Bleak House. Чарльз Диккенс
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forehead, but healthy, wholesome, and bright-eyed. A strong, busy, active, honest-faced woman of from forty-five to fifty. Clean, hardy, and so economically dressed (though substantially) that the only article of ornament of which she stands possessed appear's to be her wedding-ring, around which her finger has grown to be so large since it was put on that it will never come off again until it shall mingle with Mrs. Bagnet's dust.
"Mrs. Bagnet," says the trooper, "I am on my parole with you. Mat will get no harm from me. You may trust me so far."
"Well, I think I may. But the very looks of you are unsettling," Mrs. Bagnet rejoins. "Ah, George, George! If you had only settled down and married Joe Pouch's widow when he died in North America, SHE'D have combed your hair for you."
"It was a chance for me, certainly," returns the trooper half laughingly, half seriously, "but I shall never settle down into a respectable man now. Joe Pouch's widow might have done me good—there was something in her, and something of her—but I couldn't make up my mind to it. If I had had the luck to meet with such a wife as Mat found!"
Mrs. Bagnet, who seems in a virtuous way to be under little reserve with a good sort of fellow, but to be another good sort of fellow herself for that matter, receives this compliment by flicking Mr. George in the face with a head of greens and taking her tub into the little room behind the shop.
"Why, Quebec, my poppet," says George, following, on invitation, into that department. "And little Malta, too! Come and kiss your Bluffy!"
These young ladies—not supposed to have been actually christened by the names applied to them, though always so called in the family from the places of their birth in barracks—are respectively employed on three-legged stools, the younger (some five or six years old) in learning her letters out of a penny primer, the elder (eight or nine perhaps) in teaching her and sewing with great assiduity. Both hail Mr. George with acclamations as an old friend and after some kissing and romping plant their stools beside him.
"And how's young Woolwich?" says Mr. George.
"Ah! There now!" cries Mrs. Bagnet, turning about from her saucepans (for she is cooking dinner) with a bright flush on her face. "Would you believe it? Got an engagement at the theayter, with his father, to play the fife in a military piece."
"Well done, my godson!" cries Mr. George, slapping his thigh.
"I believe you!" says Mrs. Bagnet. "He's a Briton. That's what Woolwich is. A Briton!"
"And Mat blows away at his bassoon, and you're respectable civilians one and all," says Mr. George. "Family people. Children growing up. Mat's old mother in Scotland, and your old father somewhere else, corresponded with, and helped a little, and—well, well! To be sure, I don't know why I shouldn't be wished a hundred mile away, for I have not much to do with all this!"
Mr. George is becoming thoughtful, sitting before the fire in the whitewashed room, which has a sanded floor and a barrack smell and contains nothing superfluous and has not a visible speck of dirt or dust in it, from the faces of Quebec and Malta to the bright tin pots and pannikins upon the dresser shelves—Mr. George is becoming thoughtful, sitting here while Mrs. Bagnet is busy, when Mr. Bagnet and young Woolwich opportunely come home. Mr. Bagnet is an ex-artilleryman, tall and upright, with shaggy eyebrows and whiskers like the fibres of a coco-nut, not a hair upon his head, and a torrid complexion. His voice, short, deep, and resonant, is not at all unlike the tones of the instrument to which he is devoted. Indeed there may be generally observed in him an unbending, unyielding, brass-bound air, as if he were himself the bassoon of the human orchestra. Young Woolwich is the type and model of a young drummer.
Both father and son salute the trooper heartily. He saying, in due season, that he has come to advise with Mr. Bagnet, Mr. Bagnet hospitably declares that he will hear of no business until after dinner and that his friend shall not partake of his counsel without first partaking of boiled pork and greens. The trooper yielding to this invitation, he and Mr. Bagnet, not to embarrass the domestic preparations, go forth to take a turn up and down the little street, which they promenade with measured tread and folded arms, as if it were a rampart.
"George," says Mr. Bagnet. "You know me. It's my old girl that advises. She has the head. But I never own to it before her. Discipline must be maintained. Wait till the greens is off her mind. Then we'll consult. Whatever the old girl says, do—do it!"
"I intend to, Mat," replies the other. "I would sooner take her opinion than that of a college."
"College," returns Mr. Bagnet in short sentences, bassoon-like. "What college could you leave—in another quarter of the world—with nothing but a grey cloak and an umbrella—to make its way home to Europe? The old girl would do it to-morrow. Did it once!"
"You are right," says Mr. George.
"What college," pursues Bagnet, "could you set up in life—with two penn'orth of white lime—a penn'orth of fuller's earth—a ha'porth of sand—and the rest of the change out of sixpence in money? That's what the old girl started on. In the present business."
"I am rejoiced to hear it's thriving, Mat."
"The old girl," says Mr. Bagnet, acquiescing, "saves. Has a stocking somewhere. With money in it. I never saw it. But I know she's got it. Wait till the greens is off her mind. Then she'll set you up."
"She is a treasure!" exclaims Mr. George.
"She's more. But I never own to it before her. Discipline must be maintained. It was the old girl that brought out my musical abilities. I should have been in the artillery now but for the old girl. Six years I hammered at the fiddle. Ten at the flute. The old girl said it wouldn't do; intention good, but want of flexibility; try the bassoon. The old girl borrowed a bassoon from the bandmaster of the Rifle Regiment. I practised in the trenches. Got on, got another, get a living by it!"
George remarks that she looks as fresh as a rose and as sound as an apple.
"The old girl," says Mr. Bagnet in reply, "is a thoroughly fine woman. Consequently she is like a thoroughly fine day. Gets finer as she gets on. I never saw the old girl's equal. But I never own to it before her. Discipline must be maintained!"
Proceeding to converse on indifferent matters, they walk up and down the little street, keeping step and time, until summoned by Quebec and Malta to do justice to the pork and greens, over which Mrs. Bagnet, like a military chaplain, says a short grace. In the distribution of these comestibles, as in every other household duty, Mrs. Bagnet developes an exact system, sitting with every dish before her, allotting to every portion of pork its own portion of pot-liquor, greens, potatoes, and even mustard, and serving it out complete. Having likewise served out the beer from a can and thus supplied the mess with all things necessary, Mrs. Bagnet proceeds to satisfy her own hunger, which is in a healthy state. The kit of the mess, if the table furniture may be so denominated, is chiefly composed of utensils of horn and tin that have done duty in several parts of the world. Young Woolwich's knife, in particular, which is of the oyster kind, with the additional feature of a strong shutting-up movement which frequently balks the appetite of that young musician, is mentioned as having gone in various hands the complete round of foreign service.
The dinner done, Mrs. Bagnet, assisted by the younger branches (who polish their own cups and platters, knives and forks), makes all the dinner garniture shine as brightly as before and puts it all away, first sweeping the hearth, to the end that Mr. Bagnet and the visitor may not be retarded in the smoking of their pipes. These household cares involve much pattening and counter-pattening in the backyard and considerable use of a pail, which is finally so happy as to assist in the ablutions of Mrs. Bagnet herself. That old girl reappearing by and by, quite fresh, and sitting down to her needlework, then and only then—the greens being only then to be considered as entirely off her mind—Mr. Bagnet requests the trooper to state his case.
This Mr. George does with great discretion, appearing to address himself to Mr. Bagnet, but having an eye solely on the old girl all the time, as Bagnet has himself. She, equally discreet, busies herself with her needlework. The case fully stated, Mr. Bagnet resorts to