Perfect. Cecelia Ahern

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Perfect - Cecelia Ahern


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my trial, Crevan was trying to find a way to help me. The plan was that I was supposed to lie and say that I didn’t help the old man. But I couldn’t lie; I admitted the truth. I told them all that the Flawed man was a human being who needed and deserved to be helped. I humiliated Crevan, made a mockery of his court, or that’s how he saw it anyway.

      As a result, I was seen to have lied to the Guild. I brought them on a journey of deceit, grabbed people’s attention, and then admitted the truth publicly. They had to make an example of me. I understand now that my brandings were really for misleading the Guild, for embarrassing them and causing people to question their validity.

      One of the strengths of the Guild is that they feed the media. They work alongside each other, feeding each other, and the media feeds the people. We are told that the judges are right, the branded are wrong. The story is obscured, never fully heard, the voice of reason lost through the foghorn of a Whistleblower siren.

      Among the long list of anti-Flawed decrees, Flawed are not allowed to have positions of power in the workplace, such as managerial roles or any functions where they have influence over people’s thinking. In theory, non-management jobs are open to the Flawed but, despite that, most Flawed are discriminated against in the workplace. Granddad isn’t one of those employers. He goes out of his way to find Flawed workers, to treat them exactly as he’d treat anyone else.

      Dahy is his longest-standing employee. With Granddad for thirty years, he has an ugly scar on his temple for his bad decision to grab the child. His brand was seared before the Guild managed to finesse the Branding Chamber and its tools. Still, it is nothing in comparison to the sixth brand on my spine, the secret one that Judge Crevan gave me. That’s a personal message, and it was done in anger, without practice and without anaesthetic. It’s a raw, shocking scar.

      Dahy is making another bad decision right now, colluding with Granddad in hiding me. Granddad could get a minimum of six months’ prison time for aiding a Flawed, but as a Flawed man, helping another Flawed, I dread to think of what Dahy’s punishment could be. As a Flawed person you think life couldn’t be any worse for you until the Guild turns on your family and uses them to inflict further punishment and pain.

      The three of us stare down into the rectangular pit in the ground. I hear doors slam – multiple doors – and I imagine a Whistleblower army in their red combat gear and black boots. They will be with us in a matter of minutes. I lower myself into the pit and lie down.

      “Cover me,” I say.

      Granddad pauses, but Dahy tugs at the sheet and gets it in motion. Granddad’s hesitancy could cost me.

      Once the sheet is over me, they start adding the wood and moss that I gathered from the forest that morning. Never mind digging my own grave: I’d prepared the coffin too.

      The footsteps draw near.

      “We need to get to Carrick immediately,” Granddad says quietly, and I agree silently.

      I hear the crunching of boots on soil.

      “Cornelius,” Mary May says suddenly, and my heart pounds. Everything about her terrifies me, a woman so heartless she reported her entire family to the Guild for immoral practices in their family business, in retaliation for her sister stealing her boyfriend. She has always been present for the searches of the farmhouse, but now it seems she has returned with an army. Or at least twelve others.

      “Mary May,” Granddad says gruffly. “Siren run out of batteries today?”

      Another stick lands on top of me, hard. Thrown into the pit casually to throw her off the scent, no doubt. It lands right on my stomach and I fight the urge to groan and move.

      Mary May doesn’t do banter, or humour, or conversation. What she says goes. “What’s that?”

      “A food pit,” Granddad says.

      The two of them are standing over me, on my left-hand side. I feel logs land on me from the other side, which means Dahy is still here.

      “Which is?”

      “Have you never heard of a food pit? I thought a country girl from the yellow meadows like you would know all about it.”

      “No. I don’t.” Her words are clipped. She doesn’t like that he knows where she’s from. Granddad enjoys doing that, putting her off, showing her he knows things about her. It’s subtle, and it’s jolly in tone, but the undertones are threatening.

      “Well, I dig a hole, put a sheet on the base. Cover it with logs. Light them. Then when it’s smouldering, I add the food and cover it with soil. Twenty-four hours later the food is cooked in the ground it grew from. Absolutely delicious. No food like it. Learned it from my pops, who learned it from his.”

      “That’s a coincidence,” Mary May says. “Digging a hole just before we arrive. You wouldn’t be hiding anything in there, would you?”

      “No coincidence when I wasn’t expecting you today. And it’s an annual ritual – ask anyone on the farm. Isn’t that right, Dahy?” Another bunch of logs and moss land on my body.

      Ow.

      “That’s right, boss,” Dahy says.

      “You expect me to believe a Flawed?” The disgust at even being spoken to by one is clear in her voice.

      There’s a long silence. I concentrate on my breathing. The sheet hasn’t been flattened on all sides, air creeps in, but not enough. This hiding place was a ridiculous idea, but it was my ridiculous idea. I’m regretting it now. I could have taken my chances hiding in the forest – maybe Mary May could have got lost in there forever too, the two of us hunting and hiding from each other for the rest of our lives.

      I hear Mary May slowly walking round the pit, perhaps she can see my body shape, perhaps not. Perhaps she is about to pull it all off me and reveal me right now. I concentrate on my breathing, everything is too heavy on me, I wish they’d stop piling on the wood.

      “That wood’s for burning, then?” she asks.

      “Yes,” says Granddad.

      “So set it on fire,” she says.

       Missing Image

      “What?” says Granddad.

      “You heard me.”

      On top of me is the white sheet. Above it, firewood and moss. Suddenly, something shifts and the sheet that has been rucked up, giving me space to breathe, collapses to my skin. I try to blow it away but I can’t move it. And now Mary May wants to set me on fire. She knows I’m here. I’m the mouse caught in the trap.

      Granddad tries to talk her out of it. He wasn’t intending on lighting it quite yet. The food isn’t ready; it needs to be wrapped up. It will all take time. She tells him she has time. She tells Dahy to prepare the food, but she doesn’t care about the food: she is more intent on setting me alight. She tells Granddad to concentrate on the fire. She’s not asking him – she’s telling him. She knows there’s nobody on this farm to share the food other than a bunch of Flawed, and she has no respect for their plans.

      It’s happening now.

      I feel another bundle land on my legs. Granddad is taking his time, chatting, dilly-dallying, doing his old-man-persona trick.

      “Put one there,” she says.

      It lands on my chest.

      I can’t breathe. I can’t breathe. I close my eyes, try to return to the yacht. My eighteenth birthday, the chocolate fondue, the music, the breeze, the person I should be, not the person I am. I try to go far away, but I can’t disappear. I’m here and now. The logs are heavy on my body; the air is


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