Essential Novelists - Pierre Loti. Pierre Loti

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Essential Novelists - Pierre Loti - Pierre Loti


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      WE WERE AT SEA, ABOUT two o’clock in the morning, on a fine night, under a starry sky.

      Yves stood beside me on the bridge, and we talked of the country, unknown to both, to which destiny was now carrying us. As we were to cast anchor the next day, we enjoyed our anticipations, and made a thousand plans.

      “For myself,” I said, “I shall marry at once.”

      “Ah!” said Yves, with the indifferent air of one whom nothing can surprise.

      “Yes—I shall choose a little, creamy-skinned woman with black hair and cat’s eyes. She must be pretty and not much bigger than a doll. You shall have a room in our house. It will be a little paper house, in a green garden, deeply shaded. We shall live among flowers, everything around us shall blossom, and each morning our dwelling shall be filled with nosegays—nosegays such as you have never dreamed of.”

      Yves now began to take an interest in these plans for my future household; indeed, he would have listened with as much confidence if I had expressed the intention of taking temporary vows in some monastery of this new country, or of marrying some island queen and shutting myself up with her in a house built of jade, in the middle of an enchanted lake.

      I had quite made up my mind to carry out the scheme I had unfolded to him. Yes, led on by ennui and solitude, I had gradually arrived at dreaming of and looking forward to such a marriage. And then, above all, to live for awhile on land, in some shady nook, amid trees and flowers! How tempting it sounded after the long months we had been wasting at the Pescadores (hot and arid islands, devoid of freshness, woods, or streamlets, full of faint odors of China and of death).

      We had made great way in latitude since our vessel had quitted that Chinese furnace, and the constellations in the sky had undergone a series of rapid changes; the Southern Cross had disappeared at the same time as the other austral stars; and the Great Bear, rising on the horizon, was almost on as high a level as it is in the sky above France. The evening breeze soothed and revived us, bringing back to us the memory of our summer-night watches on the coast of Brittany.

      What a distance we were, however, from those familiar coasts! What a tremendous distance!

      BOOK 1.

      CHAPTER I. THE MYSTERIOUS LAND

      AT DAWN WE BEHELD JAPAN.

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      PRECISELY AT THE FORETOLD moment the mysterious land arose before us, afar off, like a black dot in the vast sea, which for so many days had been but a blank space.

      At first we saw nothing by the rays of the rising sun but a series of tiny pink-tipped heights (the Fukai Islands). Soon, however, appeared all along the horizon, like a misty veil over the waters, Japan itself; and little by little, out of the dense shadow, arose the sharp, opaque outlines of the Nagasaki mountains.

      The wind was dead against us, and the strong breeze, which steadily increased, seemed as if the country were blowing with all its might, in a vain effort to drive us away from its shores. The sea, the rigging, the vessel itself, all vibrated and quivered as if with emotion.

      CHAPTER II. STRANGE SCENES

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      BY THREE O’CLOCK IN the afternoon all these far-off objects were close to us, so close that they overshadowed us with their rocky masses and deep green thickets.

      We entered a shady channel between two high ranges of mountains, oddly symmetrical—like stage scenery, very pretty, though unlike nature. It seemed as if Japan were opened to our view through an enchanted fissure, allowing us to penetrate into her very heart.

      Nagasaki, as yet unseen, must be at the extremity of this long and peculiar bay. All around us was exquisitely green. The strong sea-breeze had suddenly fallen, and was succeeded by a calm; the atmosphere, now very warm, was laden with the perfume of flowers. In the valley resounded the ceaseless whirr of the cicalas, answering one another from shore to shore; the mountains reechoed with innumerable sounds; the whole country seemed to vibrate like crystal. We passed among myriads of Japanese junks, gliding softly, wafted by imperceptible breezes on the smooth water; their motion could hardly be heard, and their white sails, stretched out on yards, fell languidly in a thousand horizontal folds like window-blinds, their strangely contorted poops, rising up castle-like in the air, reminding one of the towering ships of the Middle Ages. In the midst of the verdure of this wall of mountains, they stood out with a snowy whiteness.

      What a country of verdure and shade is Japan; what an unlooked-for Eden!

      Beyond us, at sea, it must have been full daylight; but here, in the depths of the valley, we already felt the impression of evening; beneath the summits in full sunlight, the base of the mountains and all the thickly wooded parts near the water’s edge were steeped in twilight.

      The passing junks, gleaming white against the background of dark foliage, were silently and dexterously manoeuvred by small, yellow, naked men, with long hair piled up on their heads in feminine fashion. Gradually, as we advanced farther up the green channel, the perfumes became more penetrating, and the monotonous chirp of the cicalas swelled out like an orchestral crescendo. Above us, against the luminous sky, sharply delineated between the mountains, a kind of hawk hovered, screaming out, with a deep, human voice, “Ha! Ha! Ha!” its melancholy call prolonged by the echoes.

      All this fresh and luxuriant nature was of a peculiar Japanese type, which seemed to impress itself even on the mountain-tops, and produced the effect of a too artificial prettiness. The trees were grouped in clusters, with the pretentious grace shown on lacquered trays. Large rocks sprang up in exaggerated shapes, side by side with rounded, lawn-like hillocks; all the incongruous elements of landscape were grouped together as if artificially created.

      When we looked intently, here and there we saw, often built in counterscarp on the very brink of an abyss, some old, tiny, mysterious pagoda, half hidden in the foliage of the overhanging trees, bringing to the minds of new arrivals, like ourselves, a sense of unfamiliarity and strangeness, and the feeling that in this country the spirits, the sylvan gods, the antique symbols, faithful guardians of the woods and forests, were unknown and incomprehensible.

      When Nagasaki appeared, the view was rather disappointing. Situated at the foot of green overhanging mountains, it looked like any other ordinary town. In front of it lay a tangled mass of vessels, flying all the flags of the world; steamboats, just as in any other port, with dark funnels and black smoke, and behind them quays covered with warehouses and factories; nothing was wanting in the way of ordinary, trivial, every-day objects.

      Some time, when man shall have made all things alike, the earth will be a dull, tedious dwelling-place, and we shall have even to give up travelling and seeking for a change which can no longer be found.

      About six o’clock we dropped anchor noisily amid the mass of vessels already in the harbor, and were immediately invaded.

      We were visited by a mercantile, bustling, comical Japan, which rushed upon us in full boat-loads, in waves, like a rising sea. Little men and little women came in a continuous, uninterrupted stream, but without cries, without squabbles, noiselessly, each one making so smiling a bow that it was impossible to be angry with them, so that by reflex action we smiled and bowed also. They carried on their backs little baskets, tiny boxes, receptacles of every shape, fitting into one another in the most ingenious manner, each containing several others, and multiplying till they filled up everything, in endless number. From these they drew forth all manner of curious and unexpected things: folding screens, slippers, soap, lanterns, sleeve-links, live cicalas chirping in little cages, jewelry, tame white mice turning little cardboard mills, quaint photographs,


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