The Complete Short Stories of Nathaniel Hawthorne: 120+ Titles in One Edition (Illustrated Edition). Nathaniel Hawthorne

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The Complete Short Stories of Nathaniel Hawthorne: 120+ Titles in One Edition (Illustrated Edition) - Nathaniel Hawthorne


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haunting that holy place.

      About a quarter of an hour before the second ringing of the bell individuals of the congregation begin to appear. The earliest is invariably an old woman in black whose bent frame and rounded shoulders are evidently laden with some heavy affliction which she is eager to rest upon the altar. Would that the Sabbath came twice as often, for the sake of that sorrowful old soul! There is an elderly man, also, who arrives in good season and leans against the corner of the tower, just within the line of its shadow, looking downward with a darksome brow. I sometimes fancy that the old woman is the happier of the two. After these, others drop in singly and by twos and threes, either disappearing through the doorway or taking their stand in its vicinity. At last, and always with an unexpected sensation, the bell turns in the steeple overhead and throws out an irregular clangor, jarring the tower to its foundation. As if there were magic in the sound, the sidewalks of the street, both up and down along, are immediately thronged with two long lines of people, all converging hitherward and streaming into the church. Perhaps the far-off roar of a coach draws nearer — a deeper thunder by its contrast with the surrounding stillness — until it sets down the wealthy worshippers at the portal among their humblest brethren. Beyond that entrance — in theory, at least — there are no distinctions of earthly rank; nor, indeed, by the goodly apparel which is flaunting in the sun would there seem to be such on the hither side. Those pretty girls! Why will they disturb my pious meditations? Of all days in the week, they should strive to look least fascinating on the Sabbath, instead of heightening their mortal loveliness, as if to rival the blessed angels and keep our thoughts from heaven. Were I the minister himself, I must needs look. One girl is white muslin from the waist upward and black silk downward to her slippers; a second blushes from top-knot to shoe-tie, one universal scarlet; another shines of a pervading yellow, as if she had made a garment of the sunshine. The greater part, however, have adopted a milder cheerfulness of hue. Their veils, especially when the wind raises them, give a lightness to the general effect and make them appear like airy phantoms as they flit up the steps and vanish into the sombre doorway. Nearly all — though it is very strange that I should know it — wear white stockings, white as snow, and neat slippers laced crosswise with black ribbon pretty high above the ankles. A white stocking is infinitely more effective than a black one.

      Here comes the clergyman, slow and solemn, in severe simplicity, needing no black silk gown to denote his office. His aspect claims my reverence, but cannot win my love. Were I to picture Saint Peter keeping fast the gate of Heaven and frowning, more stern than pitiful, on the wretched applicants, that face should be my study. By middle age, or sooner, the creed has generally wrought upon the heart or been attempered by it. As the minister passes into the church the bell holds its iron tongue and all the low murmur of the congregation dies away. The gray sexton looks up and down the street and then at my window-curtain, where through the small peephole I half fancy that he has caught my eye. Now every loiterer has gone in and the street lies asleep in the quiet sun, while a feeling of loneliness comes over me, and brings also an uneasy sense of neglected privileges and duties. Oh, I ought to have gone to church! The bustle of the rising congregation reaches my ears. They are standing up to pray. Could I bring my heart into unison with those who are praying in yonder church and lift it heavenward with a fervor of supplication, but no distinct request, would not that be the safest kind of prayer? — ”Lord, look down upon me in mercy!” With that sentiment gushing from my soul, might I not leave all the rest to him?

