The Complete Works of Nathaniel Hawthorne (With Illustrations). Nathaniel Hawthorne
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Summer squashes almost in their golden blossom; cucumbers, now evincing a tendency to spread away from the main stock, and ramble far and wide; two or three rows of string-beans and as many more that were about to festoon themselves on poles; tomatoes, occupying a site so sheltered and sunny that the plants were already gigantic, and promised an early and abundant harvest.
Phoebe wondered whose care and toil it could have been that had planted these vegetables, and kept the soil so clean and orderly. Not surely her cousin Hepzibah’s, who had no taste nor spirits for the ladylike employment of cultivating flowers, and — with her recluse habits, and tendency to shelter herself within the dismal shadow of the house — would hardly have come forth under the speck of open sky to weed and hoe among the fraternity of beans and squashes.
It being her first day of complete estrangement from rural objects, Phoebe found an unexpected charm in this little nook of grass, and foliage, and aristocratic flowers, and plebeian vegetables. The eye of Heaven seemed to look down into it pleasantly, and with a peculiar smile, as if glad to perceive that nature, elsewhere overwhelmed, and driven out of the dusty town, had here been able to retain a breathing-place. The spot acquired a somewhat wilder grace, and yet a very gentle one, from the fact that a pair of robins had built their nest in the pear-tree, and were making themselves exceedingly busy and happy in the dark intricacy of its boughs. Bees, too, — strange to say, — had thought it worth their while to come hither, possibly from the range of hives beside some farmhouse miles away. How many aerial voyages might they have made, in quest of honey, or honey-laden, betwixt dawn and sunset! Yet, late as it now was, there still arose a pleasant hum out of one or two of the squash-blossoms, in the depths of which these bees were plying their golden labor. There was one other object in the garden which Nature might fairly claim as her inalienable property, in spite of whatever man could do to render it his own. This was a fountain, set round with a rim of old mossy stones, and paved, in its bed, with what appeared to be a sort of mosaic-work of variously colored pebbles. The play and slight agitation of the water, in its upward gush, wrought magically with these variegated pebbles, and made a continually shifting apparition of quaint figures, vanishing too suddenly to be definable. Thence, swelling over the rim of mossgrown stones, the water stole away under the fence, through what we regret to call a gutter, rather than a channel. Nor must we forget to mention a hencoop of very reverend antiquity that stood in the farther corner of the garden, not a great way from the fountain. It now contained only Chanticleer, his two wives, and a solitary chicken. All of them were pure specimens of a breed which had been transmitted down as an heirloom in the Pyncheon family, and were said, while in their prime, to have attained almost the size of turkeys, and, on the score of delicate flesh, to be fit for a prince’s table. In proof of the authenticity of this legendary renown, Hepzibah could have exhibited the shell of a great egg, which an ostrich need hardly have been ashamed of. Be that as it might, the hens were now scarcely larger than pigeons, and had a queer, rusty, withered aspect, and a gouty kind of movement, and a sleepy and melancholy tone throughout all the variations of their clucking and cackling. It was evident that the race had degenerated, like many a noble race besides, in consequence of too strict a watchfulness to keep it pure. These feathered people had existed too long in their distinct variety; a fact of which the present representatives, judging by their lugubrious deportment, seemed to be aware. They kept themselves alive, unquestionably, and laid now and then an egg, and hatched a chicken; not for any pleasure of their own, but that the world might not absolutely lose what had once been so admirable a breed of fowls. The distinguishing mark of the hens was a crest of lamentably scanty growth, in these latter days, but so oddly and wickedly analogous to Hepzibah’s turban, that Phoebe — to the poignant distress of her conscience, but inevitably — was led to fancy a general resemblance betwixt these forlorn bipeds and her respectable relative.
