Essential Novelists - Thomas Hardy. August Nemo
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let him. The man came round with the trap, and Jude helped her into it, perhaps with unnecessary attention, for she looked at him prohibitively.
"I suppose—I may come to see you some day, when I am back again at Melchester?" he half-crossly observed.
She bent down and said softly: "No, dear—you are not to come yet. I don't think you are in a good mood."
"Very well," said Jude. "Good-bye!"
"Good-bye!" She waved her hand and was gone.
"She's right! I won't go!" he murmured.
He passed the evening and following days in mortifying by every possible means his wish to see her, nearly starving himself in attempts to extinguish by fasting his passionate tendency to love her. He read sermons on discipline, and hunted up passages in Church history that treated of the Ascetics of the second century. Before he had returned from Marygreen to Melchester there arrived a letter from Arabella. The sight of it revived a stronger feeling of self-condemnation for his brief return to her society than for his attachment to Sue.
The letter, he perceived, bore a London postmark instead of the Christminster one. Arabella informed him that a few days after their parting in the morning at Christminster, she had been surprised by an affectionate letter from her Australian husband, formerly manager of the hotel in Sydney. He had come to England on purpose to find her; and had taken a free, fully-licensed public, in Lambeth, where he wished her to join him in conducting the business, which was likely to be a very thriving one, the house being situated in an excellent, densely populated, gin-drinking neighbourhood, and already doing a trade of £200 a month, which could be easily doubled.
As he had said that he loved her very much still, and implored her to tell him where she was, and as they had only parted in a slight tiff, and as her engagement in Christminster was only temporary, she had just gone to join him as he urged. She could not help feeling that she belonged to him more than to Jude, since she had properly married him, and had lived with him much longer than with her first husband. In thus wishing Jude good-bye she bore him no ill-will, and trusted he would not turn upon her, a weak woman, and inform against her, and bring her to ruin now that she had a chance of improving her circumstances and leading a genteel life.
X
JUDE RETURNED TO MELCHESTER, which had the questionable recommendation of being only a dozen and a half miles from his Sue's now permanent residence. At first he felt that this nearness was a distinct reason for not going southward at all; but Christminster was too sad a place to bear, while the proximity of Shaston to Melchester might afford him the glory of worsting the Enemy in a close engagement, such as was deliberately sought by the priests and virgins of the early Church, who, disdaining an ignominious flight from temptation, became even chamber-partners with impunity. Jude did not pause to remember that, in the laconic words of the historian, "insulted Nature sometimes vindicated her rights" in such circumstances.
He now returned with feverish desperation to his study for the priesthood—in the recognition that the single-mindedness of his aims, and his fidelity to the cause, had been more than questionable of late. His passion for Sue troubled his soul; yet his lawful abandonment to the society of Arabella for twelve hours seemed instinctively a worse thing—even though she had not told him of her Sydney husband till afterwards. He had, he verily believed, overcome all tendency to fly to liquor—which, indeed, he had never done from taste, but merely as an escape from intolerable misery of mind. Yet he perceived with despondency that, taken all round, he was a man of too many passions to make a good clergyman; the utmost he could hope for was that in a life of constant internal warfare between flesh and spirit the former might not always be victorious.
As a hobby, auxiliary to his readings in Divinity, he developed his slight skill in church-music and thorough-bass, till he could join in part-singing from notation with some accuracy. A mile or two from Melchester there was a restored village church, to which Jude had originally gone to fix the new columns and capitals. By this means he had become acquainted with the organist, and the ultimate result was that he joined the choir as a bass voice.
He walked out to this parish twice every Sunday, and sometimes in the week. One evening about Easter the choir met for practice, and a new hymn which Jude had heard of as being by a Wessex composer was to be tried and prepared for the following week. It turned out to be a strangely emotional composition. As they all sang it over and over again its harmonies grew upon Jude, and moved him exceedingly.
When they had finished he went round to the organist to make inquiries. The score was in manuscript, the name of the composer being at the head, together with the title of the hymn: "The Foot of the Cross."
"Yes," said the organist. "He is a local man. He is a professional musician at Kennetbridge—between here and Christminster. The vicar knows him. He was brought up and educated in Christminster traditions, which accounts for the quality of the piece. I think he plays in the large church there, and has a surpliced choir. He comes to Melchester sometimes, and once tried to get the cathedral organ when the post was vacant. The hymn is getting about everywhere this Easter."
As he walked humming the air on his way home, Jude fell to musing on its composer, and the reasons why he composed it. What a man of sympathies he must be! Perplexed and harassed as he himself was about Sue and Arabella, and troubled as was his conscience by the complication of his position, how he would like to know that man! "He of all men would understand my difficulties," said the impulsive Jude. If there were any person in the world to choose as a confidant, this composer would be the one, for he must have suffered, and throbbed, and yearned.
In brief, ill as he could afford the time and money for the journey, Fawley resolved, like the child that he was, to go to Kennetbridge the very next Sunday. He duly started, early in the morning, for it was only by a series of crooked railways that he could get to the town. About mid-day he reached it, and crossing the bridge into the quaint old borough he inquired for the house of the composer.
They told him it was a red brick building some little way further on. Also that the gentleman himself had just passed along the street not five minutes before.
"Which way?" asked Jude with alacrity.
"Straight along homeward from church."
Jude hastened on, and soon had the pleasure of observing a man in a black coat and a black slouched felt hat no considerable distance ahead. Stretching out his legs yet more widely, he stalked after. "A hungry soul in pursuit of a full soul!" he said. "I must speak to that man!"
He could not, however, overtake the musician before he had entered his own house, and then arose the question if this were an expedient time to call. Whether or not he decided to do so there and then, now that he had got here, the distance home being too great for him to wait till late in the afternoon. This man of soul would understand scant ceremony, and might be quite a perfect adviser in a case in which an earthly and illegitimate passion had cunningly obtained entrance into his heart through the opening afforded for religion.
Jude accordingly rang the bell, and was admitted.
The musician came to him in a moment, and being respectably dressed, good-looking, and frank in manner, Jude obtained a favourable reception. He was nevertheless conscious that there would be a certain awkwardness in explaining his errand.
"I have been singing in the choir of a little church near Melchester," he said. "And we have this week practised 'The Foot of the Cross,' which I understand, sir, that you composed?"
"I did—a year or so ago."
"I—like it. I think it supremely beautiful!"
"Ah well—other people have said so too. Yes, there's money in it, if I could only see about getting it published. I have other compositions to go with it, too; I wish I could bring them out; for I haven't made a five-pound note out of any of them yet. These publishing people—they want the copyright of an obscure composer's work, such as mine is, for almost less than I should have to pay a person for making a fair manuscript copy of the score. The one you speak of I have lent to various friends about here and Melchester,