THE COUNT'S MILLIONS. Emile Gaboriau
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are a thief!” and he lost his reason.
The event created a great sensation at the time, and the Petit Journal published a curious story concerning this unfortunate young man’s mother. The poor woman—she was a widow—sold all she possessed, even the bed on which she slept, and when she had succeeded in gathering together twenty thousand francs—the ransom of her son’s honor—she carried them to the banker by whom her boy had been employed. He took them, without even asking the mother if she had enough left to purchase her dinner that evening; and the fine gentleman, who had won and pocketed Jules Chazel’s stolen gold, thought the banker’s conduct perfectly natural and just. It is true that Madame d’Argeles was in despair during forty-eight hours or so; for the police had begun a sort of investigation, and she feared this might frighten her visitors and empty her drawing-rooms. Not at all, however; on the contrary, she had good cause to congratulate herself upon the notoriety she gained through this suicide. For five days she was the talk of Paris, and Alfred d’Aunay even published her portrait in the Illustrated Chronicle.
Still, no one was able to say exactly who Madame Lia d’Argeles was. Who was she, and whence did she come? How had she lived until she sprang up, full grown, in the sunshine of the fashionable world? Did the splendid mansion in the Rue de Berry really belong to her? Was she as rich as she was supposed to be? Where had she acquired such manners, the manners of a thorough woman of the world, with her many accomplishments, as well as her remarkable skill as a musician? Everything connected with her was a subject of conjecture, even to the name inscribed upon her visiting cards—“Lia d’Argeles.”
But no matter. Her house was always filled to over-flowing; and at the very moment when the Marquis de Valorsay and M. Fortunat were speaking of her, a dozen coroneted carriages stood before her door, and her rooms were thronged with guests. It was a little past midnight, and the bi-weekly card party had just been made up, when a footman announced, “Monsieur le Vicomte de Coralth! Monsieur Pascal Ferailleur!”
Few of the players deigned to raise their heads. But one man growled, “Good—two more players!” And four or five young men exclaimed, “Ah! here’s Ferdinand! Good evening, my dear fellow!”
M. de Coralth was very young and remarkably good-looking, almost too good-looking, indeed; for his handsomeness was somewhat startling and unnatural. He had an exceedingly fair complexion, and large, melting black eyes, while a woman might have envied him his wavy brown hair and the exquisite delicacy of his skin. He dressed with great care and taste, and even coquettishly; his turn-down collar left his firm white throat uncovered, and his rose-tinted gloves fitted as perfectly as the skin upon his soft, delicate hands. He bowed familiarly on entering, and with a rather complacent smile on his lips, he approached Madame d’Argeles, who, half reclining in an easy chair near the fire-place, was conversing with two elderly gentlemen of grave and distinguished bearing. “How late you are, viscount,” she remarked carelessly. “What have you been doing to-day? I fancied I saw you in the Bois, in the Marquis de Valorsay’s dog-cart.”
A slight flush suffused M. de Coralth’s cheeks, and to hide it, perhaps, he turned toward the visitor who had entered with him, and drew him toward Madame d’Argeles, saying, “Allow me, madame, to present to you one of my great friends, M. Pascal Ferailleur, an advocate whose name will be known to fame some day.”
“Your friends are always welcome at my house, my dear viscount,” replied Madame d’Argeles. And before Pascal had concluded his bow, she averted her head, and resumed her interrupted conversation.
The new-comer, however, was worthy of more than that cursory notice. He was a young man of five or six-and-twenty, dark-complexioned and tall; each movement of his person was imbued with that natural grace which is the result of perfect harmony of the muscles, and of more than common vigor. His features were irregular, but they gave evidence of energy, kindness of heart, and honesty of purpose. A man possessing such a proud, intelligent, and open brow, such a clear, straightforward gaze, and such finely-cut lips, could be no ordinary one. Deserted by his sponsor, who was shaking hands right and left, he seated himself on a sofa a little in the background; not because he was embarrassed, but because he felt that instinctive distrust of self which frequently seizes hold of a person on entering a crowd of strangers. He did his best to conceal his curiosity, but nevertheless he looked and listened with all his might.
The salon, was an immense apartment, divided into two rooms by sliding doors and hangings. When Madame d’Argeles gave a ball, the rooms were thrown into one; but, as a general rule, one room was occupied by the card-players, and the other served as a refuge for those who wished to chat. The card-room, into which Pascal had been ushered, was an apartment of noble proportions, furnished in a style of tasteful magnificence. The tints of the carpet were subdued; there was not too much gilding on the cornices; the clock upon the mantel-shelf was chaste and elegant in design. The only thing at all peculiar about the room and its appointments was a reflector, ingeniously arranged above the chandelier in such a way as to throw the full glare of the candles upon the card-table which stood directly beneath it. The table itself was adorned with a rich tapestry cover, but this was visible only at the corners, for it was covered, in turn, with a green baize cloth considerably the worse for wear. Madame d’Argeles’s guests were probably not over fifty in number, but they all seemed to belong to the very best society. The majority of them were men of forty or thereabouts; several wore decorations, and two or three of the eldest were treated with marked deference. Certain well-known names which Pascal overheard surprised him greatly. “What! these men here?” he said to himself; “and I—I regarded my visit as a sort of clandestine frolic.”
There were only seven or eight ladies present, none of them being especially attractive. Their toilettes were very costly, but in rather doubtful taste, and they wore a profusion of diamonds. Pascal noticed that these ladies were treated with perfect indifference, and that, whenever the gentlemen spoke to them, they assumed an air of politeness which was too exaggerated not to be ironical.
A score of persons were seated at the card-table, and the guests who had retired into the adjoining salon were silently watching the progress of the game, or quietly chatting in the corners of the room. It surprised him to note that every one spoke in very low tones; there was something very like respect, even awe, in this subdued murmur. One might have supposed that those present were celebrating the rites of some mysterious worship. And is not gaming a species of idolatry, symbolized by cards, and which has its images, its fetishes, its miracles, its fanatics, and its martyrs?
Occasionally, above the accompaniment of whispers, rose the strange and incoherent exclamations of the players: “Here are twenty louis! I take it—I pass! The play is made! Banco!”
“What a strange gathering!” thought Pascal Ferailleur. “What singular people!” And he turned his attention to the mistress of the house, as if he hoped to decipher the solution of the enigma on her face.
But Madame Lia d’Argeles defied all analysis. She was one of those women whose uncertain age varies according to their mood, between the thirties and the fifties; one who did not look over thirty in the evening, but who would have been charged with being more than fifty the next morning. In her youth she must have been very beautiful, and she was still good-looking, though she had grown somewhat stout, and her face had become a trifle heavy, thus marring the symmetry of her very delicate features. A perfect blonde, she had eyes of so clear a blue that they seemed almost faded. The whiteness of her skin was so unnatural that it almost startled one. It was the dull, lifeless white which suggests an excessive use of cosmetics and rice powder, and long baths, late hours, and sleep at day-time, in a darkened room. Her face was utterly devoid of expression. One might have fancied that its muscles had become relaxed after terrible efforts to feign or to conceal some violent emotions; and there was something melancholy, almost terrifying in the eternal, and perhaps involuntary smile, which curved her lips. She wore a dress of black velvet, with slashed sleeves and bodice, a new design of the famous man-milliner, Van Klopen.
Pascal was engaged in these observations when M. de Coralth, having made his round, came and sat down on the sofa beside him. “Well, what do you think of it?” he inquired.
“Upon my word!” replied the young advocate, “I am infinitely obliged to you for inviting me