The Age of Chivalry. Bulfinch Thomas
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be often there, and in this she held her covenant with him. And Merlin never went out of that tower where his Mistress Viviane had enclosed him; but she entered and went out again when she listed.
After this event Merlin was never more known to hold converse with any mortal but Viviane, except on one occasion. Arthur, having for some time missed him from his court, sent several of his knights in search of him, and, among the number, Sir Gawain, who met with a very unpleasant adventure while engaged in this quest. Happening to pass a damsel on his road, and neglecting to salute her, she revenged herself for his incivility by transforming him into a hideous dwarf. He was bewailing aloud his evil fortune as he went through the forest of Breceliande, when suddenly he heard the voice of one groaning on his right hand; and, looking that way, he could see nothing save a kind of smoke, which seemed like air, and through which he could not pass. Merlin then addressed him from out the smoke, and told him by what misadventure he was imprisoned there. "Ah, sir!" he added, "you will never see me more, and that grieves me, but I cannot remedy it; I shall never more speak to you, nor to any other person, save only my mistress. But do thou hasten to King Arthur, and charge him from me to undertake, without delay, the quest of the Sacred Graal. The knight is already born, and has received knighthood at his hands, who is destined to accomplish this quest." And after this he comforted Gawain under his transformation, assuring him that he should speedily be disenchanted; and he predicted to him that he should find the king at Carduel, in Wales, on his return, and that all the other knights who had been on like quest would arrive there the same day as himself. And all this came to pass as Merlin had said.
Merlin is frequently introduced in the tales of chivalry, but it is chiefly on great occasions, and at a period subsequent to his death, or magical disappearance. In the romantic poems of Italy, and in Spenser, Merlin is chiefly represented as a magical artist. Spenser represents him as the artificer of the impenetrable shield and other armor of Prince Arthur ("Faery Queene," Book I., Canto vii.), and of a mirror, in which a damsel viewed her lover's shade. The Fountain of Love, in the "Orlando Innamorata," is described as his work; and in the poem of "Ariosto" we are told of a hall adorned with prophetic paintings, which demons had executed in a single night, under the direction of Merlin.
The following legend is from Spenser's "Faery Queene," Book III.,
Canto iii.:
CAER-MERDIN, OR CAERMARTHEN (IN WALES), MERLIN'S TOWER, AND THE IMPRISONED FIENDS.
"Forthwith themselves disguising both, in straunge
And base attire, that none might them bewray,
To Maridunum, that is now by chaunge
Of name Caer-Merdin called, they took their way:
There the wise Merlin whylome wont (they say)
To make his wonne, low underneath the ground
In a deep delve, far from the view of day,
That of no living wight he mote be found,
Whenso he counselled with his sprights encompassed round.
"And if thou ever happen that same way
To travel, go to see that dreadful place;
It is a hideous hollow cave (they say)
Under a rock that lies a little space
From the swift Barry, tombling down apace
Amongst the woody hills of Dynevor;
But dare not thou, I charge, in any case,
To enter into that same baleful bower,
For fear the cruel fiends should thee unwares devour.
"But standing high aloft, low lay thine ear,
And there such ghastly noise of iron chains
And brazen cauldrons thou shalt rumbling hear,
Which thousand sprites with long enduring pains
Do toss, that it will stun thy feeble brains;
And oftentimes great groans, and grievous stounds,
When too huge toil and labor them constrains;
And oftentimes loud strokes and ringing sounds
From under that deep rock most horribly rebounds.
"The cause some say is this. A little while
Before that Merlin died, he did intend
A brazen wall in compas to compile
About Caermerdin, and did it commend
Unto these sprites to bring to perfect end;
During which work the Lady of the Lake,
Whom long he loved, for him in haste did send;
Who, thereby forced his workmen to forsake,
Them bound till his return their labor not to slack.
"In the mean time, through that false lady's train,
He was surprised, and buried under beare,
He ever to his work returned again;
Nathless those fiends may not their work forbear,
So greatly his commandement they fear;
But there do toil and travail day and night,
Until that brazen wall they up do rear.
For Merlin had in magic more insight
Than ever him before or after living wight."
[Footnote: Buried under beare. Buried under something which enclosed him like a coffin or bier.]
CHAPTER IV
ARTHUR
We shall begin our history of King Arthur by giving those particulars of his life which appear to rest on historical evidence; and then proceed to record those legends concerning him which form the earliest portion of British literature.
Arthur was a prince of the tribe of Britons called Silures, whose country was South Wales, the son of Uther, named Pendragon, a title given to an elective sovereign, paramount over the many kings of Britain. He appears to have commenced his martial career about the year 500, and was raised to the Pendragonship about ten years later. He is said to have gained twelve victories over the Saxons. The most important of them was that of Badon, by some supposed to be Bath, by others Berkshire. This was the last of his battles with the Saxons, and checked their progress so effectually, that Arthur experienced no more annoyance from them, and reigned in peace, until the revolt of his nephew Modred, twenty years later, which led to the fatal battle of Camlan, in Cornwall, in 542. Modred was slain, and Arthur, mortally wounded, was conveyed by sea to Glastonbury, where he died, and was buried. Tradition preserved the memory of the place of his interment within the abbey, as we are told by Giraldus Cambrensis, who was present when the grave was opened by command of Henry II. about 1150, and saw the bones and sword of the monarch, and a leaden cross let into his tombstone, with the inscription in rude Roman letters, "Here lies buried the famous King Arthur, in the island Avalonia." This story has been elegantly versified by Warton. A popular traditional belief was long entertained among the Britons, that Arthur was not dead, but had been carried off to be healed of his wounds in Fairy-land, and that he would reappear to avenge his countrymen and reinstate them in the sovereignty of Britain. In Warton's "Ode" a bard relates to King Henry the traditional story of Arthur's death, and closes with these lines.
"Yet in vain a paynim foe
Armed with fate the mighty blow:
For when he fell, the Elfin queen,
All in secret and unseen,
O'er the fainting hero threw
Her mantle of ambrosial blue,