England, My England. D. H. Lawrence
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girl, and felt a deep sense of duty towards her. Strange, that this sense of duty should go deeper than the love for her husband. But so it was. And so it often is. The responsibility of motherhood was the prime responsibility in Winifred's heart: the responsibility of wifehood came a long way second.
Her child seemed to link her up again in a circuit with her own family. Her father and mother, herself, and her child, that was the human trinity for her. Her husband—? Yes, she loved him still. But that was like play. She had an almost barbaric sense of duty and of family. Till she married, her first human duty had been towards her father: he was the pillar, the source of life, the everlasting support. Now another link was added to the chain of duty: her father, herself, and her child.
Egbert was out of it. Without anything happening, he was gradually, unconsciously excluded from the circle. His wife still loved him, physically. But, but—he was almost the unnecessary party in the affair. He could not complain of Winifred. She still did her duty towards him. She still had a physical passion for him, that physical passion on which he had put all his life and soul. But—but—
It was for a long while an ever-recurring but. And then, after the second child, another blonde, winsome touching little thing, not so proud and flame-like as Joyce—after Annabel came, then Egbert began truly to realize how it was. His wife still loved him. But—and now the but had grown enormous—her physical love for him was of secondary importance to her. It became ever less important. After all, she had had it, this physical passion, for two years now. It was not this that one lived from. No, no—something sterner, realer.
She began to resent her own passion for Egbert—just a little she began to despise it. For after all there he was, he was charming, he was lovable, he was terribly desirable. But—but—oh, the awful looming cloud of that but!—he did not stand firm in the landscape of her life like a tower of strength, like a great pillar of significance. No, he was like a cat one has about the house, which will one day disappear and leave no trace. He was like a flower in the garden, trembling in the wind of life, and then gone, leaving nothing to show. As an adjunct, as an accessory, he was perfect. Many a woman would have adored to have him about her all her life, the most beautiful and desirable of all her possessions. But Winifred belonged to another school.
The years went by, and instead of coming more to grips with life, he relaxed more. He was of a subtle, sensitive, passionate nature. But he simply would not give himself to what Winifred called life, Work. No, he would not go into the world and work for money. No, he just would not. If Winifred liked to live beyond their small income—well, it was her look-out.
And Winifred did not really want him to go out into the world to work for money. Money became, alas, a word like a firebrand between them, setting them both aflame with anger. But that is because we must talk in symbols. Winifred did not really care about money. She did not care whether he earned or did not earn anything. Only she knew she was dependent on her father for three-fourths of the money spent for herself and her children, that she let that be the casus belli, the drawn weapon between herself and Egbert.
What did she want—what did she want? Her mother once said to her, with that characteristic touch of irony: 'Well, dear, if it is your fate to consider the lilies, that toil not, neither do they spin, that is one destiny among many others, and perhaps not so unpleasant as most. Why do you take it amiss, my child?'
The mother was subtler than her children, they very rarely knew how to answer her. So Winifred was only more confused. It was not a question of lilies. At least, if it were a question of lilies, then her children were the little blossoms. They at least grew. Doesn't Jesus say: 'Consider the lilies how they grow.' Good then, she had her growing babies. But as for that other tall, handsome flower of a father of theirs, he was full grown already, so she did not want to spend her life considering him in the flower of his days.
No, it was not that he didn't earn money. It was not that he was idle. He was not idle. He was always doing something, always working away, down at Crockham, doing little jobs. But, oh dear, the little jobs—the garden paths—the gorgeous flowers—the chairs to mend, old chairs to mend!
It was that he stood for nothing. If he had done something unsuccessfully, and lost what money they had! If he had but striven with something. Nay, even if he had been wicked, a waster, she would have been more free. She would have had something to resist, at least. A waster stands for something, really. He says: 'No, I will not aid and abet society in this business of increase and hanging together, I will upset the apple-cart as much as I can, in my small way.' Or else he says: 'No, I will not bother about others. If I have lusts, they are my own, and I prefer them to other people's virtues.' So, a waster, a scamp, takes a sort of stand. He exposes himself to opposition and final castigation: at any rate in story-books.
But Egbert! What are you to do with a man like Egbert? He had no vices. He was really kind, nay generous. And he was not weak. If he had been weak Winifred could have been kind to him. But he did not even give her that consolation. He was not weak, and he did not want her consolation or her kindness. No, thank you. He was of a fine passionate temper, and of a rarer steel than she. He knew it, and she knew it. Hence she was only the more baffled and maddened, poor thing. He, the higher, the finer, in his way the stronger, played with his garden, and his old folk-songs and Morris-dances, just played, and let her support the pillars of the future on her own heart.
And he began to get bitter, and a wicked look began to come on his face. He did not give in to her; not he. There were seven devils inside his long, slim, white body. He was healthy, full of restrained life. Yes, even he himself had to lock up his own vivid life inside himself, now she would not take it from him. Or rather, now that she only took it occasionally. For she had to yield at times. She loved him so, she desired him so, he was so exquisite to her, the fine creature that he was, finer than herself. Yes, with a groan she had to give in to her own unquenched passion for him. And he came to her then—ah, terrible, ah, wonderful, sometimes she wondered how either of them could live after the terror of the passion that swept between them. It was to her as if pure lightning, flash after flash, went through every fibre of her, till extinction came.
But it is the fate of human beings to live on. And it is the fate of clouds that seem nothing but bits of vapour slowly to pile up, to pile up and fill the heavens and blacken the sun entirely.
So it was. The love came back, the lightning of passion flashed tremendously between them. And there was blue sky and gorgeousness for a little while. And then, as inevitably, as inevitably, slowly the clouds began to edge up again above the horizon, slowly, slowly to lurk about the heavens, throwing an occasional cold and hateful shadow: slowly, slowly to congregate, to fill the empyrean space.
And as the years passed, the lightning cleared the sky more and more rarely, less and less the blue showed. Gradually the grey lid sank down upon them, as if it would be permanent.
Why didn't Egbert do something, then? Why didn't he come to grips with life? Why wasn't he like Winifred's father, a pillar of society, even if a slender, exquisite column? Why didn't he go into harness of some sort? Why didn't he take some direction?
Well, you can bring an ass to the water, but you cannot make him drink. The world was the water and Egbert was the ass. And he wasn't having any. He couldn't: he just couldn't. Since necessity did not force him to work for his bread and butter, he would not work for work's sake. You can't make the columbine flowers nod in January, nor make the cuckoo sing in England at Christmas. Why? It isn't his season. He doesn't want to. Nay, he can't want to.
And there it was with Egbert. He couldn't link up with the world's work, because the basic desire was absent from him. Nay, at the bottom of him he had an even stronger desire: to hold aloof. To hold aloof. To do nobody any damage. But to hold aloof. It was not his season.
Perhaps he should not have married and had children. But you can't stop the waters flowing.
Which held true for Winifred, too. She was not made to endure aloof. Her family tree was a robust vegetation that had to be stirring and believing. In one direction or another her life had to go. In her own home she had known nothing of this diffidence which