The Lock and Key Library: Classic Mystery and Detective Stories: Modern English. Various

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The Lock and Key Library: Classic Mystery and Detective Stories: Modern English - Various


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was a whir and a click, and both sounds could only have been made by one thing—a billiard ball. I argued the matter out at great length with myself; and the more I argued the less probable it seemed that one bed, one table, and two chairs—all the furniture of the room next to mine—could so exactly duplicate the sounds of a game of billiards. After another cannon, a three-cushion one to judge by the whir, I argued no more. I had found my ghost and would have given worlds to have escaped from that dâk-bungalow. I listened, and with each listen the game grew clearer. There was whir on whir and click on click. Sometimes there was a double click and a whir and another click. Beyond any sort of doubt, people were playing billiards in the next room. And the next room was not big enough to hold a billiard table!

      Between the pauses of the wind I heard the game go forward—stroke after stroke. I tried to believe that I could not hear voices; but that attempt was a failure.

      Do you know what fear is? Not ordinary fear of insult, injury or death, but abject, quivering dread of something that you cannot see—fear that dries the inside of the mouth and half of the throat—fear that makes you sweat on the palms of the hands, and gulp in order to keep the uvula at work? This is a fine Fear—a great cowardice, and must be felt to be appreciated. The very improbability of billiards in a dâk-bungalow proved the reality of the thing. No man—drunk or sober—could imagine a game at billiards, or invent the spitting crack of a "screw-cannon."

      A severe course of dâk-bungalows has this disadvantage—it breeds infinite credulity. If a man said to a confirmed dâk-bungalow-haunter:—"There is a corpse in the next room, and there's a mad girl in the next but one, and the woman and man on that camel have just eloped from a place sixty miles away," the hearer would not disbelieve because he would know that nothing is too wild, grotesque, or horrible to happen in a dâk-bungalow.

      This credulity, unfortunately, extends to ghosts. A rational person fresh from his own house would have turned on his side and slept. I did not. So surely as I was given up as a bad carcass by the scores of things in the bed because the bulk of my blood was in my heart, so surely did I hear every stroke of a long game at billiards played in the echoing room behind the iron-barred door. My dominant fear was that the players might want a marker. It was an absurd fear; because creatures who could play in the dark would be above such superfluities. I only know that that was my terror; and it was real.

      After a long, long while the game stopped, and the door banged. I slept because I was dead tired. Otherwise I should have preferred to have kept awake. Not for everything in Asia would I have dropped the door-bar and peered into the dark of the next room.

      When the morning came, I considered that I had done well and wisely, and inquired for the means of departure.

      "By the way, khansamah," I said, "what were those three doolies doing in my compound in the night?"

      "There were no doolies," said the khansamah.

      I went into the next room and the daylight streamed through the open door. I was immensely brave. I would, at that hour, have played Black Pool with the owner of the big Black Pool down below.

      "Has this place always been a dâk-bungalow?" I asked.

      "No," said the khansamah. "Ten or twenty years ago, I have forgotten how long, it was a billiard room."

      "A how much?"

      "A billiard room for the Sahibs who built the Railway. I was khansamah then in the big house where all the Railway-Sahibs lived, and I used to come across with brandy-shrab. These three rooms were all one, and they held a big table on which the Sahibs played every evening. But the Sahibs are all dead now, and the Railway runs, you say, nearly to Kabul."

      "Do you remember anything about the Sahibs?"

      "It is long ago, but I remember that one Sahib, a fat man and always angry, was playing here one night, and he said to me:—'Mangal Khan, brandy-pani do,' and I filled the glass, and he bent over the table to strike, and his head fell lower and lower till it hit the table, and his spectacles came off, and when we—the Sahibs and I myself—ran to lift him he was dead. I helped to carry him out. Aha, he was a strong Sahib! But he is dead and I, old Mangal Khan, am still living, by your favor."

      That was more than enough! I had my ghost—a first-hand, authenticated article. I would write to the Society for Psychical Research—I would paralyze the Empire with the news! But I would, first of all, put eighty miles of assessed crop land between myself and that dâk-bungalow before nightfall. The Society might send their regular agent to investigate later on.

      I went into my own room and prepared to pack after noting down the facts of the case. As I smoked I heard the game begin again—with a miss in balk this time, for the whir was a short one.

      The door was open and I could see into the room. Click—click! That was a cannon. I entered the room without fear, for there was sunlight within and a fresh breeze without. The unseen game was going on at a tremendous rate. And well it might, when a restless little rat was running to and fro inside the dingy ceiling-cloth, and a piece of loose window-sash was making fifty breaks off the window-bolt as it shook in the breeze!

      Impossible to mistake the sound of billiard balls! Impossible to mistake the whir of a ball over the slate! But I was to be excused. Even when I shut my enlightened eyes the sound was marvelously like that of a fast game.

      Entered angrily the faithful partner of my sorrows, Kadir Baksh.

      "This bungalow is very bad and low-caste! No wonder the Presence was disturbed and is speckled. Three sets of doolie-bearers came to the bungalow late last night when I was sleeping outside, and said that it was their custom to rest in the rooms set apart for the English people! What honor has the khansamah? They tried to enter, but I told them to go. No wonder, if these Oorias have been here, that the Presence is sorely spotted. It is shame, and the work of a dirty man!"

      Kadir Baksh did not say that he had taken from each gang two annas for rent in advance, and then, beyond my earshot, had beaten them with the big green umbrella whose use I could never before divine. But Kadir Baksh has no notions of morality.

      There was an interview with the khansamah, but as he promptly lost his head, wrath gave place to pity, and pity led to a long conversation, in the course of which he put the fat Engineer-Sahib's tragic death in three separate stations—two of them fifty miles away. The third shift was to Calcutta, and there the Sahib died while driving a dog-cart.

      If I had encouraged him the khansamah would have wandered all through Bengal with his corpse.

      I did not go away as soon as I intended. I stayed for the night, while the wind and the rat and the sash and the window-bolt played a ding-dong "hundred and fifty up." Then the wind ran out and the billiards stopped, and I felt that I had ruined my one genuine, hall-marked ghost story.

      Had I only stopped at the proper time, I could have made anything out of it.

      That was the bitterest thought of all!

       Table of Contents

      When the Devil rides on your chest, remember the chamar. —Native Proverb.

      Once upon a time some people in India made a new heaven and a new earth out of broken teacups, a missing brooch or two, and a hair brush. These were hidden under bushes, or stuffed into holes in the hillside, and an entire civil service of subordinate gods used to find or mend them again; and everyone said: "There are more things in heaven and earth than are dreamed of in our philosophy." Several other things happened also, but the religion never seemed to get much beyond its first manifestations; though it added an air-line postal dak, and orchestral effects in order to keep abreast of the times, and stall off competition.

      This religion


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