Sleeper’s Castle: An epic historical romance from the Sunday Times bestseller. Barbara Erskine
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father and forgotten her.
This land in the border Marches of Wales was a place of beauty and magic and danger. Successive Marcher Lords, supported in their greed for land by their king, had built their great castles and made dangerous or at best uncomfortable neighbours to the local Welsh families over the centuries, but hidden away in this fold of the hills, cradled in the crooked elbow of a torrential brook and lulled by the cry of the birds, Sleeper’s Castle, Castell Cysgwr, had seemed safe to Catrin. Until now. For her father’s dreams of late had been frightening and full of ominous clouds.
She knew her father’s fathers had been bards and soothsayers from the days of the ancient Druids. Poetry was in his blood, the inheritance of his family, the gift of his ancestors. His name was Dafydd ap Hywell ap Gruffydd ap Rhodri – his line stretched back through time like a bright ribbon of silk. And there she was, Catrin ferch Dafydd, Catrin, the daughter of Dafydd, the latest born and perhaps the last of that line.
She didn’t remember her mother, Marged, but in her dreams, those dangerous sparkling dreams she never mentioned to her father, she could see her clearly, her eyes the colour of smoke, her face gentle and loving as she smiled at her little daughter, the daughter she had never met, the daughter who had inherited all her father’s talents and more.
Dafydd taught his daughter all he knew. She could read at the age of four; she could play the harp at the age of six; she could recite the long histories of her father’s family and their patrons and princes by the age of eight. She could write poems and stories of her own and at her father’s dictation, and from the age of twelve she had been sufficiently confident to sing to the harp in front of her father’s patrons. Once or twice, in the solar of an indulgent group of women, she had sung her own poems, cautiously diffident, embarrassed by their applause. The poems were a secret and even now she was a woman she had not confessed to her father that she wrote and dreamed just as he did. She sensed he would not approve. He was proud of his daughter’s talents but subtly and firmly he had made it clear he would not tolerate competition, especially not from a woman. Things might have been different had he had a son.
There were other secrets in her life. After her mother died, in his first frenzy of grief and anger, Dafydd had hidden or destroyed everything that would remind him of his beloved wife. When the nurse who was taking care of this new scrap of life had seen what was happening she had rescued the one thing Marged had treasured above all else and which the loyal woman was sure would end up in his vengeful pyre: a small coffer in which was stored Marged’s tiny, beautiful book of hours, another book of poetry and a collection of notes and recipes for herbs and cures and remedies, copied for her from the family of healers who lived in the village of Myddfai, on the banks of Llyn y Fan Fach on the far side of the mountains. Each successive nurse had been sworn to secrecy and promised to keep the coffer safe until Catrin was given charge of her mother’s legacy by the last of the women employed to look after her. Her father now felt she had no need of female company beyond the servants and cooks who remained. By then Catrin already knew this small coffer and its contents was something else she had to keep hidden.
Her second secret she had found for herself. Half a mile up the valley, through a wood and across a brook she had stumbled upon a small cottage, lost in a tangle of wild herbs. The widow who lived there, Efa, was motherly and kind, full of stories of her own. Catrin told no one of her friend. It seemed important that she should be as secret from her father as the coffer full of her mother’s treasures.
Woven into the stories Efa told were ancient legends and magic spells. Sometimes when Catrin climbed the bank towards the cottage she saw gifts which had been left outside, a skinned rabbit, a jar of cider, a pot of honey, and when she asked, Efa told her about the service she rendered to the community. She magicked the weather. It seemed natural for her to teach the wide-eyed child some of the simple spells. She knew where Catrin lived, she knew the stories about Sleeper’s Castle. She guessed the girl would have a natural aptitude, and so it proved.
The farmers who came to see Efa needed fair weather for ploughing and harvest, they needed rain and then sun for ripening the crops; their wives came to seek good weather for markets and fairs and festivals. And then for fun Efa showed her some of the more powerful magic, the magic that would command the elements, conjure thunder and lightning over the high tops of the mountains, rites which commanded the mist and fog to wrap itself around the trees and drift into the cwm. It was all secret. When men or women came and asked for lightning to strike a neighbour dead or for weather to cause their cattle to sicken and die, Efa refused. Such magic was black and a mortal sin, but she taught Catrin that it could be done and how. That was the greatest secret of all.
‘He has called for new candles.’ Joan looked up as Catrin walked into the kitchen from the garden next day. She was chopping onions and leeks and tossing them into the pot.
‘I’ll take them in to him.’
Joan straightened her back, tucking a wisp of her blonde hair under her hood. The house was full of the smell of her rich fish stew. ‘He’s not well. You must make him eat.’
Catrin nodded.
‘I heard him shouting again in the night.’ Joan held her gaze challengingly before looking away. She reached for a dishclout and wiped her hands.
‘I know. I know he’s worried.’ Catrin pulled a stool from under the table and sat down with a heavy sigh.
Her relationship with Joan was a difficult one. The two young women were of a similar age with but two years between them, and in the lonely valley with few neighbours they had become friends. But Joan was her servant; she was paid to cook and clean.
Joan’s father, Raymond of Hardwicke, was a wealthy yeoman farmer and such work should have been beneath her, but his farm had struggled to survive over the last decades like so many others after the last great wave of pestilence had swept across nations far and wide, destroying towns and villages, leaving land depopulated and barren. Raymond had two sons, the eldest had married and was slowly taking over the running of the farm; his second son had also married and had left home with the idea that he would one day take over part of his wife’s father’s land. Raymond’s only daughter, Joan, was expected to marry and marry equally well. But she had stubbornly refused every suitor her father picked for her. In the end, in a fit of vindictive spite, he told her to go and live off someone else’s charity. She did.
Working for Dafydd ap Hywell had a cachet all of its own – besides, he paid well. His patrons were generous and he had realised almost too late that if he dismissed every servant on the place he and Catrin would be left to cope alone. Joan liked it at Sleeper’s Castle. It had once been far grander, a fortified manor house in a scattered parish in the hills above Hay. Some of the walls had crumbled and it had little land left, but it still had a fine slate roof, Catrin was educated and her gowns had been made by a skilled seamstress. They were serviceable and these days Catrin patched them herself with neat clever stitches, but nevertheless they were of good expensive cloth, and her cloaks were warm and lined with miniver. Joan liked her and was sorry for her. She must be lonely. She needed a friend.
Joan glanced at Catrin, who was sitting at the table with her head in her hands. ‘He’s had these moods before,’ she said. Her voice was gentler now. ‘He’ll come out of it. You’ll see.’
Catrin looked up. ‘I know.’ Wearily she stood up. ‘I’ll go and see if he wants to eat. Perhaps if you throw more logs on the fire in the parlour and serve us there it will cheer him up.’ She didn’t notice Joan’s tightened lips or her exaggerated sigh. Usually they all ate together in the great hall, or she ate here in the kitchen with Joan and Betsi and Peter after placing her father’s food on a tray and taking it to him in his study. That was the way he liked it.
It was as she left the kitchen and walked back into the shadowy hall she thought she caught sight of a woman’s figure standing near the window. Behind her the kitchen door banged and the draught sent a wave of cold air across the room, scattering ash, blowing out the candles. She blinked and stared and rubbed her eyes and the figure had gone.
Andy woke with a start. The morning sun was shining into the room and she lay