Annihilation: The thrilling book behind the most anticipated film of 2018. Jeff VanderMeer

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Annihilation: The thrilling book behind the most anticipated film of 2018 - Jeff  VanderMeer


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Like strange words on a wall? Written among tiny communities of creatures of unknown origin.

      “I promise,” I said. “And you will do the same for me, right?” Turning the tables, making her realize it might happen to her, too.

      She said, “Just don’t touch me again or I’ll hurt you.”

      I nodded in agreement. She didn’t like knowing I was physically stronger than her.

      Under the terms of that flawed agreement we proceeded to the stairs and into the gullet of the tower, the depths now revealing themselves in a kind of ongoing horror show of such beauty and biodiversity that I could not fully take it all in. But I tried, just as I had always tried, even from the very beginning of my career.

ornament_missing

      My lodestone, the place I always thought of when people asked me why I became a biologist, was the overgrown swimming pool in the backyard of the rented house where I grew up. My mother was an overwrought artist who achieved some success but was a little too fond of alcohol and always struggled to find new clients, while my dad the underemployed accountant specialized in schemes to get rich quick that usually brought in nothing. Neither of them seemed to possess the ability to focus on one thing for any length of time. Sometimes it felt as if I had been placed with a family rather than born into one.

      They did not have the will or inclination to clean the kidney-shaped pool, even though it was fairly small. Soon after we moved in, the grass around its edges grew long. Sedge weeds and other towering plants became prevalent. The short bushes lining the fence around the pool lunged up to obscure the chain link. Moss grew in the cracks in the tile path that circled it. The water level slowly rose, fed by the rain, and the surface became more and more brackish with algae. Dragonflies continually scouted the area. Bullfrogs moved in, the wriggling malformed dots of their tadpoles always present. Water gliders and aquatic beetles began to make the place their own. Rather than get rid of my thirty-gallon freshwater aquarium, as my parents wanted, I dumped the fish into the pool, and some survived the shock of that. Local birds, like herons and egrets, began to appear, drawn by the frogs and fish and insects. By some miracle, too, small turtles began to live in the pool, although I had no idea how they had gotten there.

      Within months of our arrival, the pool had become a functioning ecosystem. I would slowly enter through the creaking wooden gate and observe it all from a rusty lawn chair I had set up in a far corner. Despite a strong and well-founded fear of drowning, I had always loved being around bodies of water.

      Inside the house, my parents did whatever banal, messy things people in the human world usually did, some of it loudly. But I could easily lose myself in the microworld of the pool.

      Inevitably my focus netted from my parents useless lectures of worry over my chronic introversion, as if by doing so they could convince me they were still in charge. I didn’t have enough (or any) friends, they reminded me. I didn’t seem to make the effort. I could be earning money from a part-time job. But when I told them that several times, like a reluctant ant lion, I had had to hide from bullies at the bottom of the gravel pits that lay amid the abandoned fields beyond the school, they had no answers. Nor when one day for “no reason” I punched a fellow student in the face when she said hello to me in the lunch line.

      So we proceeded, locked into our separate imperatives. They had their lives, and I had mine. I liked most of all pretending to be a biologist, and pretending often leads to becoming a reasonable facsimile of what you mimic, even if only from a distance. I wrote down my pool observations in several journals. I knew each individual frog from the next, Old Flopper so much different from Ugly Leaper, and during which month I could expect the grass to teem with hopping juveniles. I knew which species of heron turned up year-round and which were migrants. The beetles and dragonflies were harder to identify, their life cycles harder to intuit, but I still diligently tried to understand them. In all of this, I eschewed books on ecology or biology. I wanted to discover the information on my own first.

      As far as I was concerned—an only child, and an expert in the uses of solitude—my observations of this miniature paradise could have continued forever. I even jury-rigged a waterproof light to a waterproof camera and planned to submerge the contraption beneath the dark surface, to snap pictures using a long wire attached to the camera button. I have no idea if it would have worked, because suddenly I didn’t have the luxury of time. Our luck ran out, and we couldn’t afford the rent anymore. We moved to a tiny apartment, stuffed full of my mother’s paintings, which all resembled wallpaper to me. One of the great traumas of my life was worrying about the pool. Would the new owners see the beauty and the importance of leaving it as is, or would they destroy it, create unthinking slaughter in honor of the pool’s real function?

      I never found out—I couldn’t bear to go back, even if I also could never forget the richness of that place. All I could do was look forward, apply what I had learned from watching the inhabitants of the pool. And I never did look back, for better or worse. If funding for a project ran out, or the area we studied was suddenly bought for development, I never returned. There are certain kinds of deaths that one should not be expected to relive, certain kinds of connections so deep that when they are broken you feel the snap of the link inside you.

      As we descended into the tower, I felt again, for the first time in a long time, the flush of discovery I had experienced as a child. But I also kept waiting for the snap.

ornament_missing

       Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that …

      The tower steps kept revealing themselves, those whitish steps like the spiraling teeth of some unfathomable beast, and we kept descending because there seemed to be no choice. I wished at times for the blinkered seeing of the surveyor. I knew now why the psychologist had sheltered us, and I wondered how she withstood it, for she had no one to shield her from … anything.

      At first, there were “merely” the words, and that was enough. They occurred always at roughly the same level against the left-hand side of the wall, and for a time I tried to record them, but there were too many of them and the sense of them came and went, so that to follow the meaning of the words was to follow a trail of deception. That was one agreement the surveyor and I came to right away: that we would document the physicality of the words, but that it would require a separate mission, another day, to photograph that continuous, never-ending sentence.

       … to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dim-lit halls of other places forms that never could be writhe for the impatience of the few who have never seen or been seen …

      The sense of unease in ignoring the ominous quality of those words was palpable. It infected our own sentences when we spoke, as we tried to catalogue the biological reality of what we were both seeing. Either the psychologist wanted us to see the words and how they were written or simply suppressing the physical reality of the tower’s walls was a monumental and exhausting task.

      These things, too, we experienced together during our initial descent into the darkness: The air became cooler but also damp, and with the drop in temperature came a kind of gentle sweetness, as of a muted nectar. We also both saw the tiny hand-shaped creatures that lived among the words. The ceilings were higher than we would have guessed, and by the light of our helmets as we looked up, the surveyor could see glints and whorls as of the trails of snails or slugs. Little tufts of moss or lichen dotted that ceiling, and, exhibiting great tensile strength, tiny long-limbed translucent creatures that resembled cave shrimp stilt-walked there as well.

      Things only I could see: That the walls minutely rose and fell with the tower’s breathing. That the colors of the words shifted in a rippling effect, like the strobing of a squid. That, with a variation of about three inches above the current words and three inches below, there existed a ghosting of prior words, written in the same cursive script. Effectively, these layers of words formed a watermark,


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