The Greatest Works of Cleveland Moffett. Cleveland Moffett
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So extraordinary was this accusation and so utterly unexpected that for some moments no one spoke. Then, after the first dismay, came indignant protests; this man had a nerve to break in on a gathering of American citizens with a fairy tale like that!
"Silence!" rang out the commissary's voice sharply. "Who sat there?" He pointed to a vacant seat at the long central table.
All eyes turned to this empty chair, and heads came together in excited whispers.
"Bring me a plan of the tables," he continued, and when this was spread before him: "I will read off the names marked here, and each one of you will please answer."
In tense silence he called the names, and to each one came a quick "Here!" until he said "Kittredge!"
There was no answer.
"Lloyd Kittredge!" he repeated, and still no one spoke.
"Ah!" he muttered and went on calling names, but no one else was missing.
"All here but M. Kittredge. He was here, and—he went out. I must know why he went out, I must know when he went out—exactly when; I must know how he acted before he left, what he said—in short, I must know all you can tell me about him. Remember, the best service you can render your friend is to speak freely. If he is innocent, the truth will protect him"
Then began a wearisome questioning of witnesses, not very fruitful, either, for these Americans developed a surprising ignorance touching their fellow-countryman and all that concerned him. It must have been about nine o'clock when he went out, perhaps a few minutes earlier. No, there had been nothing peculiar in his actions or manner; in fact, most of the guests had not even noticed his absence.
As to Kittredge's life and personality the result was scarcely more satisfactory. He had appeared in Paris about a year before, just why was not known, and had passed as a good fellow, perhaps a little wild and hot-headed. Strangely enough, no one could say where Kittredge lived; he had left rather expensive rooms near the boulevards that he had occupied at first, and since then he had almost disappeared from his old haunts. Some said that his money had given out and he had gone to work, but this was only vague rumor.
These facts having been duly recorded, the banqueters were informed that they might depart, which they did in silence, the spirit of festivity having vanished.
Inquiries were now made in the hotel about Kittredge's movements, but nothing came to light except the statement of a big, liveried doorkeeper, who remembered distinctly the sudden appearance at about nine o'clock of a young man who was very anxious to get a cab. The storm was then at its height, and the doorkeeper had advised the young man to wait, feeling sure the tempest would cease as suddenly as it had begun; but the latter, apparently ill at ease, had insisted that he must go at once; he said he would find a cab himself, and turning up his collar so that his face was almost hidden, and drawing his thin overcoat tight about his evening dress, he had dashed into the black downpour, and a moment later the doorkeeper, surprised at this eccentric behavior, saw the young man hail a passing fiacre and drive away.
At this point in the investigation the unexpected happened. One of the policemen burst in to say that some one had called for the lady's cloak and bag. It was a young man with a check for the things; he was waiting for them now in the cloakroom and he seemed nervous.
"Well?" snapped the commissary.
"I was going to arrest him, sir," replied the other eagerly, "but——"
"Will you never learn your business?" stormed Pougeot. "Does Gibelin know this?"
"Yes, sir, we just told him."
"Send Joseph here—quick." And to the waiter when he appeared: "Tell the woman in the cloakroom to let this young man have the things. Don't let him see that you are suspicious, but take a good look at him."
"Yes, sir. And then?"
"And then nothing. Leave him to Gibelin."
A moment later Joseph returned to say that he had absolutely recognized the young man downstairs as the one who had passed him in the corridor, François was positive he was the missing banquet guest. In other words, they were facing this remarkable situation: that the cloak and leather bag left by the mysterious woman of Number Six had now been called for by the very man against whom suspicion was rapidly growing—Lloyd Kittredge himself.
Chapter IV.
"In the Name of the Law"
When Kittredge, with cloak and bag, stepped into his waiting cab and, for the second time on this villainous night, started down the Champs Elysées he was under no illusion as to his personal safety. He knew that he would be followed and presently arrested, he knew this without even glancing behind him, he had understood the whispers and searching looks in the hotel; it was certain that his moments of liberty were numbered, so he must make a clean job of this thing that had to be done while still there was time. He had told the driver to cross the bridge and go down the Boulevard St. Germain, but now he changed the order and, half opening the door, he bade the man turn to the right and drive on to the Rue de Vaugirard. He knew that this was a long, ill-lighted street, one of the longest streets in Paris.
"There's no number," he called out. "Just keep going."
The driver grumbled and cracked his whip, and a moment later, peering back through the front window, he saw his eccentric fare absorbed in examining a white leather bag. He could see him distinctly by the yellow light of his two side lanterns. The young man had opened one of the inner pockets of the bag, drawing out a flap of leather under which a name was stamped quite visibly in gilt letters. Presently he took out a pocket knife and tried to scrape off the name, but the letters were deeply marked and could not be removed so easily. After a moment's hesitation the young man carefully drew his blade across the base of the flap, severing it from the bag, which he then threw back on the seat, holding the flap in apparent perplexity.
All this the driver observed with increasing interest until presently Kittredge looked up and caught his eye.
"You've got a nerve," the young man muttered. "I'll fix you." And, drawing the two black curtains, he shut off the driver's view.
As they neared the end of the Rue de Vaugirard, the American opened the door again and told the man to turn and drive back, he wanted to have a look at Notre-Dame, three full miles away. The driver swore softly, but obeyed, and back they went, passing another cab just behind them which also turned immediately and followed, as Kittredge noticed with a gloomy smile.
On the way to Notre-Dame, Kittredge changed their direction half a dozen times, acting on accountable impulses, going by zigzags through narrow, dark streets, instead of by the straight and natural way, so that it was after midnight when they entered the Rue du Cloitre Notre-Dame, which runs just beside the cathedral, and drew up at a house indicated by the American. The other cab drew up behind them.
"Tell your friend back there," remarked Kittredge to his driver as he got out, "that I have important business here. There'll be plenty of time for him to get a drink." Then, with a nervous tug at the bell, he disappeared in the house, leaving the cloak and bag in the cab.
And now two important things happened, one of them unexpected. The expected thing was that M. Gibelin came forward immediately from the second cab followed by Papa Tignol and a policeman. The shadowing detective was in a vile humor which was not improved when he got the message left by the flippant American.
"Time for a drink! Infernal impudence! We'll teach him manners at the depot! This farce is over," he flung out. "See where he went, ask the concierge," he said to Tignol. And to the policeman: "Watch the courtyard. If he isn't down in ten minutes we'll go up."
Then, as his men obeyed, Gibelin turned to Kittredge's driver. "Here's your fare. You can go. I'm from headquarters. I have a warrant for this man's arrest." And he showed his credentials.