YOU CAN'T GO HOME AGAIN. Thomas Wolfe
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in a subway train; and a ringing peal of children’s laughter in a desolate street at sunset; and the waitresses in their dingy little rooms across the backyard, washing, ironing, and rewashing day after day the few adornments of their shabby finery, in endless preparations for a visitor who never came.
And now, to his store of treasured trivia was added the memory of this man’s face — thick, white, expressionless, set in its stolid and sorrowful stare. Immutable, calm, impassive, it became for him the symbol of a kind of permanence in the rush and sweep of chaos in the city, where all things come and go and pass and are so soon forgotten. For, day after day, as he watched the man and tried to penetrate his mystery, at last it seemed to him that he had found the answer.
And after that, in later years, whenever he remembered the man’s face, the time was fixed at the end of a day in late summer. Without-violence or heat, the last rays of the sun fell on the warm brick of the building and painted it with a sad, unearthly light. In the window the man sat, always looking out. He never wavered in his gaze, his eyes were calm and sorrowful, and on his face was legible the exile of an imprisoned spirit.
That man’s face became for him the face of. Darkness and of Time. It never spoke, and yet it had a voice — a voice that seemed to have the whole earth in it. It was the voice of evening and of night, and in it were the blended tongues of all those men who have passed through the heat and fury of the day, and who now lean quietly upon the sills of evening. In it was the whole vast hush and weariness that comes upon the city at the hour of dusk, when the chaos of another day is ended, and when everything — streets, buildings, and eight million people — breathe slowly, with a tired and sorrowful joy. And in that single tongueless voice was the knowledge of all their tongues.
“Child, child,” it said, “have patience and belief, for life is many days, and each present hour will pass away. Son, son, you have been mad and drunken, furious and wild, filled with hatred and despair, and all the dark confusions of the soul — but so have we. You found the earth too great for your one life, you found your brain and sinew smaller than the hunger and desire that fed on them — but it has been this way with all men. You have stumbled on in darkness, you have been pulled in opposite directions, you have faltered, you have missed the way — but, child, this is the chronicle of the earth. And now, because you have known madness and despair, and because you will grow desperate again before you come to evening, we who have stormed the ramparts of the furious earth and been hurled back, we who have been maddened by the unknowable and bitter mystery of love, we who have hungered after fame and savoured all of life, the tumult, pain, and frenzy, and now sit quietly by our windows watching all that henceforth never more shall touch us — we call upon you to take heart, for we can swear to you that these things pass.
“We have outlived the shift and glitter of so many fashions, we have seen so many things that come and go, so many words forgotten, so many flames that flared and were destroyed; yet we know now we are strangers whose footfalls have not left a print upon the endless streets of life. We shall not go into the dark again, nor suffer madness, nor admit despair: we have built a wall about us now. We shall not hear the docks of time strike out on foreign air, nor wake at morning in some alien land to think of home: our wandering is over, and our hunger fed. 0 brother, son, and comrade, because we have lived so long and seen so much, we are content to make our own a few things now, letting millions pass.
“Some things will never change. Some things will always be the same. Lean down your ear upon the earth, and listen.
“The voice of forest water in the night, a woman’s laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children’s voices in bright air — these things will never change.
“The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbours, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry — these things will always be the same.
“All things belonging to the earth will never change — the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth — all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth — these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts for ever. Only the earth endures, but it endures for ever.
“The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, for ever deathless, faithful, coming into life again like April.”
5. The Hidden Terror
Hand looked at the yellow envelope curiously and turned it over and over in his hand. It gave him a feeling of uneasiness and suppressed excitement to see his name through the transparent front. He was not used to receiving telegrams. Instinctively he delayed opening it because he dreaded what it might contain. Some forgotten incident in his childhood made him associate telegrams with bad news. Who could have sent it? And what could it be about? Well, open it, you fool, and find out!
He ripped off the flap and took out the message. He read it quickly, first glancing at the signature. It was from his Uncle Mark Joyner:
“YOUR AUNT MAW DIED LAST NIGHT STOP FUNERAL THURSDAY IN LIBYA HILL STOP COME HOME IF YOU CAN.”
That was all. No explanation of what she had died of. Old age, most likely. Nothing else could have killed her. She hadn’t been sick or’ they would have let him know before this.
The news shook him profoundly. But it was not grief he felt so much as a deep sense of loss, almost impersonal in its quality — a sense of loss and unbelief such as one might feel to discover suddenly that some great force ‘in nature had ceased to operate. He couldn’t take it in. Ever since his mother had died when he was only eight years old, Aunt Maw had been the most solid and permanent fixture in his boy’s universe. She was a spinster, the older sister of his mother and of his Uncle Mark, and she had taken charge of him and brought him up with all the inflexible zeal of her puritanical nature. She had done her best to make a Joyner of him and a credit to the narrow, provincial, mountain clan to which she belonged.-In this she had failed, and his defection from the ways of Joyner righteousness had caused her deep pain. He had known this for a long time; but now he realised, too, more clearly than he had, ever done before, that she had never faltered in her duty to him as she saw it. As he thought about her life the felt an inexpressible pity for her, and a surge of tenderness and affection almost choked him.
As far back as he could remember, Aunt Maw had seemed to him an ageless crone, as old as God. He could still hear her voice — that croaking monotone which had gone on and on in endless stories of her past, peopling his childhood world with the whole host of Joyners dead and buried in the hills of Zebulon in ancient days before the Civil War. And almost every tale she had told him was a chronicle of sickness, death, and sorrow. She had known about all the Joyners for the last hundred years, and whether they had died of consumption, typhoid fever, pneumonia, meningitis, or pellagra, and she had relived each incident in their lives with an air of croaking relish. From her he had got a picture of his mountain kinsmen that was constantly dark with the terrors of misery and sudden death, a picture made ghostly at frequent intervals by supernatural revelations. The Joyners, so she thought, had been endowed with occult powers by the Almighty, and weft for ever popping up on country roads and speaking to people as they passed, only to have it turn out later that they had been fifty miles away at the time. They were for ever hearing voices and receiving premonitions. If a neighbour died suddenly, the Joyners would flock from miles around ‘to sit up with the corpse, and in the flickering light