The girl ran into the house to get some crumbs of bread, cold potatoes, and other such scraps as were suitable to the accommodating appetite of fowls. Returning, she gave a peculiar call, which they seemed to recognize. The chicken crept through the pales of the coop and ran, with some show of liveliness, to her feet; while Chanticleer and the ladies of his household regarded her with queer, sidelong glances, and then croaked one to another, as if communicating their sage opinions of her character. So wise, as well as antique, was their aspect, as to give color to the idea, not merely that they were the descendants of a time-honored race, but that they had existed, in their individual capacity, ever since the House of the Seven Gables was founded, and were somehow mixed up with its destiny. They were a species of tutelary sprite, or Banshee; although winged and feathered differently from most other guardian angels.
“Here, you odd little chicken!” said Phoebe; “here are some nice crumbs for you!”
The chicken, hereupon, though almost as venerable in appearance as its mother — possessing, indeed, the whole antiquity of its progenitors in miniature, — mustered vivacity enough to flutter upward and alight on Phoebe’s shoulder.
“That little fowl pays you a high compliment!” said a voice behind Phoebe.
Turning quickly, she was surprised at sight of a young man, who had found access into the garden by a door opening out of another gable than that whence she had emerged. He held a hoe in his hand, and, while Phoebe was gone in quest of the crumbs, had begun to busy himself with drawing up fresh earth about the roots of the tomatoes.
“The chicken really treats you like an old acquaintance,” continued he in a quiet way, while a smile made his face pleasanter than Phoebe at first fancied it. “Those venerable personages in the coop, too, seem very affably disposed. You are lucky to be in their good graces so soon! They have known me much longer, but never honor me with any familiarity, though hardly a day passes without my bringing them food. Miss Hepzibah, I suppose, will interweave the fact with her other traditions, and set it down that the fowls know you to be a Pyncheon!”
“The secret is,” said Phoebe, smiling, “that I have learned how to talk with hens and chickens.”
“Ah, but these hens,” answered the young man, — ”these hens of aristocratic lineage would scorn to understand the vulgar language of a barnyard fowl. I prefer to think — and so would Miss Hepzibah — that they recognize the family tone. For you are a Pyncheon?”
“My name is Phoebe Pyncheon,” said the girl, with a manner of some reserve; for she was aware that her new acquaintance could be no other than the daguerreotypist, of whose lawless propensities the old maid had given her a disagreeable idea. “I did not know that my cousin Hepzibah’s garden was under another person’s care.”
“Yes,” said Holgrave, “I dig, and hoe, and weed, in this black old earth, for the sake of refreshing myself with what little nature and simplicity may be left in it, after men have so long sown and reaped here. I turn up the earth by way of pastime. My sober occupation, so far as I have any, is with a lighter material. In short, I make pictures out of sunshine; and, not to be too much dazzled with my own trade, I have prevailed with Miss Hepzibah to let me lodge in one of these dusky gables. It is like a bandage over one’s eyes, to come into it. But would you like to see a specimen of my productions?”
“A daguerreotype likeness, do you mean?” asked Phoebe with less reserve; for, in spite of prejudice, her own youthfulness sprang forward to meet his. “I don’t much like pictures of that sort, — they are so hard and stern; besides dodging away from the eye, and trying to escape altogether. They are conscious of looking very unamiable, I suppose, and therefore hate to be seen.”
“If you would permit me,” said the artist, looking at Phoebe, “I should like to try whether the daguerreotype can bring out disagreeable traits on a perfectly amiable face. But there certainly is truth in what you have said. Most of my likenesses do look unamiable; but the very sufficient reason, I fancy, is, because the originals are so. There is a wonderful insight in Heaven’s broad and simple sunshine. While we give it credit only for depicting the merest surface, it actually brings out the secret character with a truth that no painter would ever venture upon, even could he detect it. There is, at least, no flattery in my humble line of art. Now, here is a likeness which I have taken over and over again, and still with no better result. Yet the original wears, to common eyes, a very different expression. It would gratify me to have your judgment on this character.”