EMILY STAR - Complete Collection: Emily of New Moon + Emily Climbs + Emily's Quest. Lucy Maud Montgomery

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EMILY STAR - Complete Collection: Emily of New Moon + Emily Climbs + Emily's Quest - Lucy Maud Montgomery


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      Then she spied one — a huge one — the biggest “sweet” Emily had ever seen, all by itself on one of the steps of the stair leading up to the loft. She climbed up, possessed herself of it and ate it out of hand. She was gnawing happily at the core when Lofty John came in. He nodded to her with a seemingly careless glance around.

      “Just been in to get my supper,” he said. “The wife’s away so I had to get it myself.”

      He fell to planing in silence. Emily sat on the stairs, counting the seeds of the big “sweet” — you told your fortunes by the seeds — listening to the Wind Woman whistling elfishly through a knot hole in the loft, and composing a “Deskripshun of Lofty John’s Carpenter Shop By Lantern Light,” to be written later on a letterbill. She was lost in a mental hunt for an accurate phrase to picture the absurd elongated shadow of Lofty John’s nose on the opposite wall when Lofty John whirled about, so suddenly that the shadow of his nose shot upward like a huge spear to the ceiling, and demanded in a startled voice,

      “What’s become av that big sweet apple that was on that stair?”

      “Why — I — I et it,” stammered Emily.

      Lofty John dropped his plane, threw up his hands and looked at Emily with a horrified face.

      “The saints preserve us, child. Ye never et that apple — don’t tell me ye’ve gone and et that apple!”

      “Yes, I did,” said Emily uncomfortably. “I didn’t think it was any harm — I—”

      “Harm! Listen to her, will you? That apple was poisoned for the rats! They’ve been plaguing me life out here and I had me mind made up to finish their fun. And now you’ve et the apple — it would kill a dozen av ye in a brace of shakes.”

      Lofty John saw a white face and a gingham apron flash through the workshop and out into the dark. Emily’s first wild impulse was to get home at once — before she dropped dead. She tore across the field through the bush and the garden and dashed into the house. It was still silent and dark — nobody was home yet. Emily gave a bitter little shriek of despair — when they came they would find her stiff and cold, black in the face likely, everything in this dear world ended for her for ever, all because she had eaten an apple which she thought she was perfectly welcome to eat. It wasn’t fair — she didn’t want to die.

      But she must. She only hoped desperately that some one would come before she was dead. It would be so terrible to die there all alone in that great, big, empty New Moon. She dared not try to go anywhere for help. It was too dark now and she would likely drop dead on the way. To die out there — alone — in the dark — oh, that would be too dreadful. It did not occur to her that anything could be done for her; she thought if you once swallowed poison that was the end of you.

      With hands shaking in panic she got a candle lighted. It wasn’t quite so bad then — you could face things in the light. And Emily, pale, terrified, alone, was already deciding that this must be faced bravely. She must not shame the Starrs and the Murrays. She clenched her cold hands and tried to stop trembling. How long would it be before she died, she wondered. Lofty John had said the apple would kill her in a “brace of shakes.” What did that mean? How long was a brace of shakes? Would it hurt her to die? She had a vague idea that poison did hurt you awfully. Oh; and just a little while ago she had been so happy! She had thought she was going to live for years and write great poems and be famous like Mrs Hemans. She had had a fight with Ilse the night before and hadn’t made it up yet — never could make it up now. And Ilse would feel so terribly. She must write her a note and forgive her. Was there time for that much? Oh, how cold her hands were! Perhaps that meant she was dying already. She had heard or read that your hands turned cold when you were dying. She wondered if her face was turning black. She grasped her candle and hurried up the stairs to the spare-room. There was a looking-glass there — the only one in the house hung low enough for her to see her reflection if she tipped the bottom of it back. Ordinarily Emily would have been frightened to death at the mere thought of going into that spare-room by dim, flickering candlelight. But the one great terror had swallowed up all lesser ones. She looked at her reflection, amid the sleek, black flow of her hair, in the upward-striking light on the dark background of the shadowy room. Oh, she was pale as the dead already. Yes, that was a dying face — there could be no doubt of it.

      Something rose up in Emily and took possession of her — some inheritance from the good old stock behind her. She ceased to tremble — she accepted her fate — with bitter regret, but calmly.

      “I don’t want to die but since I have to I’ll die as becomes a Murray,” she said. She had read a similar sentence in a book and it came pat to the moment. And now she must hurry. That letter to Ilse must be written. Emily went to Aunt Elizabeth’s room first, to assure herself that her righthand top bureau drawer was quite tidy; then she flitted up the garret stairs to her dormer corner. The great place was full of lurking, pouncing shadows that crowded about the little island of faint candlelight, but they had no terrors for Emily now.

      “And to think I was feeling so bad to-day because my petticoat was bunchy,” she thought, as she got one of her dear letterbills — the last she would ever write on. There was no need to write to Father — she would see him soon — but Ilse must have her letter — dear, loving, jolly, hot-tempered Ilse, who, just the day before had shrieked insulting epithets after her and who would be haunted by remorse all her life for it.

      “Dearest Ilse,” wrote Emily, her hand shaking a little but her lips firmly set. “I am going to die. I have been poisoned by an apple Lofty John had put for rats. I will never see you again, but I am writing this to tell you I love you and you are not to feel bad because you called me a skunk and a bloodthirsty mink yesterday. I forgive you, so do not worry over it. And I am sorry I told you that you were beneath contemt because I didn’t mean a word of it. I leave you all my share of the broken dishes in our playhouse and please tell Teddy goodbye for me. He will never be able to teach me how to put worms on a fish-hook now. I promised him I would learn because I did not want him to think I was a coward but I am glad I did not for I know what the worm feels like now. I do not feel sick yet but I don’t know what the simptoms of poisoning are and Lofty John said there was enough to kill a dozen of me so I cant have long to live. If Aunt Elizabeth is willing you can have my necklace of Venetian beads. It is the only valuable possession I have. Don’t let anybody do anything to Lofty John because he did not mean to poison me and it was all my own fault for being so greedy. Perhaps people will think he did it on purpose because I am a Protestant but I feel sure he did not and please tell him not to be hawnted by remorse. I think I feel a pain in my stomach now so I guess that the end draws ni. Fare well and remember her who died so young.

      “Your own devoted,

      “Emily.”

      As Emily folded up her letterbill she heard the sound of wheels in the yard below. A moment later Elizabeth and Laura Murray were confronted in the kitchen by a tragic-faced little creature, grasping a guttering candle in one hand and a red letterbill in the other.

      “Emily, what is the matter?” cried Aunt Laura.

      “I’m dying,” said Emily solemnly. “I et an apple Lofty John had poisoned for rats. I have only a few minutes to live, Aunt Laura.”

      Laura Murray dropped down on the black bench with her hand at her heart. Elizabeth turned as pale as Emily herself.

      “Emily, is this some play-acting of yours?” she demanded sternly.

      “No,” cried Emily, quite indignantly. “It’s the truth. Do you suppose a dying person would be play-acting? And oh, Aunt Elizabeth, please will you give this letter to Ilse — and please forgive me for being naughty — though I wasn’t always naughty when you thought I was — and don’t let any one see after I’m dead if I turn black — especially Rhoda Stuart.”

      By this time Aunt Elizabeth was herself again.

      “How long ago is it since you ate that apple, Emily?”

      “About an hour.”


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