Martin Eden (American Classics Series). Джек Лондон
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In the distance, detail was veiled and blurred by a purple haze, but behind this purple haze, he knew, was the glamour of the unknown, the lure of romance. It was like wine to him. Here was adventure, something to do with head and hand, a world to conquer—and straightway from the back of his consciousness rushed the thought, conquering, to win to her, that lily-pale spirit sitting beside him.
The glimmering vision was rent asunder and dissipated by Arthur, who, all evening, had been trying to draw his wild man out. Martin Eden remembered his decision. For the first time he became himself, consciously and deliberately at first, but soon lost in the joy of creating in making life as he knew it appear before his listeners’ eyes. He had been a member of the crew of the smuggling schooner Halcyon when she was captured by a revenue cutter. He saw with wide eyes, and he could tell what he saw. He brought the pulsing sea before them, and the men and the ships upon the sea. He communicated his power of vision, till they saw with his eyes what he had seen. He selected from the vast mass of detail with an artist’s touch, drawing pictures of life that glowed and burned with light and color, injecting movement so that his listeners surged along with him on the flood of rough eloquence, enthusiasm, and power. At times he shocked them with the vividness of the narrative and his terms of speech, but beauty always followed fast upon the heels of violence, and tragedy was relieved by humor, by interpretations of the strange twists and quirks of sailors’ minds.
And while he talked, the girl looked at him with startled eyes. His fire warmed her. She wondered if she had been cold all her days. She wanted to lean toward this burning, blazing man that was like a volcano spouting forth strength, robustness, and health. She felt that she must lean toward him, and resisted by an effort. Then, too, there was the counter impulse to shrink away from him. She was repelled by those lacerated hands, grimed by toil so that the very dirt of life was ingrained in the flesh itself, by that red chafe of the collar and those bulging muscles. His roughness frightened her; each roughness of speech was an insult to her ear, each rough phase of his life an insult to her soul. And ever and again would come the draw of him, till she thought he must be evil to have such power over her. All that was most firmly established in her mind was rocking. His romance and adventure were battering at the conventions. Before his facile perils and ready laugh, life was no longer an affair of serious effort and restraint, but a toy, to be played with and turned topsy-turvy, carelessly to be lived and pleasured in, and carelessly to be flung aside. “Therefore, play!” was the cry that rang through her. “Lean toward him, if so you will, and place your two hands upon his neck!” She wanted to cry out at the recklessness of the thought, and in vain she appraised her own cleanness and culture and balanced all that she was against what he was not. She glanced about her and saw the others gazing at him with rapt attention; and she would have despaired had not she seen horror in her mother’s eyes—fascinated horror, it was true, but none the less horror. This man from outer darkness was evil. Her mother saw it, and her mother was right. She would trust her mother’s judgment in this as she had always trusted it in all things. The fire of him was no longer warm, and the fear of him was no longer poignant.
Later, at the piano, she played for him, and at him, aggressively, with the vague intent of emphasizing the impassableness of the gulf that separated them. Her music was a club that she swung brutally upon his head; and though it stunned him and crushed him down, it incited him. He gazed upon her in awe. In his mind, as in her own, the gulf widened; but faster than it widened, towered his ambition to win across it. But he was too complicated a plexus of sensibilities to sit staring at a gulf a whole evening, especially when there was music. He was remarkably susceptible to music. It was like strong drink, firing him to audacities of feeling,—a drug that laid hold of his imagination and went cloud-soaring through the sky. It banished sordid fact, flooded his mind with beauty, loosed romance and to its heels added wings. He did not understand the music she played. It was different from the dance-hall piano-banging and blatant brass bands he had heard. But he had caught hints of such music from the books, and he accepted her playing largely on faith, patiently waiting, at first, for the lifting measures of pronounced and simple rhythm, puzzled because those measures were not long continued. Just as he caught the swing of them and started, his imagination attuned in flight, always they vanished away in a chaotic scramble of sounds that was meaningless to him, and that dropped his imagination, an inert weight, back to earth.
Once, it entered his mind that there was a deliberate rebuff in all this. He caught her spirit of antagonism and strove to divine the message that her hands pronounced upon the keys. Then he dismissed the thought as unworthy and impossible, and yielded himself more freely to the music. The old delightful condition began to be induced. His feet were no longer clay, and his flesh became spirit; before his eyes and behind his eyes shone a great glory; and then the scene before him vanished and he was away, rocking over the world that was to him a very dear world. The known and the unknown were commingled in the dream-pageant that thronged his vision. He entered strange ports of sun-washed lands, and trod market-places among barbaric peoples that no man had ever seen. The scent of the spice islands was in his nostrils as he had known it on warm, breathless nights at sea, or he beat up against the southeast trades through long tropic days, sinking palm-tufted coral islets in the turquoise sea behind and lifting palm-tufted coral islets in the turquoise sea ahead. Swift as thought the pictures came and went. One instant he was astride a broncho and flying through the fairy-colored Painted Desert country; the next instant he was gazing down through shimmering heat into the whited sepulchre of Death Valley, or pulling an oar on a freezing ocean where great ice islands towered and glistened in the sun. He lay on a coral beach where the cocoanuts grew down to the mellow-sounding surf. The hulk of an ancient wreck burned with blue fires, in the light of which danced the hula dancers to the barbaric love-calls of the singers, who chanted to tinkling ukuleles and rumbling tom-toms. It was a sensuous, tropic night. In the background a volcano crater was silhouetted against the stars. Overhead drifted a pale crescent moon, and the Southern Cross burned low in the sky.
He was a harp; all life that he had known and that was his consciousness was the strings; and the flood of music was a wind that poured against those strings and set them vibrating with memories and dreams. He did not merely feel. Sensation invested itself in form and color and radiance, and what his imagination dared, it objectified in some sublimated and magic way. Past, present, and future mingled; and he went on oscillating across the broad, warm world, through high adventure and noble deeds to Her—ay, and with her, winning her, his arm about her, and carrying her on in flight through the empery of his mind.
And she, glancing at him across her shoulder, saw something of all this in his face. It was a transfigured face, with great shining eyes that gazed beyond the veil of sound and saw behind it the leap and pulse of life and the gigantic phantoms of the spirit. She was startled. The raw, stumbling lout was gone. The ill-fitting clothes, battered hands, and sunburned face remained; but these seemed the prison-bars through which she saw a great soul looking forth, inarticulate and dumb because of those feeble lips that would not give it speech. Only for a flashing moment did she see this, then she saw the lout returned, and she laughed at the whim of her fancy. But the impression of that fleeting glimpse lingered, and when the time came for him to beat a stumbling retreat and go, she lent him the volume of Swinburne, and another of Browning—she was studying Browning in one of her English courses. He seemed such a boy, as he stood blushing and stammering his thanks, that a wave of pity, maternal in its prompting, welled up in her. She did not remember the lout, nor the imprisoned soul, nor the man who had stared at her in all masculineness and delighted and frightened her. She saw before her only a boy, who was shaking her hand with a hand so calloused that it felt like a nutmeg-grater and rasped her skin, and who was saying jerkily:-
“The greatest time of my life. You see, I ain’t used to things. . . ” He looked about him helplessly. “To people and houses like this. It’s all new to me, and I like it.”
“I hope you’ll call again,” she said, as he was saying good night to her brothers.
He pulled on his cap, lurched desperately through the doorway, and was gone.
“Well, what do you think of him?” Arthur demanded.
“He is most interesting, a whiff of ozone,” she answered. “How old is he?”
“Twenty—almost twenty-one.