daughters, Mrs. Thomas Rea Hanna and Mrs. Buel Alvin Funk, have honored me with the request to transmit the manuscript for publication, and later to consider with them what salvage may be made from among their father's unpublished writings. They also wish me to express their grateful acknowledgments to Houghton Mifflin Company, with whom John Muir has always maintained close and friendly relations.
Part I
The Trip of 1879
Chapter I
Puget Sound and British Columbia
After eleven years of study and exploration in the Sierra Nevada of California and the mountain-ranges of the Great Basin, studying in particular their glaciers, forests, and wild life, above all their ancient glaciers and the influence they exerted in sculpturing the rocks over which they passed with tremendous pressure, making new landscapes, scenery, and beauty which so mysteriously influence every human being, and to some extent all life, I was anxious to gain some knowledge of the regions to the northward, about Puget Sound and Alaska. With this grand object in view I left San Francisco in May, 1879, on the steamer Dakota, without any definite plan, as with the exception of a few of the Oregon peaks and their forests all the wild north was new to me.
To the mountaineer a sea voyage is a grand, inspiring, restful change. For forests and plains with their flowers and fruits we have new scenery, new life of every sort; water hills and dales in eternal visible motion for rock waves, types of permanence.
It was curious to note how suddenly the eager countenances of the passengers were darkened as soon as the good ship passed through the Golden Gate and began to heave on the waves of the open ocean. The crowded deck was speedily deserted on account of seasickness. It seemed strange that nearly every one afflicted should be more or less ashamed.
Next morning a strong wind was blowing, and the sea was gray and white, with long breaking waves, across which the Dakota was racing half-buried in spray. Very few of the passengers were on deck to enjoy the wild scenery. Every wave seemed to be making enthusiastic, eager haste to the shore, with long, irised tresses streaming from its tops, some of its outer fringes borne away in scud to refresh the wind, all the rolling, pitching, flying water exulting in the beauty of rainbow light. Gulls and albatrosses, strong, glad life in the midst of the stormy beauty, skimmed the waves against the wind, seemingly without effort, oftentimes flying nearly a mile without a single wing-beat, gracefully swaying from side to side and tracing the curves of the briny water hills with the finest precision, now and then just grazing the highest.
And yonder, glistening amid the irised spray, is still more striking revelation of warm life in the so-called howling waste,–a half-dozen whales, their broad backs like glaciated bosses of granite heaving aloft in near view, spouting lustily, drawing a long breath, and plunging down home in colossal health and comfort. A merry school of porpoises, a square mile of them, suddenly appear, tossing themselves into the air in abounding strength and hilarity, adding foam to the waves and making all the wilderness wilder. One cannot but feel sympathy with and be proud of these brave neighbors, fellow citizens in the commonwealth of the world, making a living like the rest of us. Our good ship also seemed like a thing of life, its great iron heart beating on through calm and storm, a truly noble spectacle. But think of the hearts of these whales, beating warm against the sea, day and night, through dark and light, on and on for centuries; how the red blood must rush and gurgle in and out, bucketfuls, barrelfuls at a beat!
The cloud colors of one of the four sunsets enjoyed on the voyage were remarkably pure and rich in tone. There was a well-defined range of cumuli a few degrees above the horizon, and a massive, dark-gray rain-cloud above it, from which depended long, bent fringes overlapping the lower cumuli and partially veiling them; and from time to time sunbeams poured through narrow openings and painted the exposed bosses and fringes in ripe yellow tones, which, with the reflections on the water, made magnificent pictures. The scenery of the ocean, however sublime in vast expanse, seems far less beautiful to us dry-shod animals than that of the land seen