Bleak House. Чарльз Диккенс
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I think, Charley?"
"Quite strong enough for that, miss!" cried Charley. But Charley's face fell in the height of her delight, for she saw the secret in MY face; and she came out of the great chair, and fell upon my bosom, and said "Oh, miss, it's my doing! It's my doing!" and a great deal more out of the fullness of her grateful heart.
"Now, Charley," said I after letting her go on for a little while, "if I am to be ill, my great trust, humanly speaking, is in you. And unless you are as quiet and composed for me as you always were for yourself, you can never fulfil it, Charley."
"If you'll let me cry a little longer, miss," said Charley. "Oh, my dear, my dear! If you'll only let me cry a little longer. Oh, my dear!"—how affectionately and devotedly she poured this out as she clung to my neck, I never can remember without tears—"I'll be good."
So I let Charley cry a little longer, and it did us both good.
"Trust in me now, if you please, miss," said Charley quietly. "I am listening to everything you say."
"It's very little at present, Charley. I shall tell your doctor to-night that I don't think I am well and that you are going to nurse me."
For that the poor child thanked me with her whole heart. "And in the morning, when you hear Miss Ada in the garden, if I should not be quite able to go to the window-curtain as usual, do you go, Charley, and say I am asleep—that I have rather tired myself, and am asleep. At all times keep the room as I have kept it, Charley, and let no one come."
Charley promised, and I lay down, for I was very heavy. I saw the doctor that night and asked the favour of him that I wished to ask relative to his saying nothing of my illness in the house as yet. I have a very indistinct remembrance of that night melting into day, and of day melting into night again; but I was just able on the first morning to get to the window and speak to my darling.
On the second morning I heard her dear voice—Oh, how dear now!—outside; and I asked Charley, with some difficulty (speech being painful to me), to go and say I was asleep. I heard her answer softly, "Don't disturb her, Charley, for the world!"
"How does my own Pride look, Charley?" I inquired.
"Disappointed, miss," said Charley, peeping through the curtain.
"But I know she is very beautiful this morning."
"She is indeed, miss," answered Charley, peeping. "Still looking up at the window."
With her blue clear eyes, God bless them, always loveliest when raised like that!
I called Charley to me and gave her her last charge.
"Now, Charley, when she knows I am ill, she will try to make her way into the room. Keep her out, Charley, if you love me truly, to the last! Charley, if you let her in but once, only to look upon me for one moment as I lie here, I shall die."
"I never will! I never will!" she promised me.
"I believe it, my dear Charley. And now come and sit beside me for a little while, and touch me with your hand. For I cannot see you, Charley; I am blind."
Chapter XXXII.
The Appointed Time
It is night in Lincoln's Inn—perplexed and troublous valley of the shadow of the law, where suitors generally find but little day—and fat candles are snuffed out in offices, and clerks have rattled down the crazy wooden stairs and dispersed. The bell that rings at nine o'clock has ceased its doleful clangour about nothing; the gates are shut; and the night-porter, a solemn warder with a mighty power of sleep, keeps guard in his lodge. From tiers of staircase windows clogged lamps like the eyes of Equity, bleared Argus with a fathomless pocket for every eye and an eye upon it, dimly blink at the stars. In dirty upper casements, here and there, hazy little patches of candlelight reveal where some wise draughtsman and conveyancer yet toils for the entanglement of real estate in meshes of sheep-skin, in the average ratio of about a dozen of sheep to an acre of land. Over which bee-like industry these benefactors of their species linger yet, though office-hours be past, that they may give, for every day, some good account at last.
In the neighbouring court, where the Lord Chancellor of the rag and bottle shop dwells, there is a general tendency towards beer and supper. Mrs. Piper and Mrs. Perkins, whose respective sons, engaged with a circle of acquaintance in the game of hide and seek, have been lying in ambush about the by-ways of Chancery Lane for some hours and scouring the plain of the same thoroughfare to the confusion of passengers—Mrs. Piper and Mrs. Perkins have but now exchanged congratulations on the children being abed, and they still linger on a door-step over a few parting words. Mr. Krook and his lodger, and the fact of Mr. Krook's being "continually in liquor," and the testamentary prospects of the young man are, as usual, the staple of their conversation. But they have something to say, likewise, of the Harmonic Meeting at the Sol's Arms, where the sound of the piano through the partly opened windows jingles out into the court, and where Little Swills, after keeping the lovers of harmony in a roar like a very Yorick, may now be heard taking the gruff line in a concerted piece and sentimentally adjuring his friends and patrons to "Listen, listen, listen, tew the wa-ter fall!" Mrs. Perkins and Mrs. Piper compare opinions on the subject of the young lady of professional celebrity who assists at the Harmonic Meetings and who has a space to herself in the manuscript announcement in the window, Mrs. Perkins possessing information that she has been married a year and a half, though announced as Miss M. Melvilleson, the noted siren, and that her baby is clandestinely conveyed to the Sol's Arms every night to receive its natural nourishment during the entertainments. "Sooner than which, myself," says Mrs. Perkins, "I would get my living by selling lucifers." Mrs. Piper, as in duty bound, is of the same opinion, holding that a private station is better than public applause, and thanking heaven for her own (and, by implication, Mrs. Perkins') respectability. By this time the pot-boy of the Sol's Arms appearing with her supper-pint well frothed, Mrs. Piper accepts that tankard and retires indoors, first giving a fair good night to Mrs. Perkins, who has had her own pint in her hand ever since it was fetched from the same hostelry by young Perkins before he was sent to bed. Now there is a sound of putting up shop-shutters in the court and a smell as of the smoking of pipes; and shooting stars are seen in upper windows, further indicating retirement to rest. Now, too, the policeman begins to push at doors; to try fastenings; to be suspicious of bundles; and to administer his beat, on the hypothesis that every one is either robbing or being robbed.
It is a close night, though the damp cold is searching too, and there is a laggard mist a little way up in the air. It is a fine steaming night to turn the slaughter-houses, the unwholesome trades, the sewerage, bad water, and burial-grounds to account, and give the registrar of deaths some extra business. It may be something in the air—there is plenty in it—or it may be something in himself that is in fault; but Mr. Weevle, otherwise Jobling, is very ill at ease. He comes and goes between his own room and the open street door twenty times an hour. He has been doing so ever since it fell dark. Since the Chancellor shut up his shop, which he did very early to-night, Mr. Weevle has been down and up, and down and up (with a cheap tight velvet skull-cap on his head, making his whiskers look out of all proportion), oftener than before.
It is no phenomenon that Mr. Snagsby should be ill at ease too, for he always is so, more or less, under the oppressive influence of the secret that is upon him. Impelled by the mystery of which he is a partaker and yet in which he is not a sharer, Mr. Snagsby haunts what seems to be its fountain-head—the rag and bottle shop in the court. It has an irresistible attraction for him. Even now, coming round by the Sol's Arms with the intention of passing down the court, and out at the Chancery Lane end, and so terminating his unpremeditated after-supper stroll of ten minutes' long from his own door and back again, Mr. Snagsby approaches.
"What, Mr. Weevle?" says the stationer, stopping to speak. "Are YOU there?"
"Aye!" says Weevle, "Here I am, Mr. Snagsby."
"Airing yourself, as I am doing, before you go to bed?" the stationer inquires.
"Why,