THE COMPLETE MILITARY WORKS OF RUDYARD KIPLING. Rudyard 1865-1936 Kipling

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THE COMPLETE MILITARY WORKS OF RUDYARD KIPLING - Rudyard 1865-1936 Kipling


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      Then there were queer amphibious battles with troops who had to be shelled as they marched towards Gallipoli along the coast roads. E14 went out with E11 on this job, early one morning, each boat taking her chosen section of landscape. Thrice E14 rose to fire, thinking she saw the dust of feet, but "each time it turned out to be bullocks." When the shelling was ended "I think the troops marching along that road must have been delayed and a good many killed." The Turks got up a field-gun in the course of the afternoon—your true believer never hurries—which out-ranged both boats, and they left accordingly.

      The next day she changed billets with E11, who had the luck to pick up and put down a battleship close to Gallipoli. It turned out to be the Barbarossa. Meantime E14 got a 5000-ton supply ship, and later had to burn a sailing ship loaded with 200 bales of leaf and cut tobacco—Turkish tobacco! Small wonder that E11 "came alongside that afternoon and remained for an hour"—probably making cigarettes.

       Refitting Under Difficulties

      Then E14 went back to her base. She had a hellish time among the Dardanelles nets; was, of course, fired at by the forts, just missed a torpedo from the beach, scraped a mine, and when she had time to take stock found electric mine-wires twisted round her propellers and all her hull scraped and scored with wire marks. But that, again, was only in the day's work. The point she insisted upon was that she had been for seventy days in the Sea of Marmara with no securer base for refit than the centre of the same, and during all that while she had not had "any engine-room defect which has not been put right by the engine-room staff of the boat." The commander and the third officer went sick for a while; the first lieutenant got gastro-enteritis and was in bed (if you could see that bed!) "for the remainder of our stay in the Sea of Marmara," but "this boat has never been out of running order." The credit is ascribed to "the excellence of my chief engine-room artificer, James Hollier Hague, O.N. 227715," whose name is duly submitted to the authorities "for your consideration for advancement to the rank of warrant officer."

      Seventy days of every conceivable sort of risk, within and without, in a boat which is all engine-room, except where she is sick-bay; twelve thousand miles covered since last overhaul and "never out of running order"—thanks to Mr. Hague. Such artists as he are the kind of engine-room artificers that commanders intrigue to get hold of—each for his own boat—and when the tales are told in the Trade, their names, like Abou Ben Adhem's, lead all the rest.

      I do not know the exact line of demarcation between engine-room and gunnery repairs, but I imagine it is faint and fluid. E11, for example, while she was helping E14 to shell a beached steamer, smashed half her gun-mounting, "the gun-layer being thrown overboard, and the gun nearly following him." However, the mischief was repaired in the next twenty-four hours, which, considering the very limited deck space of a submarine, means that all hands must have been moderately busy. One hopes that they had not to dive often during the job.

      But worse is to come. E2 (Commander D. Stocks) carried an externally mounted gun which, while she was diving up the Dardanelles on business, got hung up in the wires and stays of a net. She saw them through the conning-tower scuttles at a depth of 80 ft—one wire hawser round the gun, another round the conning-tower, and so on. There was a continuous crackling of small explosions overhead which she thought were charges aimed at her by the guard-boats who watch the nets. She considered her position for a while, backed, got up steam, barged ahead, and shore through the whole affair in one wild surge. Imagine the roof of a navigable cottage after it has snapped telegraph lines with its chimney, and you will get a small idea of what happens to the hull of a submarine when she uses her gun to break wire hawsers with.

       Trouble With a Gun

      E2 was a wet, strained, and uncomfortable boat for the rest of her cruise. She sank steamers, burned dhows; was worried by torpedo-boats and hunted by Hun planes; hit bottom freely and frequently; silenced forts that fired at her from lonely beaches; warned villages who might have joined in the game that they had better keep to farming; shelled railway lines and stations; would have shelled a pier, but found there was a hospital built at one end of it, "so could not bombard"; came upon dhows crowded with "female refugees" which she "allowed to proceed," and was presented with fowls in return; but through it all her chief preoccupation was that racked and strained gun and mounting. When there was nothing else doing she reports sourly that she "worked on gun." As a philosopher of the lower deck put it: "'Tisn't what you blanky do that matters, it's what you blanky have to do." In other words, worry, not work, kills.

      E2's gun did its best to knock the heart out of them all. She had to shift the wretched thing twice; once because the bolts that held it down were smashed (the wire hawser must have pretty well pulled it off its seat), and again because the hull beneath it leaked on pressure. She went down to make sure of it. But she drilled and tapped and adjusted, till in a short time the gun worked again and killed steamers as it should. Meanwhile, the whole boat leaked. All the plates under the old gun-position forward leaked; she leaked aft through damaged hydroplane guards, and on her way home they had to keep the water down by hand pumps while she was diving through the nets. Where she did not leak outside she leaked internally, tank leaking into tank, so that the petrol got into the main fresh-water supply and the men had to be put on allowance. The last pint was served out when she was in the narrowest part of the Narrows, a place where one's mouth may well go dry of a sudden.

      Here for the moment the records end. I have been at some pains not to pick and choose among them. So far from doctoring or heightening any of the incidents, I have rather understated them; but I hope I have made it clear that through all the haste and fury of these multiplied actions, when life and death and destruction turned on the twitch of a finger, not one life of any non-combatant was wittingly taken. They were carefully picked up or picked out, taken below, transferred to boats, and despatched or personally conducted in the intervals of business to the safe, unexploding beach. Sometimes they part from their chaperones "with many expressions of good will," at others they seem greatly relieved and rather surprised at not being knocked on the head after the custom of their Allies. But the boats with a hundred things on their minds no more take credit for their humanity than their commanders explain the feats for which they won their respective decorations.

      (1916)

       Table of Contents

      "Have you news of my boy Jack?"

       Not this tide.

       "When d'you think that he'll come back?"

       Not with this wind blowing, and this tide.

       "Has any one else had word of him?"

       Not this tide.

       For what is sunk will hardly swim,

       Not with this wind blowing and this tide.

       "Oh, dear, what comfort can I find?"

       None this tide,

       Nor any tide,

       Except he didn't shame his kind

       Not even with that wind blowing and that tide.

       Then hold your head up all the more,

       This tide,

       And every tide,

       Because he was the son you bore,

       And gave to that wind blowing and that tide!

       Table of Contents

       Cripple and Paralytic

      There was much destroyer-work in the Battle of Jutland. The actual battle field may not have been more than twenty thousand square miles, but the incidental patrols, from first to last, must have covered many times that area. Doubtless the next generation will comb out every detail of it. All


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