Plutarch's Morals. Plutarch
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to Love, for it turns the mind away from the world of fancy to the world of reality, beguiling us by its grace and splendid appearance, and persuading us to seek for truth and everything else in and round it and nowhere else. For as Euripides says,
'Too passionately do we love the Sun, Because it always shines upon the earth, From inexperience of another life,'125
or rather from forgetfulness of those things which Love brings to our remembrance. For as when we are woke by a great and bright light, everything that the soul has seen in dreams is vanished and fled, so the Sun is wont to banish the remembrance of past changes and chances, and to bewitch the intelligence, pleasure and admiration causing this forgetfulness. And though reality is really there, yet the soul cleaves to dreams and is dazzled by what is most beautiful and divine. 'For round the soul are poured sweet yet deceiving dreams,' so that the soul thinks everything here good and valuable, unless it obtain divine and chaste Love as its physician and preserver. For Love brings the soul through the body to truth and the region of truth, where pure and guileless beauty is to be found, kindly befriending its votaries like an initiator at the mysteries. And it associates with the soul only through the body. And as geometricians, in the case of boys who cannot yet be initiated into the perception of incorporeal and impassive substance, convey their ideas through the medium of spheres, cubes, and dodecahedrons, so celestial Love has contrived beautiful mirrors of beautiful things, and exhibits them to us glittering in the shapes colours and appearances of youths in all their flower, and calmly stirs the memory which is inflamed first by these. Consequently some, through the stupidity of their friends and intimates, who have endeavoured by force and against reason to extinguish the flame, have got no advantage from it, but filled themselves with smoke and confusion, or have rushed into secret and lawless pleasures and ingloriously wasted their prime. But as many as by sober reason and modesty have abated the extravagance of the passion, and left in the soul only a bright glow—not exciting a tornado of passion, but a wonderful and productive diffusion, as in a growing plant, opening the pores of complaisance and friendliness—these in no long time cease to regard the personal charms of those they love, and study their inward characters, and gaze at one another with unveiled eyes, and associate with one another in words and actions, if they find in their minds any fragment or image of the beautiful; and if not they bid them farewell and turn to others, like bees that only go to those flowers from which they can get honey. But wherever they find any trace or emanation or pleasing resemblance of the divine, in an ecstasy of pleasure and delight they indulge their memory, and revive to whatever is truly lovely and felicitous and admired by everybody."
§ xx. "The poets indeed seem for the most part to have written and sung about Love in a playful and merry manner, but have sometimes spoken seriously about him, whether out of their own mind, or the god helping them to truth. Among these are the lines about his birth, 'Well-sandalled Iris bare the most powerful of the gods to golden-haired Zephyr.'126 But perhaps the learned have persuaded you that these lines are only a fanciful illustration of the variety and beauty of love." "Certainly," said Daphnæus, "what else could they mean?" "Hear me," said my father, "for the heavenly phenomenon compels us so to speak. The rainbow127 is, I suppose, a reflection caused by the sun's rays falling on a moist cloud, making us think the appearance is in the cloud. Similarly erotic fancy in the case of noble souls causes a reflection of the memory, from things which here appear and are called beautiful, to what is really divine and lovely and felicitous and wonderful. But most lovers pursuing and groping after the semblance of beauty in boys and women, as in mirrors,128 can derive nothing more certain than pleasure mixed with pain. And this seems the love-delirium of Ixion, who instead of the joy he desired embraced only a cloud, as children who desire to take the rainbow into their hands, clutching at whatever they see. But different is the behaviour of the noble and chaste lover: for he reflects on the divine beauty that can only be felt, while he uses the beauty of the visible body only as an organ of the memory, though he embraces it and loves it, and associating with it is still more inflamed in mind. And so neither in the body do they sit ever gazing at and desiring this light, nor after death do they return to this world again, and skulk and loiter about the doors and bedchambers of newly-married people, disagreeable ghosts of pleasure-loving and sensual men and women, who do not rightly deserve the name of lovers. For the true lover, when he has got into the other world and associated with beauties as much as is lawful, has wings and is initiated and passes his time above in the presence of his Deity, dancing and waiting upon him, until he goes back to the meadows of the Moon and Aphrodite, and sleeping there commences a new existence. But this is a subject too high for the present occasion. However, it is with Love as with the other gods, to borrow the words of Euripides, 'he rejoices in being honoured by mankind,'129 and vice versa, for he is most propitious to those that receive him properly, but visits his displeasure on those that affront him. For neither does Zeus as god of Hospitality punish and avenge any outrages on strangers or suppliants, nor as god of the family fulfil the curses of parents, as quickly as Love hearkens to lovers unfairly treated, being the chastiser of boorish and haughty persons. Why need I mention the story of Euxynthetus and Leucomantis, the latter of whom is called The Peeping Girl to this day in Cyprus? But perhaps you have not heard of the punishment of the Cretan Gorgo, a somewhat similar case to that of Leucomantis, except that she was turned into stone as she peeped out of window to see her lover carried out to burial. For this Gorgo had a lover called Asander, a proper young man and of a good family, but reduced in fortune, though he thought himself worthy to mate with anybody. So he wooed Gorgo, being a relation of hers, and though he had many rivals, as she was much run after for her wealth belike, yet he had won the esteem of all the guardians and relations of the young girl.130 * * * *
§ xxi. * * * Now the origins and causes of Love are not peculiar to either sex, but common to both. For those attractions that make men amorous may as well proceed from women as from boys.131 And as to those beautiful and holy reminiscences and invitations to the divine and genuine and Olympian beauty, by which the soul soars aloft, what hinders but that they may come either from boys or lads, maidens or grown women, whenever a chaste and orderly nature and beauteous prime are associated together (just as a neat shoe exhibits the shapeliness of the foot, to borrow the illustration of Aristo), whenever connoisseurs of beauty descry in beautiful forms and pure bodies clear traces of an upright and unenervated soul.132 For if133 the man of pleasure, who was asked whether "he was most given to the love of women or boys," and answered, "I care not which so beauty be but there," is considered to have given an appropriate answer as to his erotic desires, shall the noble lover of beauty neglect beauty and nobility of nature, and make love only with an eye to the sexual parts? Why, the lover of horses will take just as much pleasure in the good points of Podargus, as in those of Æthe, Agamemnon's mare,134 and the sportsman rejoices not only in dogs, but also rears Cretan and Spartan bitches,135 and shall the lover of the beautiful and of humanity be unfair and deal unequally with either sex, and think that the difference between the loves of boys and women is only their different dress? And yet they say that beauty is a flower of virtue; and it is ridiculous to assert that the female sex never blossoms nor make a goodly show of virtue, for as Æschylus truly says,
'I never can mistake the burning eye Of the young woman that has once known man.'136
Shall the indications then of a forward wanton and corrupt character be found in the faces of women, and shall there be no gleam of