Essential Novelists - Mary Elizabeth Braddon. Мэри Элизабет Брэддон
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a good dinner at this table since I lost George Talboys," he said. "The place seems as gloomy as if the poor fellow had died in the next room, and had never been taken away to be buried. How long ago that September afternoon appears as I look back at it—that September afternoon upon which I parted with him alive and well; and lost him as suddenly and unaccountably as if a trap-door had opened in the solid earth and let him through to the antipodes!"
Mr. Audley rose from the dinner-table and walked over to the cabinet in which he kept the document he had drawn up relating to George Talboys. He unlocked the doors of his cabinet, took the paper from the pigeon-hole marked important, and seated himself at his desk to write. He added several paragraphs to those in the document, numbering the fresh paragraphs as carefully as he had numbered the old ones.
"Heaven help us all," he muttered once; "is this paper with which no attorney has had any hand to be my first brief?"
He wrote for about half an hour, then replaced the document in the pigeon-hole, and locked the cabinet. When he had done this, he took a candle in his hand, and went into the room in which were his own portmanteaus and the trunk belonging to George Talboys.
He took a bunch of keys from his pocket, and tried them one by one. The lock of the shabby old trunk was a common one, and at the fifth trial the key turned easily.
"There'd be no need for any one to break open such a lock as this," muttered Robert, as he lifted the lid of the trunk.
He slowly emptied it of its contents, taking out each article separately, and laying it carefully upon a chair by his side. He handled the things with a respectful tenderness, as if he had been lifting the dead body of his lost friend. One by one he laid the neatly folded mourning garments on the chair. He found old meerschaum pipes, and soiled, crumpled gloves that had once been fresh from the Parisian maker; old play-bills, whose biggest letters spelled the names of actors who were dead and gone; old perfume-bottles, fragrant with essences, whose fashion had passed away; neat little parcels of letters, each carefully labeled with the name of the writer; fragments of old newspapers; and a little heap of shabby, dilapidated books, each of which tumbled into as many pieces as a pack of cards in Robert's incautious hand. But among all the mass of worthless litter, each scrap of which had once had its separate purpose, Robert Audley looked in vain for that which he sought—the packet of letters written to the missing man by his dead wife Helen Talboys. He had heard George allude more than once to the existence of these letters. He had seen him once sorting the faded papers with a reverent hand; and he had seen him replace them, carefully tied together with a faded ribbon which had once been Helen's, among the mourning garments in the trunk. Whether he had afterward removed them, or whether they had been removed since his disappearance by some other hand, it was not easy to say; but they were gone.
Robert Audley sighed wearily as he replaced the things in the empty box, one by one, as he had taken them out. He stopped with the little heap of tattered books in his hand, and hesitated for a moment.
"I will keep these out," he muttered, "there may be something to help me in one of them."
George's library was no very brilliant collection of literature. There was an old Greek Testament and the Eton Latin Grammar; a French pamphlet on the cavalry sword-exercise; an odd volume of Tom Jones with one half of its stiff leather cover hanging to it by a thread; Byron's Don Juan, printed in a murderous type, which must have been invented for the special advantage of oculists and opticians; and a fat book in a faded gilt and crimson cover.
Robert Audley locked the trunk and took the books under his arm. Mrs. Maloney was clearing away the remains of his repast when he returned to the sitting-room. He put the books aside on a little table in a corner of the fire-place, and waited patiently while the laundress finished her work. He was in no humor even for his meerschaum consoler; the yellow-papered fictions on the shelves above his head seemed stale and profitless—he opened a volume of Balzac, but his uncle's wife's golden curls danced and trembled in a glittering haze, alike upon the metaphysical diablerie of the Peau de Chagrin, and the hideous social horrors of "Cousine Bette." The volume dropped from his hand, and he sat wearily watching Mrs. Maloney as she swept up the ashes on the hearth, replenished the fire, drew the dark damask curtains, supplied the simple wants of the canaries, and put on her bonnet in the disused clerk's office, prior to bidding her employer good-night. As the door closed upon the Irishwoman, he arose impatiently from his chair, and paced up and down the room.
"Why do I go on with this," he said, "when I know that it is leading me, step by step, day by day, hour by hour, nearer to that conclusion which, of all others, I should avoid? Am I tied to a wheel, and must I go with its every revolution, let it take me where it will? Or can I sit down here to-night and say I have done my duty to my missing friend, I have searched for him patiently, but I have searched in vain? Should I be justified in doing this? Should I be justified in letting the chain which I have slowly put together, link by link, drop at this point, or must I go on adding fresh links to that fatal chain until the last rivet drops into its place and the circle is complete? I think, and I believe, that I shall never see my friend's face again; and that no exertion of mine can ever be of any benefit to him. In plainer, crueler words I believe him to be dead. Am I bound to discover how and where he died? or being, as I think, on the road to that discovery, shall I do a wrong to the memory of George Talboys by turning back or stopping still? What am I to do?—what am I to do?"
He rested his elbows on his knees, and buried his face in his hands. The one purpose which had slowly grown up in his careless nature until it had become powerful enough to work a change in that very nature, made him what he had never been before—a Christian; conscious of his own weakness; anxious to keep to the strict line of duty; fearful to swerve from the conscientious discharge of the strange task that had been forced upon him; and reliant on a stronger hand than his own to point the way which he was to go. Perhaps he uttered his first earnest prayer that night, seated by his lonely fireside, thinking of George Talboys. When he raised his head from that long and silent revery, his eyes had a bright, determined glance, and every feature in his face seemed to wear a new expression.
"Justice to the dead first," he said; "mercy to the living afterward."
He wheeled his easy-chair to the table, trimmed the lamp, and settled himself to the examination of the books.
He took them up, one by one, and looked carefully through them, first looking at the page on which the name of the owner is ordinarily written, and then searching for any scrap of paper which might have been left within the leaves. On the first page of the Eton Latin Grammar the name of Master Talboys was written in a prim, scholastic hand; the French pamphlet had a careless G.T. scrawled on the cover in pencil, in George's big, slovenly calligraphy: the Tom Jones had evidently been bought at a book-stall, and bore an inscription, dated March 14th, 1788, setting forth that the book was a tribute of respect to Mr. Thos. Scrowton, from his obedient servant, James Anderley; the Don Juan and the Testament were blank. Robert Audley breathed more freely; he had arrived at the last but one of the books without any result whatever, and there only remained the fat gilt-and-crimson-bound volume to be examined before his task was finished.
It was an annual of the year 1845. The copper-plate engravings of lovely ladies, who had flourished in that day, were yellow and spotted with mildew; the costumes grotesque and outlandish; the simpering beauties faded and commonplace. Even the little clusters of verses (in which the poet's feeble candle shed its sickly light upon the obscurities of the artist's meaning) had an old-fashioned twang; like music on a lyre, whose strings are slackened by the damps of time. Robert Audley did not stop to read any of the mild productions. He ran rapidly through the leaves, looking for any scrap of writing or fragment of a letter which might have been used to mark a place. He found nothing but a bright ring of golden hair, of that glittering hue which is so rarely seen except upon the head of a child—a sunny lock, which curled as naturally as the tendril of a vine; and was very opposite in texture, if not different in hue, to the soft, smooth tresses which the landlady at Ventnor had given to George Talboys after his wife's death. Robert Audley suspended his examination of the book, and folded this yellow lock in a sheet of letter paper, which he sealed with his signet-ring, and laid aside, with the memorandum about George Talboys and Alicia's letter, in the pigeon-hole marked important. He was going to replace