The Story of a Governess. Mrs. Oliphant
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of separation from the others, and the suggestive delightful semi-privacy in which the two voices mingled as the two hearts were learning to mingle. That was Gussy’s view of the question, but it did not long continue to be Janet’s. When poor Gussy made, as now and then she did, a false note, when she went wrong in those somewhat elaborate accompaniments which Janet knew she herself could play so much better, a momentary gleam from Mr. Meredith’s eyes, the pointed shrug of his shoulders or elevation of his brows, gave Janet once more that inclination to laugh which it was so difficult to restrain.
It did not at all occur to the girl behind backs that she was an accomplice in a piece of domestic treachery. It was ludicrous to see the unconscious performer, full of complacency in her accomplishment, producing those false notes; it was at once horrifying and laughable to hear the strange discords with which the piano came in. Janet, who could have done it so much better herself, felt a little shiver steal over her at the first jarring thrill, and what so natural as that he, who was evidently a good musician, should discover it, too, and seek her sympathy. As these communications grew more frequent, it is true that Janet did feel a little shame now and then steal over her. Poor Miss Harwood! She would not like it, the governess felt sure, if she surprised one of these glances; and thus, in the complacence of knowing better, in the secret superiority of divining the sentiments of Gussy’s lover even better than Gussy did, the girl felt it almost impossible not to burst into a little laugh again.
Were these two floating on—as Gussy thought in her confident tenderness and glamour of love, as Mrs. Harwood thought in her anxious calculations and adding up of this and that to see whether it would do, as Julia, in her eager dislike and scorn and childish inexperience, was certain of—towards a happy dénouement and a life of harmony together? This was what Janet did not know. She sat and wondered, going on with her needlework. Janet, who was not at all without experience, and who had seen that people in most things consider their own advantage and pleasure first, as the protectress of her own childhood had done in adopting her, did not jump to the conclusion that Meredith had not the intentions which the others attributed to him. But she had a doubt which none of the others had. She sat and wondered, working on, anxious to be a little nearer, and hear what they were saying, longing to be asked to take that accompaniment, to be in the middle of what was going on. The uncertainty lent the scene, which in any case would have been as good as a play, a still more vivid interest. Her heart beat with the sensation of knowing so much more than the others, with wondering from day to day what would be the next event, and how it would end. Strangely enough, she did not enter at all into Gussy’s feelings, or conceive any sympathy for her. Like Julia, like the very young in general, Janet was angry with Miss Harwood for being “silly,” for letting the visitor see his advantage. She could not forgive the woman who made the advances, who was deceived and fancied herself beloved, and flung herself at the head, or at the feet, of a tardy lover. She was more impatient with Gussy for the glamour in her eyes, than with Meredith for having none, for shrugging his shoulders at the false notes.
It came about, however, one evening, in the most natural manner in the world, that Janet, trembling with impatience behind backs, and longing to be in the midst of it, achieved at last the active share she desired in what was going on. She never could tell whether it was accident or whether Meredith had chosen on purpose a duet of which the accompaniment was extremely difficult, such as Miss Harwood was quite incapable of.
After a few trials and failures, the practising came to a sudden end, and a little controversy evidently went on over the piano. He proposed something which she did not consent to willingly. By-and-bye Gussy’s voice, a little raised in vexation, reached the other end of the room.
“I have no reason to suppose she can play at all,” she said.
Then there was a murmur from Meredith and the name of Julia.
“Oh, yes! enough to teach Ju; but Ju has no ear and no taste, and never will do anything.”
Again the lover made a representation, inaudible, in Gussy’s ear.
“Well, if you like we can ask her; but it’s always introducing a third, and spoiling——”
Janet’s ears were so quickened by this time that she heard, or thought she heard, him say, stooping close to Gussy’s ear,
“Who can feel that like me? But she’s only—seems to know her place.”
Heavens! how the heart jumped up in Janet’s breast! She was sure she heard him say, “seems to know her place.” Her place! and he who had made her his confidant, made her the judge, making fun of Gussy to her, as he now set her down so contemptuously to Gussy! The blood boiled in Janet’s veins, a flood of thoughts and resolutions rushed through her mind. She would not play for them! They might break down, and Miss Harwood might jar him to death with her discords, for anything Janet cared. Her place! behind their backs, without notice, without a word! Oh, yes, she would keep it, she would understand what it was, she would do nothing for them! And then the pendulum swung the other way. Yes, she would play for them. She would show Gussy what a bungler she was. She would let them both see that it was quite simple, nothing to make any fuss about, to herself no more than the easiest exercise! She would play, but never betray again that she was conscious of Mr. Meredith’s existence, never seem to see his looks, treat him as if he were the cabbage——
All this ran through her thoughts in the moment, while Miss Harwood turned slowly round on her music stool, and he advanced a step, turning towards Janet a look of entreaty, and at the same time of private intelligence, such as all her resolution not to look could not prevent her from seeing. Gussy had never treated Janet with unkindness, never shown any want of consideration, save in ignoring her on these occasions; but at present her voice sounded careless, disrespectful, almost insulting.
“Miss Summerhayes!” she called out, carelessly.
Janet, with still that tumult in her breast, did not lift her eyes or move in her seat.
“Miss Summerhayes!” cried Gussy again.
“My dear,” said Mrs. Harwood, “my daughter is calling you. I think you did not hear.”
“Oh!” said Janet, and looked up as if she had heard for the first time; indeed, the force of her indignation gave her something of the feeling of one awakened from a dream.
“Will you come here, please?” said Miss Harwood.
Never before had there been between them the tone of command and obedience. Janet reflected to herself bitterly that she was supposed to know her place, and rose, but with a reluctance that anybody could see.
This reluctance softened Gussy. She thought the other girl felt all the inappropriateness of being made the third between two——
“Please come and look at this accompaniment. I have never seen it before, and it seems difficult. Will you try it for us? You said you could play.”
“Yes, I can play.” Janet went slowly towards the piano. He might make eyes as he chose, she would not see them. She looked at the music while Gussy rose and left the place for her. Easy? why, it was child’s play! “I will play it if you wish me to do so;” her fingers were crisp with impatience to get at the keys.
“Oh, do, do, Miss Summerhayes! we are waiting for you. A new accompaniment and a new song at once are too much for anyone. Is that the proper height for you? is the light as you like it? Ah!” he said, with a deep breath, “that is something like; now, Gussy!”
He took her hand to draw her to his side, and over Gussy’s colorless face there sprang anew that light as if it came through rose-leaves, through some ethereal medium, a light ineffable, which neither sunlight nor lamplight ever gave.
Poor Gussy! this was the look which made her sister’s childish countenance lower, which was “silly,” which moved Janet to mingled ridicule, wrath, and shame. These young critics had no mercy. But as she stood by her lover’s side and sang, all unkindly thoughts and every little irritation went out of Gussy’s soul. She was the only one of them whose mind was in true harmony with the music; the others were better performers. She forgot that