IT WAS IN THAT WAY Dorothea came to be sobbing as soon as she was securely alone. But she was presently roused by a knock at the door, which made her hastily dry her eyes before saying, "Come in." Tantripp had brought a card, and said that there was a gentleman waiting in the lobby. The courier had told him that only Mrs. Casaubon was at home, but he said he was a relation of Mr. Casaubon's: would she see him?

      "Yes," said Dorothea, without pause; "show him into the salon." Her chief impressions about young Ladislaw were that when she had seen him at Lowick she had been made aware of Mr. Casaubon's generosity towards him, and also that she had been interested in his own hesitation about his career. She was alive to anything that gave her an opportunity for active sympathy, and at this moment it seemed as if the visit had come to shake her out of her self-absorbed discontent—to remind her of her husband's goodness, and make her feel that she had now the right to be his helpmate in all kind deeds. She waited a minute or two, but when she passed into the next room there were just signs enough that she had been crying to make her open face look more youthful and appealing than usual. She met Ladislaw with that exquisite smile of good-will which is unmixed with vanity, and held out her hand to him. He was the elder by several years, but at that moment he looked much the younger, for his transparent complexion flushed suddenly, and he spoke with a shyness extremely unlike the ready indifference of his manner with his male companion, while Dorothea became all the calmer with a wondering desire to put him at ease.

      "I was not aware that you and Mr. Casaubon were in Rome, until this morning, when I saw you in the Vatican Museum," he said. "I knew you at once—but—I mean, that I concluded Mr. Casaubon's address would be found at the Poste Restante, and I was anxious to pay my respects to him and you as early as possible."

      "Pray sit down. He is not here now, but he will be glad to hear of you, I am sure," said Dorothea, seating herself unthinkingly between the fire and the light of the tall window, and pointing to a chair opposite, with the quietude of a benignant matron. The signs of girlish sorrow in her face were only the more striking. "Mr. Casaubon is much engaged; but you will leave your address—will you not?—and he will write to you."

      "You are very good," said Ladislaw, beginning to lose his diffidence in the interest with which he was observing the signs of weeping which had altered her face. "My address is on my card. But if you will allow me I will call again to-morrow at an hour when Mr. Casaubon is likely to be at home."

      "He goes to read in the Library of the Vatican every day, and you can hardly see him except by an appointment. Especially now. We are about to leave Rome, and he is very busy. He is usually away almost from breakfast till dinner. But I am sure he will wish you to dine with us."

      Will Ladislaw was struck mute for a few moments. He had never been fond of Mr. Casaubon, and if it had not been for the sense of obligation, would have laughed at him as a Bat of erudition. But the idea of this dried-up pedant, this elaborator of small explanations about as important as the surplus stock of false antiquities kept in a vendor's back chamber, having first got this adorable young creature to marry him, and then passing his honeymoon away from her, groping after his mouldy futilities (Will was given to hyperbole)—this sudden picture stirred him with a sort of comic disgust: he was divided between the impulse to laugh aloud and the equally unseasonable impulse to burst into scornful invective.

      For an instant he felt that the struggle was causing a queer contortion of his mobile features, but with a good effort he resolved it into nothing more offensive than a merry smile.

      Dorothea wondered; but the smile was irresistible, and shone back from her face too. Will Ladislaw's smile was delightful, unless you were angry with him beforehand: it was a gush of inward light illuminating the transparent skin as well as the eyes, and playing about every curve and line as if some Ariel were touching them with a new charm, and banishing forever the traces of moodiness. The reflection of that smile could not but have a little merriment in it too, even under dark eyelashes still moist, as Dorothea said inquiringly, "Something amuses you?"

      "Yes," said Will, quick in finding resources. "I am thinking of the sort of figure I cut the first time I saw you, when you annihilated my poor sketch with your criticism."

      "My criticism?" said Dorothea, wondering still more. "Surely not. I always feel particularly ignorant about painting."

      "I suspected you of knowing so much, that you knew how to say just what was most cutting. You said—I dare say you don't remember it as I do—that the relation of my sketch to nature was quite hidden from you. At least, you implied that." Will could laugh now as well as smile.

      "That was really my ignorance," said Dorothea, admiring Will's good-humor. "I must have said so only because I never could see any beauty in the pictures which my uncle told me all judges thought very fine. And I have gone about with just the same ignorance in Rome. There are comparatively few paintings that I can really enjoy. At first when I enter a room where the walls are covered with frescos, or with rare pictures, I feel a kind of awe—like a child present at great ceremonies where there are grand robes and processions; I feel myself in the presence of some higher life than my own. But when I begin to examine the pictures one by one the life goes out of them, or else is something violent and strange to me. It must be my own dulness. I am seeing so much all at once, and not understanding half of it. That always makes one feel stupid. It is painful to be told that anything is very fine and not be able to feel that it is fine—something like being blind, while people talk of the sky."

      "Oh, there is a great deal in the feeling for art which must be acquired," said Will. (It was impossible now to doubt the directness of Dorothea's confession.) "Art is an old language with a great many artificial affected styles, and sometimes the chief pleasure one gets out of knowing them is the mere sense of knowing. I enjoy the art of all sorts here immensely; but I suppose if I could pick my enjoyment to pieces I should find it made up of many different threads. There is something in daubing a little one's self, and having an idea of the process."

      "You mean perhaps to be a painter?" said Dorothea, with a new direction of interest. "You mean to make painting your profession? Mr. Casaubon will like to hear that you have chosen a profession."

      "No, oh no," said Will, with some coldness. "I have quite made up my mind against it. It is too one-sided a life. I have been seeing a great deal of the German artists here: I travelled from Frankfort with one of them. Some are fine, even brilliant fellows—but I should not like to get into their way of looking at the world entirely from the studio point of view."

      "That I can understand," said Dorothea, cordially. "And in Rome it seems as if there were so many things which are more wanted in the world than pictures. But if you have a genius for painting, would it not be right to take that as a guide? Perhaps you might do better things than these—or different, so that there might not be so many pictures almost all alike in the same place."

      There was no mistaking this simplicity, and Will was won by it into frankness. "A man must have a very rare genius to make changes of that sort. I am afraid mine would not carry me even to the pitch of doing well what has been done already, at least not so well as to make it worth while. And I should never succeed in anything by dint of drudgery. If things don't come easily to me I never get them."

      "I have heard Mr. Casaubon say that he regrets your want of patience," said Dorothea, gently. She was rather shocked at this mode of taking all life as a holiday.

      "Yes, I know Mr. Casaubon's opinion. He and I differ."

      The slight streak of contempt in this hasty reply offended Dorothea. She was all the more susceptible about Mr. Casaubon because of her morning's trouble.

      "Certainly you differ," she said, rather proudly. "I did not think of comparing you: such power of persevering devoted labor as Mr. Casaubon's is not common."

      Will