A Voice in the Wilderness (Western Classic). Grace Livingston Hill

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A Voice in the Wilderness (Western Classic) - Grace Livingston  Hill


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sitting around the room on the rough benches and bunks, smoking their pipes or stolidly staring into the dying fire. Two smoky kerosene-lanterns that hung from spikes driven high in the logs cast a weird light over the company, eight men in all, rough and hardened with exposure to stormy life and weather. They were men with unkempt beards and uncombed hair, their coarse cotton shirts open at the neck, their brawny arms bare above the elbow, with crimes and sorrows and hard living written large across their faces.

      There was one, a boy in looks, with smooth face and white skin healthily flushed in places like a baby's. His face, too, was hard and set in sternness like a mask, as if life had used him badly; but behind it was a fineness of feature and spirit that could not be utterly hidden. They called him the Kid, and thought it was his youth that made him different from them all, for he was only twenty-four, and not one of the rest was under forty. They were doing their best to help him get over that innate fineness that was his natural inheritance, but although he stopped at nothing, and played his part always with the ease of one old in the ways of the world, yet he kept a quiet reserve about him, a kind of charm beyond which they had not been able to go.

      He was playing cards with three others at the table when the man came in, and did not look up at the entrance.

      The woman, white and hopeless, appeared at the door of the shed-room when the man came, and obediently set about getting his supper; but her lifeless face never changed expression.

      "Brung a gal 'long of me part way," boasted the man, as he flung himself into a seat by the table. "Thought you fellers might like t' see 'er, but she got too high an' mighty fer me, wouldn't take a pull at th' bottle 'ith me, 'n' shrieked like a catamount when I kissed 'er. Found 'er hangin' on th' water-tank. Got off 't th' wrong place. One o' yer highbrows out o' th' parlor car! Good lesson fer 'er!"

      The Boy looked up from his cards sternly, his keen eyes boring through the man. "Where is she now?" he asked, quietly; and all the men in the room looked up uneasily. There was that tone and accent again that made the Boy alien from them. What was it?

      The man felt it and snarled his answer angrily. "Dropped 'er on th' trail, an' threw her fine-lady b'longin's after 'er. 'Ain't got no use fer thet kind. Wonder what they was created fer? Ain't no good to nobody, not even 'emselves." And he laughed a harsh cackle that was not pleasant to hear.

      The Boy threw down his cards and went out, shutting the door. In a few minutes the men heard two horses pass the end of the bunk-house toward the trail, but no one looked up nor spoke. You could not have told by the flicker of an eyelash that they knew where the Boy had gone.

      She was sitting in the deep shadow of a sage-bush that lay on the edge of the trail like a great blot, her suit-case beside her, her breath coming short with exertion and excitement, when she heard a cheery whistle in the distance. Just an old love-song dating back some years and discarded now as hackneyed even by the street pianos at home; but oh, how good it sounded!

      From the desert I come to thee!

      The ground was cold, and struck a chill through her garments as she sat there alone in the night. On came the clear, musical whistle, and she peered out of the shadow with eager eyes and frightened heart. Dared she risk it again? Should she call, or should she hold her breath and keep still, hoping he would pass her by unnoticed? Before she could decide two horses stopped almost in front of her and a rider swung himself down. He stood before her as if it were day and he could see her quite plainly.

      "You needn't be afraid," he explained, calmly. "I thought I had better look you up after the old man got home and gave his report. He was pretty well tanked up and not exactly a fit escort for ladies. What's the trouble?"

      Like an angel of deliverance he looked to her as he stood in the starlight, outlined in silhouette against the wide, wonderful sky: broad shoulders, well-set head, close-cropped curls, handsome contour even in the darkness. There was about him an air of quiet strength which gave her confidence.

      "Oh, thank you!" she gasped, with a quick little relieved sob in her voice. "I am so glad you have come. I was — just a little — frightened, I think." She attempted to rise, but her foot caught in her skirt and she sank wearily back to the sand again.

      The Boy stooped over and lifted her to her feet. "You certainly are some plucky girl!" he commented, looking down at her slender height as she stood beside him. "A 'little frightened,' were you? Well, I should say you had a right to be."

      "Well, not exactly frightened, you know," said Margaret, taking a deep breath and trying to steady her voice. "I think perhaps I was more mortified than frightened, to think I made such a blunder as to get off the train before I reached my station. You see, I'd made up my mind not to be frightened, but when I heard that awful howl of some beast — And then that terrible man!" She shuddered and put her hands suddenly over her eyes as if to shut out all memory of it.

      "More than one kind of beasts!" commented the Boy, briefly. "Well, you needn't worry about him; he's having his supper and he'll be sound asleep by the time we get back."

      "Oh, have we got to go where he is?" gasped Margaret. "Isn't there some other place? Is Ashland very far away? That is where I am going."

      "No other place where you could go to-night. Ashland's a good twenty-five miles from here. But you'll be all right. Mom Wallis 'll look out for you. She isn't much of a looker, but she has a kind heart. She pulled me through once when I was just about flickering out. Come on. You'll be pretty tired. We better be getting back. Mom Wallis 'll make you comfortable, and then you can get off good and early in the morning."

      Without an apology, and as if it were the common courtesy of the desert, he stooped and lifted her easily to the saddle of the second horse, placed the bridle in her hands, then swung the suit-case up on his own horse and sprang into the saddle.

      CHAPTER III

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      He turned the horses about and took charge of her just as if he were accustomed to managing stray ladies in the wilderness every day of his life and understood the situation perfectly; and Margaret settled wearily into her saddle and looked about her with content.

      Suddenly, again, the wide wonder of the night possessed her. Involuntarily she breathed a soft little exclamation of awe and delight. Her companion turned to her questioningly:

      "Does it always seem so big here — so — limitless?" she asked in explanation. "It is so far to everywhere it takes one's breath away, and yet the stars hang close, like a protection. It gives one the feeling of being alone in the great universe with God. Does it always seem so out here?"

      He looked at her curiously, her pure profile turned up to the wide dome of luminous blue above. His voice was strangely low and wondering as he answered, after a moment's silence:

      "No, it is not always so," he said. "I have seen it when it was more like being alone in the great universe with the devil."

      There was a tremendous earnestness in his tone that the girl felt meant more than was on the surface. She turned to look at the fine young face beside her. In the starlight she could not make out the bitter hardness of lines that were beginning to be carved about his sensitive mouth. But there was so much sadness in his voice that her heart went out to him in pity.

      "Oh," she said, gently, "it would be awful that way. Yes, I can understand. I felt so, a little, while that terrible man was with me." And she shuddered again at the remembrance.

      Again he gave her that curious look. "There are worse things than Pop Wallis out here," he said, gravely. "But I'll grant you there's some class to the skies. It's a case of 'Where every prospect pleases and only man is vile.'" And with the words his tone grew almost flippant. It hurt her sensitive nature, and without knowing it she half drew away a little farther from him and murmured, sadly:

      "Oh!" as if he had classed himself with the "man" he had been describing. Instantly he felt her withdrawal and grew grave again, as if he would atone.

      "Wait


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