Within a Wall: An Agatha Christie Short Story. Агата Кристи
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‘Perhaps Everard can’t paint women,’ I said.
‘Perhaps not,’ said Mrs Lemprière thoughtfully. ‘Yes, that may be the explanation.’
And it was then, with her usual genius for accuracy, that she pulled out a canvas that was leaning with its face to the wall. There were about eight of them, stacked carelessly. It was pure chance that Mrs Lemprière selected the one she did – but as I said before, these things happen with Mrs Lemprière.
‘Ah!’ said Mrs Lemprière as she turned it to the light.
It was unfinished, a mere rough sketch. The woman, or girl – she was not, I thought, more than twenty-five or six – was leaning forward, her chin on her hand. Two things struck me at once: the extraordinary vitality of the picture and the amazing cruelty of it. Everard had painted with a vindictive brush. The attitude even was a cruel one – it had brought out every awkwardness, every sharp angle, every crudity. It was a study in brown – brown dress, brown background, brown eyes – wistful, eager eyes. Eagerness was, indeed, the prevailing note of it.
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