Colonel Starbottle's Client. Bret Harte
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was in fact—er—just about to glance over it when you came in.”
“It was written,” continued Corbin, selecting a letter more bethumbed than the others, “after the old woman had threatened me. This here young woman allows that she is sorry that her aunt has to take money of me on account of her cousin being killed, and she is still sorrier that she is so bitter against me. She says she hadn't seen her cousin since he was a boy, and used to play with her, and that she finds it hard to believe that he should ever grow up to change his name and act so as to provoke anybody to lift a hand against him. She says she supposed it must be something in that dreadful California that alters people and makes everybody so reckless. I reckon her head's level there, ain't it?”
There was such a sudden and unexpected lightening of the man's face as he said it, such a momentary relief to his persistent gloom, that the Colonel, albeit inwardly dissenting from both letter and comment, smiled condescendingly.
“She's no slouch of a scribe neither,” continued Corbin animatedly. “Read that.”
He handed his companion the letter, pointing to a passage with his finger. The Colonel took it with, I fear, a somewhat lowered opinion of his client, and a new theory of the case. It was evident that this weak submission to the aunt's conspiracy was only the result of a greater weakness for the niece. Colonel Starbottle had a wholesome distrust of the sex as a business or political factor. He began to look over the letter, but was evidently slurring it with superficial politeness, when Corbin said:—
“Read it out loud.”
The Colonel slightly lifted his shoulders, fortified himself with another sip of the julep, and, leaning back, oratorically began to read—the stranger leaning over him and following line by line with shining eyes.
“'When I say I am sorry for you, it is because I think it must be dreadful for you to be going round with the blood of a fellow-creature on your hands. It must be awful for you in the stillness of the night season to hear the voice of the Lord saying, “Cain, where is thy brother?” and you saying, “Lord, I have slayed him dead.” It must be awful for you when the pride of your wrath was surfitted, and his dum senseless corps was before you, not to know that it is written, “Vengeance is mine, I will repay,” saith the Lord. … It was no use for you to say, “I never heard that before,” remembering your teacher and parents. Yet verily I say unto you, “Though your sins be as scarlet, they shall be washed whiter than snow,” saith the Lord—Isaiah i. 18; and “Heart hath no sorrow that Heaven cannot heal.”—My hymn book, 1st Presbyterian Church, page 79. Mr. Corbin, I pity your feelins at the grave of my pore dear cousin, knowing he is before his Maker, and you can't bring him back.' Umph!—er—er—very good—very good indeed,” said the Colonel, hastily refolding the letter. “Very well meaning and—er”—
“Go on,” said Corbin over his shoulder, “you haven't read all.”
“Ah, true. I perceive I overlooked something. Um—um. 'May God forgive you, Mr. Corbin, as I do, and make aunty think better of you, for it was good what you tried to do for her and the fammely, and I've always said it when she was raging round and wanting money of you. I don't believe you meant to do it anyway, owin' to your kindness of heart to the ophanless and the widow since you did it. Anser this letter, and don't mind what aunty says. So no more at present from—Yours very respectfully, SALLY DOWS.
“'P.S.—There's been some troubel in our township, and some fitin'. May the Lord change ther hearts and make them as a little child, for if you are still young you may grow up different. I have writ a short prayer for you to say every night. You can coppy it out and put it at the head of your bed. It is this: O Lord make me sorry for having killed Sarah Dows' cousin. Give me, O Lord, that peace that the world cannot give, and which fadeth not away; for my yoke is heavy, and my burden is harder than I can bear.'”
The Colonel's deliberate voice stopped. There was a silence in the room, and the air seemed stifling. The click of the billiard balls came distinctly through the partition from the other room. Then there was another click, a stamp on the floor, and a voice crying coarsely: “Curse it all—missed again!”
To the stranger's astonishment, the Colonel was on his feet in an instant, gasping with inarticulate rage. Flinging the door open, he confronted the startled bar-keeper empurpled and stertorous.
“Blank it all, sir, do you call this a saloon for gentlemen, or a corral for swearing cattle? Or do you mean to say that the conversation of two gentlemen upon delicate professional—and—er—domestic affairs—is to be broken upon by the blank profanity of low-bred hounds over their picayune gambling! Take them my kyard, sir,” choked the Colonel, who was always Southern and dialectic in his excited as in his softest moments, “and tell them that Colonel Starbottle will nevah dyarken these doahs again.”
Before the astonished bar-keeper could reply, the Colonel had dashed back into the room, clapped his hat on his head, and seized his book, letters, and cane. “Mr. Corbin,” he said with gasping dignity, “I will take these papahs, and consult them again in my own office—where, if you will do me the honor, sir, to call at ten o'clock to-morrow, I will give you my opinion.” He strode out of the saloon beside the half awe-stricken, half-amused, yet all discreetly silent loungers, followed by his wondering but gloomy client. At the door they parted—the Colonel tiptoeing towards his office as if dancing with rage, the stranger darkly plodding through the stifling dust in the opposite direction, with what might have been a faint suggestion to his counselor, that the paths of the homicide did not lie beside the still cool waters.
CHAPTER II.
The house of Captain Masterton Dows, at Pineville, Kentucky, was a fine specimen of Southern classical architecture, being an exact copy of Major Fauquier's house in Virginia, which was in turn only a slight variation from a well-known statesman's historical villa in Alabama, that everybody knew was designed from a famous Greek temple on the Piraeus. Not but that it shared this resemblance with the County Court House and the Odd Fellows' Hall, but the addition of training jessamine and Cherokee rose to the columns of the portico, and over the colonnade leading to its offices, showed a certain domestic distinction. And the sky line of its incongruously high roof was pleasantly broken against adjacent green pines, butternut, and darker cypress.
A nearer approach showed the stuccoed gateposts—whose red brick core was revealed through the dropping plaster—opening in a wall of half-rough stone, half-wooden palisade, equally covered with shining moss and parasitical vines, which hid a tangled garden left to its own unkempt luxuriance. Yet there was a reminiscence of past formality and even pretentiousness in a wide box-bordered terrace and one or two stuccoed vases prematurely worn and time-stained; while several rare exotics had, however, thriven so unwisely and well in that stimulating soil as to lose their exclusive refinement and acquire a certain temporary vulgarity. A few, with the not uncommon enthusiasm of aliens, had adopted certain native peculiarities with a zeal that far exceeded any indigenous performance. But dominant through all was the continual suggestion of precocious fruition and premature decay that lingered like a sad perfume in the garden, but made itself persistent if less poetical in the house.
Here the fluted wooden columns of the portico and colonnade seemed to have taken upon themselves a sodden and unwholesome age unknown to stone and mortar. Moss and creeper clung to paint that time had neither dried nor mellowed, but left still glairy in its white consistency. There were rusty red blotches around inflamed nail-holes in the swollen wood, as of punctures in living flesh; along the entablature and cornices and in the dank gutters decay had taken the form of a mild deliquescence; and the pillars were spotted as if Nature had dropped over the too early ruin a few unclean tears. The house itself was lifted upon a broad wooden foundation painted to imitate marble with such hopeless mendacity that the architect at the last moment had added a green border, and the owner permitted a fallen board to remain off so as to allow a few privileged fowls to openly explore the interior. When Miss Sally Dows played the