      Hark! the hymn! This, at least, is a portion of the service which I can enjoy better than if I sat within the walls, where the full choir and the massive melody of the organ would fall with a weight upon me. At this distance it thrills through my frame and plays upon my heartstrings with a pleasure both of the sense and spirit. Heaven be praised! I know nothing of music as a science, and the most elaborate harmonies, if they please me, please as simply as a nurse’s lullaby. The strain has ceased, but prolongs itself in my mind with fanciful echoes till I start from my reverie and find that the sermon has commenced. It is my misfortune seldom to fructify in a regular way by any but printed sermons. The first strong idea which the preacher utters gives birth to a train of thought and leads me onward step by step quite out of hearing of the good man’s voice unless he be indeed a son of thunder. At my open window, catching now and then a sentence of the “parson’s saw,” I am as well situated as at the foot of the pulpit stairs. The broken and scattered fragments of this one discourse will be the texts of many sermons preached by those colleague pastors — colleagues, but often disputants — my Mind and Heart. The former pretends to be a scholar and perplexes me with doctrinal points; the latter takes me on the score of feeling; and both, like several other preachers, spend their strength to very little purpose. I, their sole auditor, cannot always understand them.

      Suppose that a few hours have passed, and behold me still behind my curtain just before the close of the afternoon service. The hour-hand on the dial has passed beyond four o’clock. The declining sun is hidden behind the steeple and throws its shadow straight across the street; so that my chamber is darkened as with a cloud. Around the church door all is solitude, and an impenetrable obscurity beyond the threshold. A commotion is heard. The seats are slammed down and the pew doors thrown back; a multitude of feet are trampling along the unseen aisles, and the congregation bursts suddenly through the portal. Foremost scampers a rabble of boys, behind whom moves a dense and dark phalanx of grown men, and lastly a crowd of females with young children and a few scattered husbands. This instantaneous outbreak of life into loneliness is one of the pleasantest scenes of the day. Some of the good people are rubbing their eyes, thereby intimating that they have been wrapped, as it were, in a sort of holy trance by the fervor of their devotion. There is a young man, a third-rate coxcomb, whose first care is always to flourish a white handkerchief and brush the seat of a tight pair of black silk pantaloons which shine as if varnished. They must have been made of the stuff called “everlasting,” or perhaps of the same piece as Christian’s garments in the Pilgrim’s Progress, for he put them on two summers ago and has not yet worn the gloss off. I have taken a great liking to those black silk pantaloons. But now, with nods and greetings among friends, each matron takes her husband’s arm and paces gravely homeward, while the girls also flutter away after arranging sunset walks with their favored bachelors. The Sabbath eve is the eve of love. At length the whole congregation is dispersed. No; here, with faces as glossy as black satin, come two sable ladies and a sable gentleman, and close in their rear the minister, who softens his severe visage and bestows a kind word on each. Poor souls! To them the most captivating picture of bliss in heaven is “There we shall be white!”

      All is solitude again. But hark! A broken warbling of voices, and now, attuning its grandeur to their sweetness, a stately peal of the organ. Who are the choristers? Let me dream that the angels who came down from heaven this blessed morn to blend themselves with the worship of the truly good are playing and singing their farewell to the earth. On the wings of that rich melody they were borne upward.

      This, gentle reader, is merely a flight of poetry. A few of the singing-men and singing-women had lingered behind their fellows and raised their voices fitfully and blew a careless note upon the organ. Yet it lifted my soul higher than all their former strains. They are gone — the sons and daughters of Music — and the gray sexton is just closing the portal. For six days more there will be no face of man in the pews and aisles and galleries, nor a voice in the pulpit, nor music in the choir. Was it worth while to rear this massive edifice to be a desert in the heart of the town and populous only for a few hours of each seventh day? Oh, but the church is a symbol of religion. May its site, which was consecrated on the day when the first tree was felled, be kept holy for ever, a spot of solitude and peace amid the trouble and vanity of our weekday world! There is a moral, and a religion too, even in the silent walls. And may the steeple still point heavenward and be decked with the hallowed sunshine of the Sabbath morn!

      THE WEDDING KNELL

       Table of Contents

      There is a certain church, in the city of New York which I have always regarded with peculiar interest on account of a marriage there solemnized under very singular circumstances in my grandmother’s girlhood. That venerable lady chanced to be a spectator of the


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