SLAVES OF PARIS (Complete Edition). Emile Gaboriau

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SLAVES OF PARIS (Complete Edition) - Emile Gaboriau


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sir,” said the tailor, “you attach too much importance to these hysterical outbursts. If you were in my place, you would soon have to put their right value on them. As I said before, I have to look after my own and my partners’ interests. These dear creatures care for nothing but dress; father, husband, and children are as nothing in comparison. You cannot imagine what a woman will do in order to get a new dress, in which to outshine her rival. They only talk of their families when they are called on to pay up.”

      Paul still continued to plead for some money for the poor lady, and the discussion was getting so warm that Mascarin felt bound to interfere.

      “Perhaps,” said he, “you have been a little hard.”

      “Pooh,” returned the tailor; “I know my customer; and to-morrow my account will be settled, and I know very well where the money will come from. Then she will give me another order, and we shall have the whole comedy over again. I know what I am about.” And taking Mascarin into the window, he made some confidential communication, at which they both laughed heartily.

      Paul, not wishing to appear to listen, examined the consulting-room, as Van Klopen termed it. He saw a great number of large scissors, yard measures, and patterns of material, and heaps of fashion plates.

      By this time the two men had finished their conversation.

      “I had,” said Mascarin, as they returned to the fireplace, “I had meant to glance through the books; but you have so many customers waiting, that I had better defer doing so.”

      “Is that all that hinders you?” returned Van Klopen, carelessly. “Wait a moment.”

      He left the room, and in another moment his voice was heard.

      “I am sorry, ladies, very sorry, on my word; but I am busy with my silk mercer. I shall not be very long.”

      “We will wait,” returned the ladies in chorus.

      “That is the way,” remarked Van Klopen, as he returned to the consulting-room. “Be civil to women, and they turn their backs on you; try and keep them off, and they run after you. If I was to put up ‘no admittance’ over my door, the street would be blocked up with women. Business has never been better,” continued the tailor, producing a large ledger. “Within the last ten days we have had in orders amounting to eighty-seven thousand francs.”

      “Good!” answered Mascarin; “but let us have a look at the column headed ‘Doubtful.’”

      “Here you are,” returned the arbiter of fashion, as he turned over the leaves. “Mademoiselle Virginie Cluhe has ordered five theatrical costumes, two dinner, and three morning dresses.”

      “That is a heavy order.”

      “I wanted for that reason to consult you. She doesn’t owe us much—perhaps a thousand francs or so.”

      “That is too much, for I hear that her friend has come to grief. Do not decline the order, but avoid taking fresh ones.”

      Van Klopen made a few mysterious signs in the margin of his ledger.

      “On the 6th of this month the Countess de Mussidan gave us an order—a perfectly plain dress for her daughter. Her account is a very heavy one, and the Count has warned us that he will not pay it.”

      “Never mind that. Go on with the order, put press for payment.”

      “On the 7th a new customer came—Mademoiselle Flavia, the daughter of Martin Rigal, the banker.”

      When Paul heard this name, he could not repress a start, of which, however, Mascarin affected to take no notice.

      “My good friend,” said he, turning to Van Klopen, “I confide this young lady to you; give her your whole stock if she asks for it.”

      By the look of surprise which appeared upon the tailor’s face, Paul could see that Mascarin was not prodigal of such recommendations.

      “You shall be obeyed,” said Van Klopen, with a bow.

      “On the 8th a young gentleman of the name of Gaston de Gandelu was introduced by Lupeaux, the jeweller. His father is, I hear, very wealthy, and he will come into money on attaining his majority, which is near at hand. He brought with him a lady,” continued the tailor, “and said her name was Zora de Chantemille, a tremendously pretty girl.”

      “That young man is always in my way,” said Mascarin. “I would give something to get him out of Paris.”

      Van Klopen reflected for a moment. “I don’t think that would be difficult,” remarked he; “that young fellow is capable of any act of folly for that fair girl.”

      “I think so too.”

      “Then the matter is easy. I will open an account with him; then, after a little, I will affect doubts as to his solvency, and ask for a bill; and we shall then place our young friend in the hands of the Mutual Loan Society, and M. Verminet will easily persuade him to write his name across the bottom of a piece of stamped paper. He will bring it to me; I will accept it, and then we shall have him hard and fast.”

      “I should have proposed another course.”

      “I see no other way, however,” He suddenly stopped, for a loud noise was heard in the ante-room, and the sound of voices in loud contention.

      “I should like to know,” said Van Klopen, rising to his feet, “who the impudent scoundrel is, who comes here kicking up a row. I expect that it is some fool of a husband.”

      “Go and see what it is,” suggested Mascarin.

      “Not I! My servants are paid to spare me such annoyances.”

      Presently the noise ceased.

      “And now,” resumed Mascarin, “let us return to our own affairs. Under the circumstances, your proposal appears to be a good one. How about writing in another name? A little forgery would make our hands stronger.” He rose, and taking the tailor into the window recess, again whispered to him.

      During this conversation Paul’s cheek had grown paler and paler, for, occupied as he was, he could not fail to comprehend something of what was going on. During the breakfast Mascarin had partially disclosed many strange secrets, and since then he had been even more enlightened. It was but too evident to him that his protector was engaged in some dark and insidious plot, and Paul felt that he was standing over a mine which might explode at any moment. He now began to fancy that there was some mysterious link between the woman Schimmel, who was so carefully watched, and the Marquis de Croisenois, so haughty, and yet on such intimate terms with the proprietor of the registry office. Then there was the Countess de Mussidan, Flavia, the rich heiress, and Gaston de Gandelu, who was to be led into a crime the result of which would be penal servitude,—all jumbled and mixed up together in one strange phantasmagoria. Was he, Paul, to be a mere tool in such hands? Toward what a precipice was he being impelled! Mascarin and Van Klopen were not friends, as he had at first supposed, but confederates in villainy. Too late did he begin to see collusion between Mascarin and Tantaine, which had resulted in his being accused of theft during his absence. But the web had been woven too securely, and should he struggle to break through it, he might find himself exposed to even more terrible dangers. He felt horrified at his position, but with this there was mingled no horror of the criminality of his associates, for the skilful hand of Mascarin had unwound and mastered all the bad materials of his nature. He was dazzled at the glorious future held out before him, and said to himself that a man like Mascarin, unfettered by law, either human or Divine, would be most likely to achieve his ends. “I should be in no danger,” mused he to himself, “if I yield myself up to the impetuous stream which is already carrying me along, for Mascarin is practised swimmer enough to keep both my head and his own above water.”

      Little did Paul think that every fleeting expression in his countenance was caught up and treasured by the wily Mascarin; and it was intentionally that he had permitted Paul to listen to this compromising conversation. He had decided that very morning, that if Paul was to be a useful tool, he must be at once set face


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