The Greatest Works of Earl Derr Biggers (Illustrated Edition). Earl Derr Biggers
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are you?"
"Never mind. I'll tell Madden who I am. Is he here?"
The door went shut a few inches. "He's here, but he isn't seeing any one."
"He'll see me, Thorn," said Eden sharply. "You're Thorn, I take it. Please tell Madden that a messenger from Post Street, San Francisco, is waiting."
The door swung instantly open, and Martin Thorn was as near to beaming as his meager face permitted.
"Oh, pardon me. Come in at once. We've been expecting you. Come in—ah—er—gentlemen." His face clouded as he saw Holley. "Excuse me just a moment."
The secretary disappeared through a door at the rear, and left the two callers standing in the great living-room of the ranch house. To step from the desert into a room like this was a revelation. Its walls were of paneled oak; rare etchings hung upon them; there were softly shaded lamps standing by tables on which lay the latest magazines—even a recent edition of a New York Sunday newspaper. At one end, in a huge fireplace, a pile of logs was blazing, and in a distant corner a radio ground out dance music from some far orchestra.
"Say, this is home, sweet home," Bob Eden remarked. He nodded to the wall at the opposite end of the room from the fireplace. "And speaking of being unarmed—"
"That's Madden's collection of guns," Holley explained. "Wong showed it to me once. They're loaded. If you have to back away, go in that direction." He looked dubiously about. "You know, that sleek lad didn't say he was going for Madden."
"I know he didn't," Eden replied. He studied the room thoughtfully. One great question worried him—where was Charlie Chan?
They stood there, waiting. A tall clock at the rear of the room struck the hour of nine, slowly, deliberately. The fire sputtered; the metallic tinkle of jazz flowed on.
Suddenly the door through which Thorn had gone opened suddenly behind them, and they swung quickly about. In the doorway, standing like a tower of granite in the gray clothes he always affected, was the man Bob Eden had last seen on the stairs descending from his father's office, Madden, the great financier—P.J. himself.
Bob Eden's first reaction was one of intense relief, as of a burden dropping from his shoulders with a "most delectable thud." But almost immediately after came a feeling of disappointment. He was young, and he craved excitement. Here was the big desert mystery crashing about his ears, Madden alive and well, and all their fears and premonitions proving groundless. Just a tame handing over of the pearls—when Charlie came—and then back to the old rut again. He saw Will Holley smiling.
"Good evening, gentlemen," Madden was saying. "I'm very glad to see you. Martin," he added to his secretary, who had followed him in, "turn off that confounded racket. An orchestra, gentlemen—an orchestra in the ballroom of a hotel in Denver. Who says the day of miracles is past?" Thorn silenced the jazz; it died with a gurgle of protest. "Now," inquired Madden, "which of you comes from Post Street?"
The boy stepped forward. "I am Bob Eden, Mr. Madden. Alexander Eden is my father. This is my friend, a neighbor of yours, Mr. Will Holley of the Eldorado Times. He very kindly drove me out here."
"Ah, yes." Madden's manner was genial. He shook hands. "Draw up to the fire, both of you. Thorn—cigars, please." With his own celebrated hands he placed chairs before the fireplace.
"I'll sit down just a moment," Holley said. "I'm not stopping. I realize that Mr. Eden has some business with you, and I'll not intrude. But before I go, Mr. Madden—"
"Yes," said Madden sharply, biting the end from a cigar.
"I—I don't suppose you remember me," Holley continued.
Madden's big hand poised with the lighted match. "I never forget a face. I've seen yours before. Was it in Eldorado?"
Holley shook his head. "No—it was twelve years ago—on Forty-fourth Street, New York. At"—Madden was watching him closely—"at a gambling house just east of Delmonico's. One winter's night—"
"Wait a minute," cut in the millionaire. "Some people say I'm getting old—but listen to this. You came to me as a newspaper reporter, asking an interview. And I told you to get the hell out of there."
"Splendid," laughed Holley.
"Oh, the old memory isn't so bad, eh? I remember perfectly. I used to spend many evenings in that place—until I discovered the game was fixed. Yes, I dropped a lot of spare change there. Why didn't you tell me it was a crooked joint?"
Holley shrugged. "Well, your manner didn't encourage confidences. But what I'm getting at, Mr. Madden—I'm still in the newspaper game, and an interview from you—"
"I never give 'em," snapped the millionaire.
"I'm sorry," said Holley. "An old friend of mine runs a news bureau in New York, and it would be a big triumph for me if I could wire him something from you. On the financial outlook, for example. The first interview from P.J. Madden."
"Impossible," answered Madden.
"I'm sorry to hear you say that, Mr. Madden," Bob Eden remarked. "Holley here has been very kind to me, and I was hoping with all my heart you would overlook your rule this once."
Madden leaned back, and blew a ring of smoke toward the paneled ceiling. "Well," he said, and his voice was somehow gentler, "you've taken a lot of trouble for me, Mr. Eden, and I'd like to oblige you." He fumed to Holley. "Look here—nothing much, you know. Just a few words about business prospects for the coming year."
"That would be extremely kind of you, Mr. Madden."
"Oh, it's all right. I'm away out here, and I feel a bit differently about the newspapers than I do at home. I'll dictate something to Thorn—suppose you run out here tomorrow about noon."
"I certainly will," said Holley, rising. "You don't know what this means to me, sir. I must hurry back to town." He shook hands with the millionaire, then with Bob Eden. His eyes as he looked at the latter said; "Well, everything's all right, after all. I'm glad." He paused at the door. "Good-bye—until tomorrow," he added. Thorn let him out.
The door had barely closed behind the editor when Madden leaned forward eagerly. His manner had changed; suddenly, like an electric shock, the boy felt the force of this famous personality. "Now, Mr. Eden," he began briskly, "you've got the pearls, of course?"
Eden felt extremely silly. All their fears seemed so futile here in this bright, home-like room. "Well, as a matter of fact—" he stammered.
A glass door at the rear of the room opened, and someone entered. Eden did not look round; he waited. Presently the newcomer stepped between him and the fire. He saw a plump little Chinese servant, with worn trousers and velvet slippers, and a loose jacket of Canton crepe. In his arms he carried a couple of logs. "Maybe you wantee catch 'um moah fiah, hey, boss?" he said in a dull voice. His face was quite expressionless. He threw the logs into the fireplace and as he fumed, gave Bob Eden a quick look. His eyes were momentarily sharp and bright—like black buttons in the yellow light. The eyes of Charlie Chan.
The little servant went noiselessly out. "The pearls," insisted Madden quickly. "What about the pearls?" Martin Thorn came closer.
"I haven't got them," said Bob Eden slowly.
"What! You didn't bring them?"
"I did not."
The huge red face of Madden purpled suddenly, and he tossed his great head—the old gesture of annoyance of which the newspapers often spoke. "In heaven's name, what's the matter with you fellows, anyhow?" he cried. "Those pearls are mine—I've bought them, haven't I? I've asked for them here—I want them."
"Call your servant." The words were on the tip of Bob Eden's tongue. But something in that look Charlie Chan had given him moved him to hesitate. No, he must first have a word with the little detective.
"Your final instructions to my father were that the pearls must be delivered in New York," he reminded Madden.
"Well, what if they were? I can change