THE COMPLETE WORKS OF RUDYARD KIPLING (Illustrated Edition). Rudyard 1865-1936 Kipling
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'So be it,' said Kim composedly. 'Now?'
He nodded and held the lamp above his head. As the light swept them, there leaped out from the walls a collection of Tibetan devil-dance masks, hanging above the fiend-embroidered draperies of those ghastly functions—horned masks, scowling masks, and masks of idiotic terror. In a corner, a Japanese warrior, mailed and plumed, menaced him with a halberd, and a score of lances and khandas and kuttars gave back the unsteady gleam. But what interested Kim more than all these things—he had seen devil-dance masks at the Lahore Museum—was a glimpse of the soft-eyed Hindu child who had left him in the doorway, sitting cross-legged under the table of pearls with a little smile on his scarlet lips.
'I think that Lurgan Sahib wishes to make me afraid. And I am sure that the devil's brat below the table wishes to see me afraid. This place,' he said aloud, 'is like a Wonder House. Where is my bed?'
Lurgan Sahib pointed to a native quilt in a corner by the loathsome masks, picked up the lamp, and left the room black.
'Was that Lurgan Sahib?' Kim asked as he cuddled down. No answer. He could hear the Hindu boy breathing, however, and, guided by the sound, crawled across the floor, and cuffed into the darkness, crying: 'Give answer, devil! Is this the way to lie to a Sahib?'
From the darkness he fancied he could hear the echo of a chuckle. It could not be his soft-fleshed companion, because he was weeping. So Kim lifted up his voice and called aloud: 'Lurgan Sahib! O Lurgan Sahib! Is it an order that thy servant does not speak to me?'
'It is an order.' The voice came from behind him and he started.
'Very good. But remember,' he muttered, as he resought the quilt, 'I will beat thee in the morning. I do not love Hindus.'
That was no cheerful night; the room being overfull of voices and music. Kim was waked twice by some one calling his name. The second time he set out in search, and ended by bruising his nose against a box that certainly spoke with a human tongue, but in no sort of human accent. It seemed to end in a tin trumpet and to be joined by wires to a smaller box on the floor—so far, at least, as he could judge by touch. And the voice, very hard and whirring, came out of the trumpet. Kim rubbed his nose and grew furious, thinking, as usual, in Hindi.
'This with a beggar from the bazar might be good but—I am a Sahib and the son of a Sahib and, which is twice as much more beside, a student of Nucklao. Yess' (here he turned to English), 'a boy of St. Xavier's. Damn Mr. Lurgan's eyes!—It is some sort of machinery like a sewing-machine. Oh, it is a great cheek of him—we are not frightened that way at Lucknow—No!' Then in Hindi: 'But what does he gain? He is only a trader—I am in his shop. But Creighton Sahib is a Colonel—and I think Creighton Sahib gave orders that it should be done. How I will beat that Hindu in the morning! What is this?'
The trumpet-box was pouring out a string of the most elaborate abuse that even Kim had ever heard, in a high uninterested voice, that for a moment lifted the short hairs of his neck. When the vile thing drew breath, Kim was reassured by the soft, sewing-machine-like whirr.
'Chup!' (be still) he cried, and again he heard a chuckle that decided him. 'Chup—or I break your head.'
The box took no heed. Kim wrenched at the tin trumpet and something lifted with a click. He had evidently raised a lid. If there were a devil inside, now was its time for—he sniffed—thus did the sewing-machines of the bazar smell. He would clean that shaitan. He slipped off his jacket, and plunged it into the box's mouth. Something long and round bent under the pressure, there was a whirr and the voice stopped—as voices must if you ram a thrice-doubled coat on to the wax cylinder and into the works of an expensive phonograph. Kim finished his slumbers with a serene mind.
In the morning he was aware of Lurgan Sahib looking down on him.
'Oah!' said Kim, firmly resolved to cling to his Sahibdom. 'There was a box in the night that gave me bad talk. So I stopped it. Was it your box?'
The man held out his hand.
'Shake hands, O'Hara,' he said. 'Yes, it was my box. I keep such things because my friends the Rajahs like them. That one is broken, but it was cheap at the price. Yes, my friends the Kings are very fond of toys—and so am I sometimes.'
Kim looked him over out of the corners of his eyes. He was a Sahib in that he wore Sahib's clothes; the accent of his Urdu, the intonation of his English, showed that he was anything but a Sahib. He seemed to understand what moved in Kim's mind ere the boy opened his mouth, and he took no pains to explain himself as did Father Victor or the Lucknow masters. Sweetest of all—he treated Kim as an equal on the Asiatic side.
'I am sorry you cannot beat my boy this morning. He says he will kill you with a knife or poison. He is jealous, so I have put him in the corner and I shall not speak to him to-day. He has just tried to kill me. You must help me with the breakfast. He is almost too jealous to trust, just now.'
Now a genuine imported Sahib from England would have made a great to do over this tale. Lurgan Sahib stated it as simply as Mahbub Ali was used to record his little affairs in the North.
The back veranda of the shop was built out over the sheer hillside, and they looked down into their neighbours' chimney-pots, as is the custom of Simla. But even more than the purely Persian meal cooked by Lurgan Sahib with his own hands, the shop fascinated Kim. The Lahore Museum was larger, but here were more wonders—ghost-daggers and prayer-wheels from Tibet; turquoise and raw amber necklaces; green jade bangles; curiously packed incense-sticks in jars crusted over with raw garnets; the devil-masks of overnight and a wall of peacock-blue draperies; gilt figures of Buddha, and little portable lacquer altars; Russian samovars with turquoises on the lid; egg-shell china sets in quaint octagonal cane boxes; yellow ivory crucifixes—from Japan of all places in the world, so Lurgan Sahib said; carpets in dusty bales, smelling atrociously, pushed back behind torn and rotten screens of geometrical work; Persian water-jugs for the hands after meals; dull copper incense-burners neither Chinese nor Persian, with friezes of fantastic devils running round them; tarnished silver belts that knotted like raw hide; hairpins of jade, ivory, and plasma; arms of all sorts and kinds, and a thousand other oddments were cased, or piled, or merely thrown into the room, leaving a clear space only round the rickety deal table, where Lurgan Sahib worked.
'Those things are nothing,' said his host, following Kim's glance. 'I buy them because they are pretty, and sometimes I sell—if I like the buyer's look. My work is on the table—some of it.'
It blazed in the morning light—all red and blue and green flashes, picked out with the vicious blue-white spurt of a diamond here and there. Kim opened his eyes.
'Oh, they are quite well, those stones. It will not hurt them to take the sun. Besides, they are cheap. But with sick stones it is very different.' He piled Kim's plate anew. 'There is no one but me can doctor a sick pearl and re-blue turquoises. I grant you opals—any fool can cure an opal—but for a sick pearl there is only me. Suppose I were to die! Then there would be no one. . . . Oh no! You cannot do anything with jewels. It will be quite enough if you understand a little about the Turquoise—some day.'
He moved to the end of the veranda to refill the heavy, porous clay water-jug from the filter.
'Do you want drink?'
Kim nodded. Lurgan Sahib, fifteen feet off, laid one hand on the jar. Next instant, it stood at Kim's elbow, full to within half of inch of the brim—the white cloth only showing, by a small wrinkle, where it had slid into place.
'Wah!' said Kim in most utter amazement. 'That is magic.' Lurgan Sahib's smile showed that the compliment had gone home.
'Throw it back.'
'It will break.'
'I say, throw it back.'
Kim pitched it at random. It fell short and crashed into fifty