MAX CARRADOS MYSTERIES - Complete Series in One Volume. Bramah Ernest

Читать онлайн книгу.

MAX CARRADOS MYSTERIES - Complete Series in One Volume - Bramah Ernest


Скачать книгу
the material world, you must understand, Mrs Bellmark. The spirit world, its exact impalpable counterpart, would continue as before and Metrobe’s hoard would be spiritually intact and available. That is the prologue.

      “About a month ago there appeared a certain advertisement in a good many papers. I noticed it at the time and three days ago I had only to refer to my files to put my hand on it at once. It reads:

      “‘Alexis Metrobe. Any servant or personal attendant of the late Alexis Metrobe of Fountain Court, Groat’s Heath, possessing special knowledge of his habits and movements may hear of something advantageous on applying to Binstead & Polegate, 77a Bedford Row, W.C.’

      “The solicitors had, in fact, discovered that five thousand pounds’ worth of securities had been realized early in 1910. They readily ascertained that Metrobe had drawn that amount in gold out of his bank immediately after, and there the trace ended. He died six months later. There was no hoard of gold and not a shred of paper to show where it had gone, yet Metrobe lived very simply within his income. The house had meanwhile been demolished but there was no hint or whisper of any lucky find.

      “Two inquirers presented themselves at 77a Bedford Row. They were informed of the circumstances and offered a reward, varying according to the results, for information that would lead to the recovery of the money. They are both described as thoughtful, slow-spoken men. Each heard the story, shook his head, and departed. The first caller proved to be John Foster, the ex-butler. On the following day Mr Irons, formerly gardener at the Court, was the applicant.

      “I must now divert your attention into a side track. In the summer of 1910 Metrobe published a curious work entitled ‘The Flame beyond the Dome.’ In the main it is an eschatological treatise, but at the end he tacked on an epilogue, which he called ‘The Fable of the Chameleon.’ It is even more curious than the rest and with reason, for under the guise of a speculative essay he gives a cryptic account of the circumstances of the five thousand pounds and, what is more important, details the exact particulars of its disposal. His reason for so doing is characteristic of the man. He was conscious by experience that he possessed an utterly treacherous memory, and having had occasion to move the treasure from one spot to another he feared that when the time came his bemuddled shade would be unable to locate it. For future reference, therefore, he embodied the details in his book, and to make sure that plenty of copies should be in existence he circulated it by the only means in his power—in other words, he gave a volume to everyone he knew and to a good many people whom he didn’t.

      “So far I have dealt with actualities. The final details are partly speculative but they are essentially correct. Metrobe conveyed his gold to Fountain Court, obtained a stout oak coffer for it, and selected a spot west of the fountain. He chose a favourable occasion for burying it, but by some mischance Irons came on the scene. Metrobe explained the incident by declaring that he was burying a favourite parrot. Irons thought nothing particular about it then, although he related the fact to the butler, and to others, in evidence of the general belief that ‘the old cock was quite barmy.’ But Metrobe himself was much disturbed by the accident. A few days later he dug up the box. In pursuance of his new plan he carried his gold to the Bank of England and changed it into these notes. Then transferring the venue to one due east of the fountain, he buried them in this tin, satisfied that the small space it occupied would baffle the search of anyone not in possession of the exact location.”

      “But, I say!” exclaimed Mr Bellmark. “Gold might remain gold, but what imaginable use could be made of bank-notes after the end of the world?”

      “That is a point of view, no doubt. But Metrobe, in spite of his foreign name, was a thorough Englishman. The world might come to an end, but he was satisfied that somehow the Bank of England would ride through it all right. I only suggest that. There is much that we can only guess.”

      “That is all there is to know, Mr Carrados?”

      “Yes. Everything comes to an end, Mrs Bellmark. I sent my car away to call for me at eight. Eight has struck. That is Harris announcing his arrival.”

      He stood up, but embarrassment and indecision marked the looks and movements of the other two.

      “How can we possibly take all this money, though?” murmured Elsie, in painful uncertainty. “It is entirely your undertaking, Mr Carrados. It is the merest fiction bringing me into it at all.”

      “Perhaps in the circumstances,” suggested Bellmark nervously—“you remember the circumstances, Elsie?—Mr Carrados would be willing to regard it as a loan——”

      “No, no!” cried Elsie impulsively. “There must be no half measures. We know that a thousand pounds would be nothing to Mr Carrados, and he knows that a thousand pounds are everything to us.” Her voice reminded the blind man of the candle-snuffing recital. “We will take this great gift, Mr Carrados, quite freely, and we will not spoil the generous satisfaction that you must have in doing a wonderful and a splendid service by trying to hedge our obligation.”

      “But what can we ever do to thank Mr Carrados?” faltered Bellmark mundanely.

      “Nothing,” said Elsie simply. “That is it.”

      “But I think that Mrs Bellmark has quite solved that,” interposed Carrados.

       Table of Contents

      “It’s a funny thing, sir,” said Inspector Beedel, regarding Mr Carrados with the pensive respect that he always extended towards the blind amateur, “it’s a funny thing, but nothing seems to go on abroad now but what you’ll find some trace of it here in London if you take the trouble to look.”

      “In the right quarter,” contributed Carrados.

      “Why, yes,” agreed the inspector. “But nothing comes of it nine times out of ten, because it’s no one’s particular business to look here or the thing’s been taken up and finished from the other end. I don’t mean ordinary murders or single-handed burglaries, of course, but”—a modest ring of professional pride betrayed the quiet enthusiast—“real First-Class Crimes.”

      “The State Antonio Five per cent. Bond Coupons?” suggested Carrados.

      “Ah, you are right, Mr Carrados.” Beedel shook his head sadly, as though perhaps on that occasion someone ought to have looked. “A man has a fit in the inquiry office of the Agent-General for British Equatoria, and two hundred and fifty thousand pounds’ worth of faked securities is the result in Mexico. Then look at that jade fylfot charm pawned for one-and-three down at the Basin and the use that could have been made of it in the Kharkov ‘ritual murder’ trial.”

      “The West Hampstead Lost Memory puzzle and the Baripur bomb conspiracy that might have been smothered if one had known.”

      “Quite true, sir. And the three children of that Chicago millionaire—Cyrus V. Bunting, wasn’t it?—kidnapped in broad daylight outside the New York Lyric and here, three weeks later, the dumb girl who chalked the wall at Charing Cross. I remember reading once in a financial article that every piece of foreign gold had a string from it leading to Threadneedle Street. A figure of speech, sir, of course, but apt enough, I don’t doubt. Well, it seems to me that every big crime done abroad leaves a finger-print here in London—if only, as you say, we look in the right quarter.”

      “And at the right moment,” added Carrados. “The time is often the present; the place the spot beneath our very noses. We take a step and the chance has gone for ever.”

      The inspector nodded and contributed a weighty monosyllable of sympathetic agreement. The most prosaic of men in the pursuit of his ordinary duties, it nevertheless subtly appealed to some half-dormant streak of vanity to have his profession taken romantically when there was no serious work on hand.

      “No; perhaps not ‘for ever’ in one case in a thousand, after


Скачать книгу