Dracula: The Un-Dead. Ian Holt
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breaking stride, a man called over his shoulder, “Basarab! He’s arriving. Here! Now!”
Basarab? Quincey recalled reading some weeks ago in Le Temps that Basarab, the great Shakespearean actor who billed himself under a single name, was due to perform in Paris. And although he longed to see the world-renowned actor on the stage, he had put it out of his mind, knowing he could never justify the cost of a ticket on the expenditure report he filed monthly for his father to audit. He had lied so many times before that his father knew all of his tricks.
What good fortune! Or was it fate that Quincey should be here at the moment of Basarab’s arrival in Paris? Suddenly, he felt at ease, realizing that it was not his performance that chased away his audience. He had simply been upstaged by a true star. Forgetting his props and costumes upon the fountain, he found himself running along with the crowd, hoping to glimpse the magnificence of the great Basarab with his own eyes.
Quincey emerged from the park onto the rue de Vaugirard and found a throng of people crowding the street. They were turned toward the Théâtre de l’Odéon, a white building with Roman-style columns adorning the front steps. The moonlight made the brass-lettered name of the theatre glow as if illuminated from within.
Quincey tried to move closer and found himself trapped in the roundabout, pressed against the monument to French playwright Émile Augier. Undeterred, he scaled its pedestal to get a better look.
A Benz Tourer motorcar circled the roundabout toward the theatre’s front steps. It honked, clearing a way through the crowd. Quincey climbed higher. The car stopped short of the front steps, and the driver walked around to the other side of the vehicle to open the door for his passenger. During the two years Quincey had struggled as an actor, he had come to the realization that since Shakespeare’s days, the profession was considered the vocation of sinners, drunks, prostitutes, and vagabonds. Yet here before him was an actor who was regarded like royalty, and all of France seemed to have turned out for his arrival.
The dashing young Romanian stepped out of the car and stood on the ride rail. Quincey recognized the dark hair and chiseled features of Basarab from the picture in Le Temps. The actor was wearing a cloak similar to one worn by Prince Edward, yet his was cut from crimson-dyed leather, very decadent for a mere actor. Reporters with cameras mounted on wooden legs waited on the steps to capture the first images of his arrival. When he turned to them and smiled, the flash powders ignited like lightning. After a few moments, Basarab stepped down from the motorcar and moved through the crowd with arms outstretched, palms up, allowing the adoring public to touch him. Quincey laughed when a woman touched Basarab’s elbow and fainted. If only he could evoke this sort of reaction from a crowd.
The portly figure of André Antoine, the theatre manager of l’Odéon, waited on the top step to greet his star. A man with a wooden film camera stood close by and wound the handle like an organ grinder as Basarab mounted the steps to shake the manager’s hand. Next to the handsome form of Basarab, Antoine’s pleasant face seemed like a dot in the center of his large round head. The crowd cheered Basarab’s name. Caught up in the frenzied energy, Quincey found himself chanting along: “Basarab! Basarab! Basarab!”
No wonder people adore him, Quincey thought. Even he was in awe. Basarab had not uttered a single word, yet he controlled everyone before him. How magnificent he must be to watch onstage. He would bring such life to Shakespeare’s words.
Basarab motioned to Antoine, and the two men disappeared into the theatre. The crowd lingered for a moment as if waiting for an encore. A small man emerged from within to announce that the box office would be extended for the night, selling tickets to the performances of Richard III.
The crowd turned into a mob as people pushed their way toward the door. Quincey’s spirits sank. Now he would never be able to put it out of his mind again. He desperately wanted to see Basarab perform, but he had not a franc to spare. The per diem his father gave him was measured out barely to cover the essentials—in order to prevent Quincey from wasting money on what Jonathan Harker would see as frivolities. Bloody hell. What is life without the theatre?
Quincey counted the coins he had made from the earlier performance. He was young enough to take risks, even if it meant dipping into his per diem and spending the last franc he had, even if it meant enduring his father’s wrath. He would attend Basarab’s opening performance at the Théâtre de l’Odéon tomorrow night.
It had been thirty years since Seward last traversed these waters, and it had been daylight at the time. He rowed the boat he had “acquired” into the port of Villefranche-sur—Mer, after traveling by cart to Antibes from Marseilles. It would count as stealing only if he were caught.
He had to get to Paris. Even if he had enough money for the fare, the train would not depart Marseilles until ten o’clock in the morning, arriving in Paris at eleven o’clock at night. It was imperative that he reach the Théâtre de l’Odéon by eight the next evening.
Using a slipknot to secure the boat, he stumbled along the wooden dock until his land legs came back. The sight of the old Lazaret made Seward brighten. As an idealistic young physician, he had become involved with research funded by the French government, working with brilliant scientists like Charles Darwin. The study attempted to correlate the behavior of animals such as chimpanzees, rats, and mice to that of humans, hoping further to validate Darwin’s theory of evolution. During his time there, Seward had become fascinated with the one or two percent of the test subjects whose actions could be considered anomalous. Why did these anomalies exist? Could the anomalous behavior be corrected? Seward smiled, recalling walks along the sea with other scientists from the Lazaret during which they had debated and challenged the archaic views of the Church about creationism. Their studies were so controversial that the government had decided to put an end to the work, and converted the building to an oceanographic laboratory. To keep them quiet, the scientists received financial compensation. This was the money Seward used to purchase his asylum in Whitby.
Seward continued up the hill overlooking the port. As he surveyed the familiar seaside town that had hardly changed since he left, he recalled the groundbreaking work he had done on the R. N. Renfield case. Seward had diagnosed Renfield with the rare mental condition of zoophagy, or “life-eating.” The fact that Mr. Renfield had spent his entire young adult life as “normal” before showing signs of mental illness made him the perfect test case.
“Renfield,” Seward muttered aloud. He had been so hopeful when Renfield came to the Whitby Asylum. Once a promising barrister, Renfield had suddenly de-evolved into a raving, insect-devouring lunatic. If Seward could have cured Renfield, he would have proven that mental illness was a disease and was not inherited, which would have proven his theories from his days at the Lazaret and helped to strengthen Darwin’s arguments that all mammals evolved from a common ancestor. Poor Renfield, a hapless pawn taken too early in the game, had sadly become yet another addition to a long line of Seward’s failures.
Within a short distance from the port, Seward would find his old friend Henri Salmet, whom he had first met at the turn of the century when he had just lost everything: his asylum, his practice, and his family. They had most recently crossed paths four summers ago, outside Le Mans at an incredible historic event: the Wright brothers’ demonstration of their successful flying machine. The series of flights lasted only two minutes, but a new era had been born in Europe. Seward shook his head in bewilderment at the rapidly changing world around him. The French might have an antiquated railway system, but they were investing heavily in the race for the sky.
Withdrawal fatigue began to overtake his system. He could feel every bruise and cut from his tumble off the villa rooftop. He was getting old. Valiantly, he fought the urge for a fix, certain he would need his wits about him for the battle to come.
From the top of the incline, he beheld the familiar sight of Henri’s farmhouse nestled in foothills of the Alps. The once-prosperous vineyard had been plowed to create a runway. The barn now housed planes and a workshop rather