Chapter IV

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      Seymour Sturgis (who, Berts thought, ought to have been drowned when he was a girl) was employed one morning in July in dusting his jade. He lived in a small flat just off Langham Place, with a large, capable, middle-aged Frenchwoman, who worshiped the ground on which he so delicately trod with the cloth-topped boots which she made so resplendent. She cooked for him in the inimitable manner of her race, she kept his flat speckless and shining, she valeted him, she did everything in fact except dust the jade. Highly as Seymour thought of Antoinette he could not let her do that. He always alluded to her as "my maid," and used to take her with him, as valet, to country-houses. It must, however, be added that he did this largely to annoy, and he largely succeeded.

      The room which was adorned by his collection of jade, seemed somehow strangely unlike a man's room. A French writing-table stood in the window with a writing-case and blotting-book stamped with his initials in gilt; by the pen-tray was a smelling-bottle with a gold screw-top to it. Thin lace blinds hung across the windows, and the carpet was of thick fawn-colored fabric with remarkably good Persian rugs laid down over it. On the chimney-piece was a Louis Seize garniture of clock and candlesticks, and a quantity of invitation cards were stuck into the mirror behind. There were half-a-dozen French chairs, a sofa, a baby-grand, a small table or two, and a book-case of volumes all in morocco dress-clothes. On the walls there were a few prints, and in glazed cabinets against the wall was the jade. Nothing, except perhaps the smelling-bottle, suggested a mistress rather than a master, but the whole effect was feminine. Seymour rather liked that: he had very little liking for his own sex. They seemed to him both clumsy and stupid, and his worst enemies (of whom he had plenty) could not accuse him of being either the one or the other. On their side they disliked him because he was not like a man: he disliked them because they were.

      But while he detested his own sex, he did not regard the other with the ordinary feeling of a man. He liked their dresses, their perfumes, their hair, their femininity, more than he liked them. He was quite as charming to plain old ladies, even as Dodo had said, as he was to girls, and he was perfectly happy, when staying in the country, to go a motor drive with aunts and grandmothers. He had a perfectly marvelous digestion; ate a huge lunch, sat still in the motor all afternoon, and had quantities of buttered buns for tea. He dressed rather too carefully to be really well-dressed and always wore a tie and socks of the same color, which repeated in a more vivid shade the tone of his clothes. He had a large ruby ring, a sapphire ring and an emerald ring: they were worn singly and matched his clothes. He spoke French quite perfectly.

      All these depressing traits naturally enraged such men as came in contact with him, but though they abhorred him they could not openly laugh at him, for he had a tongue, when he chose, of quite unparalleled acidity, and was markedly capable of using it when required and taking care of himself afterwards. In matters of art, he had a taste that was faultless, and his taste was founded on real knowledge and technique, so that really great singers delighted to perform to his accompaniment, and in matters of jewelry he designed for Cartier. In fact, from the point of view of his own sex, he was detestable rather than ridiculous, while considerable numbers of the other sex did their very best to spoil him, for none could want a more amusing companion, and his good looks were quite undeniable. But somewhere in his nature there was a certain grit which quite refused to be ground into the pulp of a spoiled young man. In his slender frame, too, there were nerves of steel, and, most amazing of all, when not better employed in designing for Cartier, or engaged in bloodless flirtations, he was a first-class golfer. But he preferred to go for a drive in the afternoon, and smoke a succession of rose-scented cigarettes, which could scarcely be considered tobacco at all. He was fond of food, and drank a good many glasses of port rather petulantly, after dinner, as if they were medicine.

      This morning he was particularly anxious that his jade should show to advantage, for Nadine was coming to lunch with him, to ask his advice about something which she thought was old Venetian-point lace. He had taken particular pains also about the lunch: everything was to be en casserole; there were eggs in spinach, and quails, and a marvelous casseroled cherry tart. He could not bear that anything about him, whether designed for the inside or the outside, should be other than exquisite, and he would have been just as sedulous a Martha, if that strange barbarian called Berts was coming, only he would have given Berts an immense beefsteak as well.

      The bell of his flat tinkled announcing Nadine. He did not like the shrill treble bells, and had got one that made a low bubbling note like the laugh of Sir Charles Wyndham; and Nadine came in.

      "Enchanted!" he said. "How is Philistia?"

      "Not being the least glad of you," she said. "I wish I could make people detest me, as Berts detests you. It shows force of character. Oh, Seymour, what jade! It is almost shameless! Isn't it shameless jade I mean? Is any one else coming to lunch?"

      "Of course not. I don't dilute you with other people; I prefer Nadine neat. Now let's have the crisis at once. Bring out the lace."

      Nadine produced a small parcel and unfolded it.

      "Pretty," said he.

      Then he looked at it more closely, and tossed it aside. "I hoped it was more like Venetian point than that," he said. "It's all quite wrong: the thread's wrong: the stitch is wrong: it smells wrong. Don't tell me you've bought it."

      "No, I shan't tell you," she said.

      He took it up again and pondered.

      "You got it at Ducane's," he said. "I remember seeing it. Well, take it back to Ducane, and tell him if he sold it as Venetian, that he must give you back your money. My dear, it is no wonder that these dealers get rich, if they can palm off things like that. C'est fini.—Ah, but that is an exquisite aquamarine you are wearing. Those little diamond points round it throw the light into it. How odd people usually are about jewelry. They think great buns of diamonds are sufficient to make an adornment. You might as well send up an ox's hind-leg on the table. What makes the difference is the manner of its presentation. Who is that lady who employs herself in writing passionate love-novels? She says on page one that he was madly in love with her, on page two that she was madly in love with him, on page three that they were madly in love with each other, and then come some asterisks. (How much more artistic, by the way, if they printed the asterisks and left out the rest! Then we should know what it really was like.) You can appreciate nothing until it is framed or cooked: then you can see the details. The poor lady presents us with chunks of meat and informs us that they are amorous men and women. I will write a novel some day, from the detached standpoint, observing and noting. Then I shall go away, abroad. It is only bachelors who can write about love. Do you like my tie?"

      Seymour had a trick of putting expression into what he said by means of his hands. He waved and dabbed with them: they fondled each other, and then started apart as if they had quarreled. Sometimes one finger pointed, sometimes another, and they were all beautifully manicured. Antoinette did that, and as she scraped and filed and polished, he talked his admirable French to her, and asked after the old home in Normandy, where she learned to make wonderful soup out of carrots and turnips and shin-bones of beef. At the moment she came in to announce the readiness of lunch.

      "Oh, is it lunch already?" said Nadine. "Can't we have it after half an hour? I should like to see the jade."

      "Oh, quite impossible," said he. "She has taken such pains. It would distress her. For me, I should prefer not to lunch yet, but she is the artist now. They are fragile things, Nadine, eggs in spinach. You must come at once."

      "How greedy you are," she said.

      "For