Claws of the Tigress, The Firebrand & The Pearls of Bonfadini (3 Historical Adventures in One Edition). Max Brand

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Claws of the Tigress, The Firebrand & The Pearls of Bonfadini (3 Historical Adventures in One Edition) - Max Brand


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of the ax in both hands.

      “Action! Action!” called out Marozzo.

      Guido, obediently, tried to close, feinting at the head with a thrust and then swinging his sword in a long sweep aimed at the legs. Tizzo, letting that blow go past him, withdrawing so that the keen edge missed his flesh by the least part of an inch, sprang in and struck.

      The dimness of the prison was still in his eyes; and he felt the weakness of his diet for the past three days; otherwise that blow would have alighted exactly on the top of the helmet of Guido and finished the battle at the first stroke.

      As it was, the stroke glanced from the head, slipped off the shoulder armor, and almost wasted. Even so, the brain of Guido had received a shock that set him reeling. The people who watched began to shout; and a shrill, tingling cry went up from the women at the upper casements.

      Marozzo yelled: “Guido, if you let yourself be beaten, whether you live or not I’ll send you back to Assisi to let them hang you for your murders!”

      Tizzo had followed the staggering Guido closely, ready to strike a finishing blow, when his foot skidded on a rolling pebble and he half fell to his knees.

      Guido was by no means too far gone to throw away this opening. He struck a mighty blow. Tizzo half turned it with the up-flung head of his ax, but the sharp blade gashed the side of his head.

      When he regained his feet and leaped back, blood was streaming down one side of his face and Marozzo began to laugh with joy.

      “Now will you talk, red dog?” he called.

      And he added: “Well done, Guido!” All the others who looked on were uttering harsh cries of satisfaction like so many savages. And Tizzo felt like a baited bull.

      He began to circle Guido again until the man-at-arms, tired of the delay, pressed close in, showering blows. Half of them Tizzo dodged; the rest he put away with the incredibly swift movements of his ax. He seemed to be dancing in the midst of a fire, the sword of Guido flickered so rapidly. And when it was seen that Tizzo actually had escaped harm, a yell of astonishment went up from every beholder, Marozzo himself crying out: “Witchcraft! His life is charmed!”

      * * * * *

      But the red flow down the side of Tizzo’s head was a sufficient answer to that accusation. He had been badly hurt; but with set teeth he tried a second chance. It was at the very moment when Guido abated his attack for a moment and lowered his sword a little. That instant Tizzo used to make one of his startling leaps forward. The ax flashed in an arc of fire but Guido, recovering himself with wonderful speed, threw up the ward of his dagger and armored left arm to prevent the blow while the sword flashed out in a long thrust. The blow of the ax snapped the blade of the dagger and then was wasted; but the sword of Guido slithered across the ribs of Tizzo, biting into bone and flesh. One inch inside of his mark, and he would have riven the body of Tizzo straight through the heart.

      As it was, it seemed to Tizzo that a great claw had ripped him. His body was poisoned with pain, and the blood gushed from this second wound.

      Marozzo began to shout with pleasure: “Well done, Guido! Well done, my friend! You have caught the will-o’-the-wisp! You have notched the wild fire. Tizzo, has the time come when you will talk?”

      Tizzo, drawing back a little, closely followed, answered: “The ax talks for me better than my tongue!”

      And once more he had to fight desperately, leaping here and there among the thronging strokes and thrusts of Guido. The man was a master of his weapon, and his armor was so perfectly fitted that it did not greatly hamper the speed of his motions, yet the swerving body of Tizzo made a hard target to reach, and the magic dance of his feet carried him in and out from the verge of death as with his ax he strove to get close enough to strike a vital blow.

      He retreated, limping, and the spectators suddenly ceased their yelling. The length to which that unequal combat had been drawn out, and the savage courage of Tizzo, together with his skill, had made all men sympathize with his battle. Only Marozzo in a frenzy of delight was shouting: “You have him now, Guido! He cannot keep on dancing with one leg gone. Kill!”

      The bright helmet of Guido nodded in agreement, but even so he came in with caution, for his head must still have been ringing from the effects of the first blow of the battle.

      Tizzo, favoring his wounded leg, stumbled as he retreated and sank upon one knee. He could have leaped up, though with difficulty. But instead, he raised the ax above his head as though he were incapable of keeping his feet and so waited for the final stroke.

      A great call for quarter went up, now, from the onlookers, but Marozzo shouted: “Now, Guido! The dog is down. Kill! Kill!”

      Guido took two quick steps forward and struck with all his might straight at the head of Tizzo.

      He was so confident that his victim could not move that Guido launched his full force in that stroke; he was unprepared for the sudden spring that carried Tizzo to his feet, swerving barely aside from the blow.

      Guido, grunting with fear, tried to recover and put himself on guard, but for the tenth part of a second his head was unwarded. And in that interval, as an arrow through a slot, Tizzo struck desperately with both hands.

      The helmet was not his target, now, but a narrow crevice where the gorget plates fitted to the helm with rivets. If ever he had struck accurately to a marked line when he amused himself among the woodsmen of Falcone, so now he aimed his stroke with exquisite surety. Well and true the edge of the ax descended. The rivets snapped. The heavy blade of the ax shore almost through the neck of Guido so that his armored head dropped over on the opposite shoulder and a great gush of blood sprang up into the sunlight. Guido fell crashing on the paving, and lay still.

      Marozzo himself, stunned with astonishment, found no utterance for a moment. He then yelled: “Drag Guido away. Federigo, arm yourself and take the sword. Witchcraft! Black witchcraft if ever I saw it!”

      He was still shouting this speech as a crowd of people poured into the gate of the court, the porters instantly giving way before them.

      Tizzo, looking up with dulled eyes, saw two men on horseback and a lady all in green, riding between them, with a plumed green hat on her head as though she were ready for hunting or hawking.

      One of her two mounted companions, thrusting his horse suddenly forward, exclaimed: “What’s this, Mateo? We need men in our army. Do you have them killed here for your sport?”

      Tizzo looked up into the noble face of a man whose eye glanced and whose head moved as though he were born to authority. Marozzo grew humble before him at once.

      “This little sport of mine, Messer Giovanpaolo,” he said, “is something that should please you. Instead of using the torture chamber, to extract secrets from your enemies, the Oddi, I am letting my men use the sword—”

      The name rushed strongly on the brain of Tizzo. For who had not heard, throughout all Italy, of Giovanpaolo Baglioni? With his brother, Astorre, he was a famous leader in war and in the councils of the city of Perugia.

      Even now the fame of Giovanpaolo, and even the half-familiar beauty of the lady in green, was obscured for Tizzo by the sight of none other than Lord Melrose himself, who rode between two knights like a prisoner, the bridle of his horse made fast to those of the adjoining pair of riders.

      The Englishman, like a madman, had come once by stealth to rescue Tizzo; and now he had come openly and put himself in the hands of deadly enemies!

      He heard the lady cry out, and her voice staggered him with wonder: “Astorre! Giovanpaolo! It is he, and they have killed him! It is Tizzo—it is that man I have told you about—and you have let them murder him!”

      It was that same “Tomaso.” Fine clothes might alter her appearance, but her voice could not be changed even when she was calling out so familiarly by name upon the lords of Perugia. She slipped from her horse and came running, with her hands held out. One of those hands she laid in the blood that streamed slowly down Tizzo’s side.

      “Tizzo,


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