THE COMPLETE SHORT STORIES OF JOSEPH CONRAD. Джозеф Конрад
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started, slipped, fell; and without attempting to rise, listened, terrified. She heard heavy breathing, a clatter of wooden clogs. It stopped.
"Where the devil did you pass?" said an invisible man, hoarsely.
She held her breath. She recognized the voice. She had not seen him fall. Was he pursuing her there dead, or perhaps . . . alive?
She lost her head. She cried from the crevice where she lay huddled, "Never, never!"
"Ah! You are still there. You led me a fine dance. Wait, my beauty, I must see how you look after all this. You wait. . . ."
Millot was stumbling, laughing, swearing meaninglessly out of pure satisfaction, pleased with himself for having run down that fly-by-night. "As if there were such things as ghosts! Bah! It took an old African soldier to show those clodhoppers. . . . But it was curious. Who the devil was she?"
Susan listened, crouching. He was coming for her, this dead man. There was no escape. What a noise he made amongst the stones. . . . She saw his head rise up, then the shoulders. He was tall—her own man! His long arms waved about, and it was his own voice sounding a little strange . . . because of the scissors. She scrambled out quickly, rushed to the edge of the causeway, and turned round. The man stood still on a high stone, detaching himself in dead black on the glitter of the sky.
"Where are you going to?" he called, roughly.
She answered, "Home!" and watched him intensely. He made a striding, clumsy leap on to another boulder, and stopped again, balancing himself, then said—
"Ha! ha! Well, I am going with you. It's the least I can do. Ha! ha! ha!"
She stared at him till her eyes seemed to become glowing coals that burned deep into her brain, and yet she was in mortal fear of making out the well-known features. Below her the sea lapped softly against the rock with a splash continuous and gentle.
The man said, advancing another step—
"I am coming for you. What do you think?"
She trembled. Coming for her! There was no escape, no peace, no hope. She looked round despairingly. Suddenly the whole shadowy coast, the blurred islets, the heaven itself, swayed about twice, then came to a rest. She closed her eyes and shouted—
"Can't you wait till I am dead!"
She was shaken by a furious hate for that shade that pursued her in this world, unappeased even by death in its longing for an heir that would be like other people's children.
"Hey! What?" said Millot, keeping his distance prudently. He was saying to himself: "Look out! Some lunatic. An accident happens soon."
She went on, wildly—
"I want to live. To live alone—for a week—for a day. I must explain to them. . . . I would tear you to pieces, I would kill you twenty times over rather than let you touch me while I live. How many times must I kill you—you blasphemer! Satan sends you here. I am damned too!"
"Come," said Millot, alarmed and conciliating. "I am perfectly alive! . . . Oh, my God!"
She had screamed, "Alive!" and at once vanished before his eyes, as if the islet itself had swerved aside from under her feet. Millot rushed forward, and fell flat with his chin over the edge. Far below he saw the water whitened by her struggles, and heard one shrill cry for help that seemed to dart upwards along the perpendicular face of the rock, and soar past, straight into the high and impassive heaven.
Madame Levaille sat, dry-eyed, on the short grass of the hill side, with her thick legs stretched out, and her old feet turned up in their black cloth shoes. Her clogs stood near by, and further off the umbrella lay on the withered sward like a weapon dropped from the grasp of a vanquished warrior. The Marquis of Chavanes, on horseback, one gloved hand on thigh, looked down at her as she got up laboriously, with groans. On the narrow track of the seaweed-carts four men were carrying inland Susan's body on a hand-barrow, while several others straggled listlessly behind. Madame Levaille looked after the procession. "Yes, Monsieur le Marquis," she said dispassionately, in her usual calm tone of a reasonable old woman. "There are unfortunate people on this earth. I had only one child. Only one! And they won't bury her in consecrated ground!"
Her eyes filled suddenly, and a short shower of tears rolled down the broad cheeks. She pulled the shawl close about her. The Marquis leaned slightly over in his saddle, and said—
"It is very sad. You have all my sympathy. I shall speak to the Cure. She was unquestionably insane, and the fall was accidental. Millot says so distinctly. Good-day, Madame."
And he trotted off, thinking to himself: "I must get this old woman appointed guardian of those idiots, and administrator of the farm. It would be much better than having here one of those other Bacadous, probably a red republican, corrupting my commune."
THE OUTPOST OF PROGRESS
I
There were two white men in charge of the trading station. Kayerts, the chief, was short and fat; Carlier, the assistant, was tall, with a large head and a very broad trunk perched upon a long pair of thin legs. The third man on the staff was a Sierra Leone nigger, who maintained that his name was Henry Price. However, for some reason or other, the natives down the river had given him the name of Makola, and it stuck to him through all his wanderings about the country. He spoke English and French with a warbling accent, wrote a beautiful hand, understood bookkeeping, and cherished in his innermost heart the worship of evil spirits. His wife was a negress from Loanda, very large and very noisy. Three children rolled about in sunshine before the door of his low, shed-like dwelling. Makola, taciturn and impenetrable, despised the two white men. He had charge of a small clay storehouse with a dried-grass roof, and pretended to keep a correct account of beads, cotton cloth, red kerchiefs, brass wire, and other trade goods it contained. Besides the storehouse and Makola's hut, there was only one large building in the cleared ground of the station. It was built neatly of reeds, with a verandah on all the four sides. There were three rooms in it. The one in the middle was the living-room, and had two rough tables and a few stools in it. The other two were the bedrooms for the white men. Each had a bedstead and a mosquito net for all furniture. The plank floor was littered with the belongings of the white men; open half-empty boxes, torn wearing apparel, old boots; all the things dirty, and all the things broken, that accumulate mysteriously round untidy men. There was also another dwelling-place some distance away from the buildings. In it, under a tall cross much out of the perpendicular, slept the man who had seen the beginning of all this; who had planned and had watched the construction of this outpost of progress. He had been, at home, an unsuccessful painter who, weary of pursuing fame on an empty stomach, had gone out there through high protections. He had been the first chief of that station. Makola had watched the energetic artist die of fever in the just finished house with his usual kind of "I told you so" indifference. Then, for a time, he dwelt alone with his family, his account books, and the Evil Spirit that rules the lands under the equator. He got on very well with his god. Perhaps he had propitiated him by a promise of more white men to play with, by and by. At any rate the director of the Great Trading Company, coming up in a steamer that resembled an enormous sardine box with a flat-roofed shed erected on it, found the station in good order, and Makola as usual quietly diligent. The director had the cross put up over the first agent's grave, and appointed Kayerts to the post. Carlier was told off as second in charge. The director was a man ruthless and efficient, who at times, but very imperceptibly, indulged in grim humour. He made a speech to Kayerts and Carlier, pointing out to them the promising aspect of their station. The nearest trading-post was about three hundred miles away. It was an exceptional opportunity for them to distinguish themselves and to earn percentages on the trade. This appointment was a favour done to beginners. Kayerts was moved almost to tears by his director's kindness. He would, he said, by doing his best, try to justify the flattering confidence, &c., &c. Kayerts had been in the Administration of the Telegraphs,