THE YOUNG GUARD – World War I Poems & Author's Memoirs from The Great War. E. W. Hornung
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than ever like the mate of a ship, and anxious to earn my certificate.
Then I had my tea—with the door shut—and already an aching back for part of the fun. For already the whole thing was my idea of fun—the picnic idea—an old weakness. Huts especially were always near my heart, and our room in this one reminded me of bush huts adored for their discomfort in my teens. Of the two I preferred the bush fireside, a hearth like a powder-closet and blazing logs; but candles in their own grease-spots were an improvement on the old slush-lamp of moleskin and mutton-fat. The likeness reached its height in the two sheetless bunks, but there it ended. Not a sound was a sound ever heard before. The continual chink of money in the till outside; the movement of many feet, trained not to shuffle; the constant coughing of men otherwise in superhuman health; the crude tinkle of the piano at the far end of the hut—the efficient pounding of the cinema piano—the screw-like throb of their petrol engine—the periodical bringing-down of their packed house, no doubt by the ubiquitous Mr. Chaplin! Those were the sounds to which we took our tea in the state-room of the Ark. She might have been on a pleasure-trip all the time.
That first night I remember going back and diving into open cases of candles, and counting out packets of cigarettes and biscuits, sticks of chocolate, boxes of matches, and reaching down tinned salmon, sardines, boot-laces, boot-polish, shaving-soap and tooth-paste, button-sticks, 'sticks of lead' (otherwise pencils), writing-pads, Nosegay Shag, Royal Seal, or twist if we had it, and shouting for the prices as I went, coping with the change by light of luck and nature, but doling out the free stationery with a base lingering relief, until my back was a hundred and all the silver of the allied realms one composite coin that danced without jingling in the till. Gold stripes meant nothing to me now; shrapnel helmets were as high above me as the stars; the only hero was the man who didn't want change. Often in the early part I thought the queue was coming to an end; it was always the sign for a fresh influx; and when the National Anthem came thumping from the cinema, the original Ark might have sunk under such a boarding-party of thirsty tea-drinkers as we had still to receive. I noted that they called it tea regardless of the contents of the urn, which changed first to coffee and then to cocoa as the night wore on: tea was the generic term.
At last the smarter and tarter of the two orderlies, he who compounded the contents of the urns, sidled without ceremony to the commander's elbow.
'It wants a minute to the 'alf-hour, sir.'
Gramophone alone could give the husky tone of chronic injury, palette and brush the red eyes of resentment turned upon his kind beyond the counter. Our leader consulted his wrist-watch with a brisk gesture.
'I'll serve the next six men,' he ultimated, and the seventh man knocked at his heart in vain. Green curtains closed the counter in the wistful faces of the rest; if I can see them still, it is the heavenly music of those curtain-rings that I hear! The mind's eye peeps through once more, and spies the last gobblers at the splashed tables littered with mugs and empty tins; the last dawdlers on a floor ankle-deep in the envelopes of twopenny and half-franc packets of biscuits; and a little man broom-in-hand at the open door, spoiling to sweep all the lot into outer darkness.
In the kitchen, while both orderlies fell straight to work upon this Augean scene, our versatile leader, as little daunted by the hour, gave further expression to his personality in an omelette worthy of the country, and in lashings of Suchard cocoa made with a master hand. I remember with much gratitude that he also made my yawning bed, and that we turned in early to the tune of rain:
A fusillade upon the roof,
A tattoo on the pane.
Only the pane was canvas, and the fusillade accompanied by some local music from the guns outside the town.
A Handful of Men
As 'the true love-story commences at the altar,' so the real work of a hut only begins at the counter. You may turn out to be the disguised prince of salesmen, and yet fail to deliver the goods that really matter. I am not thinking of 'goody' goods at all, but of the worker's personality such as it may be. It is not more essential for an actor to 'get across the footlights' than it is for the Y.M.C.A. counter-jumper to start by clearing that obstacle, and mixing with the men for all he can show himself to be worth.
The Ark was such a busy canteen that all this is easier said than it was done. Every morning we were kept at it as continuously from eleven to one as ever we were from four-thirty to eight-thirty. Those were our business hours; and though it was never quite such fierce shopping in the forenoon, it was then that the leader would go off in quest of fresh supplies and I was apt to be left in charge. This happened my very first morning. Shall I ever forget the intimidating multitude of Army boots seen under the door before we opened! And there was another of the early days, when the Somersets stormed our parapet in full fighting paraphernalia, with only me to stand up to them. Not much chance of foregathering then; but never an hour, seldom a single transaction within the hour, but brought me from the other side some quaint remark, some adorable display of patience, courtesy, or homely fun. The change difficulty was chronic, and mutually most exasperating; it was over that stile the men were always helping each other or helping me, with never a trace of the irritation I felt myself. They were the most delightful customers one could wish to serve. But that made it the more tantalising to have but a word with them on business. My young chief was once more my better here; he had only to be behind the counter to 'get across' as much as he liked, and in as few words. But I required a slack half-hour when I could take my pipe down the hut and seek out some solitary, or make overtures to the man at the piano.
It was generally the man's chum who responded in the first instance; for every Æneas in the new legions has his staunch Achates, who collects the praise as for the firm, adding his own mite in a beaming whisper. 'He has his own choir in Edinburgh,' said one Jock of another who was playing and singing the Scottish songs with urgent power. The piano is the surest touchstone in a hut. It brings out the man of talent—but also the bore who hammers with one thick-skinned finger—but also the prevailing lenience that puts up with the bore. I have been entreated to keep my piano locked and the key in the till; and once on the counter I found an anonymous notice, with a line requesting me to affix it to the instrument without delay: 'If you do play, do play—If you don't play, don't!' But a pianist of any pretensions has a crowd round him in a minute; and a splendid little audience it always is. The set concert, as I heard it, was not a patch on these unpremeditated recitals.
One night the hut was full of Riflemen, one of whom was strumming away to his own contentment, but with only the usual trusty chum for audience. I brought my pipe to the other side of the piano, and the performer got up and talked across to me for nearly an hour. He was a dark little garrulous fellow of no distinction, and he talked best with his eyes upon the keyboard, but the chum's broad grin of eager admiration never ceased to ply between us. The little Rifleman had borne a charmed life indeed, especially on Passchendaele Ridge, the scene of his latest misadventures. He was as idiomatic as Ortheris in his generation, but I only remember: 'I looked a fair Bairnsfather, not 'alf!' He was the nearest approach to a 'Bairnsfather' I ever encountered in the flesh, but the compliment to the draughtsman is no smaller for that. A third Rifleman, less demonstratively uncritical than the chum, joined the party; and at the end I ventured to ask all three in turn what they had been doing before the war.
'I,' said the little man, 'was a house-painter at Crewe.'
'And I,' said the grinning chum, 'was conductor of a 28 motor-'bus. I expect we've often dropped you at the Y.M.C.A. in Tottenham Court Road, sir.'
'And you?'—I turned to the last comer—'if it isn't a rude question?'
'Oh, I,' said he, with the pride that would conceal itself, 'I'm in the building line. But I operate a bioscope at night!'
The historic present put his attitude in a nutshell. He might have been operating that bioscope the night before, be due back the next, and just having a look at things in France on his night off. His expert eye was not perceptibly impressed with the spectacle of war as he was seeing