Essential Novelists - Bret Harte. Bret Harte

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Essential Novelists - Bret Harte - Bret Harte


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it is impossible to convey, even by capitals, the intense emphasis put upon this verb. It was followed by a horrible pause.

      "Let's go and see."

      "And kill him?" suggested the gentle Mrs. Brackett.

      They all rose with a common interest almost like enthusiasm. But after they had tottered a few steps, they fell. Yet even then there was not enough self-respect left among them to feel any sense of shame or mortification in their baffled design. They stopped—all except Dumphy.

      "Wot's that dream you was talkin' 'bout jess now?" said Mr. McCormick, sitting down and abandoning the enterprise with the most shameless indifference.

      "'Bout the dinner at St. Jo?" asked the person addressed—a gentleman whose faculty of alimentary imagination had been at once the bliss and torment of his present social circle.

      "Yes."

      They all gathered eagerly around Mr. McCormick; even Mr. Dumphy, who was still moving away, stopped.

      "Well," said Mr. March, "it began with beefsteak and injins—beefsteak, you know, juicy and cut very thick, and jess squashy with gravy and injins." There was a very perceptible watering of the mouth in the party, and Mr. March, with the genius of a true narrator, under the plausible disguise of having forgotten his story, repeated the last sentence—"jess squashy with gravy and injins. And taters—baked."

      "You said fried before!—and dripping with fat!" interposed Mrs. Brackett, hastily.

      "For them as likes fried—but baked goes furder—skins and all—and sassage and coffee and flapjacks!"

      At this magical word they laughed, not mirthfully perhaps, but eagerly and expectantly, and said, "Go on!"

      "And flapjacks!"

      "You said that afore," said Mrs. Brackett, with a burst of passion. "Go on!" with an oath.

      The giver of this Barmecide feast saw his dangerous position, and looked around for Dumphy, but he had disappeared.

      CHAPTER II. WITHIN.

      The hut into which Ashley descended was like a Greenlander's "iglook," below the surface of the snow. Accident rather than design had given it this Arctic resemblance. As snow upon snow had blocked up its entrance, and reared its white ladders against its walls, and as the strength of its exhausted inmates slowly declined, communication with the outward world was kept up only by a single narrow passage. Excluded from the air, it was close and stifling, but it had a warmth that perhaps the thin blood of its occupants craved more than light or ventilation.

      A smouldering fire in a wooden chimney threw a faint flicker on the walls. By its light, lying on the floor, were discernible four figures—a young woman and a child of three or four years wrapped in a single blanket, near the fire; nearer the door two men, separately enwrapped, lay apart. They might have been dead, so deep and motionless were their slumbers.

      Perhaps some fear of this filled the mind of Ashley as he entered, for after a moment's hesitation, without saying a word, he passed quickly to the side of the young woman, and, kneeling beside her, placed his hand upon her face. Slight as was the touch, it awakened her. I know not what subtle magnetism was in that contact, but she caught the hand in her own, sat up, and before the eyes were scarcely opened, uttered the single word—

      "Philip!"

      "Grace—hush!"

      He took her hand, kissed it, and pointed warningly toward the other sleepers.

      "Speak low. I have much to say to you."

      The young girl seemed to be content to devour the speaker with her eyes.

      "You have come back," she whispered, with a faint smile, and a look that showed too plainly the predominance of that fact above all others in her mind. "I dreamt of you, Philip."

      "Dear Grace"—he kissed her hand again. "Listen to me, darling! I have come back, but only with the old story—no signs of succour, no indications of help from without! My belief is, Grace," he added, in a voice so low as to be audible only to the quick ear to which it was addressed, "that we have blundered far south of the usual travelled trail. Nothing but a miracle or a misfortune like our own would bring another train this way. We are alone and helpless—in an unknown region that even the savage and brute have abandoned. The only aid we can calculate upon is from within—from ourselves. What that aid amounts to," he continued, turning a cynical eye towards the sleepers, "you know as well as I."

      She pressed his hand, apologetically, as if accepting the reproach herself, but did not speak.

      "As a party we have no strength—no discipline," he went on. "Since your father died we have had no leader. I know what you would say, Grace dear," he continued, answering the mute protest of the girl's hand, "but even if it were true—if I were capable of leading them, they would not take my counsels. Perhaps it is as well. If we kept together, the greatest peril of our situation would be ever present—the peril from ourselves!"

      He looked intently at her as he spoke, but she evidently did not take his meaning. "Grace," he said, desperately, "when starving men are thrown together, they are capable of any sacrifice—of any crime, to keep the miserable life that they hold so dear just in proportion as it becomes valueless. You have read in books—Grace! good God, what is the matter?"

      If she had not read his meaning in books, she might have read it at that moment in the face that was peering in at the door—a face with so much of animal suggestion in its horrible wistfulness that she needed no further revelation; a face full of inhuman ferocity and watchful eagerness, and yet a face familiar in its outlines—the face of Dumphy! Even with her danger came the swifter instinct of feminine tact and concealment, and without betraying the real cause of her momentary horror, she dropped her head upon Philip's shoulder and whispered, "I understand." When she raised her head again the face was gone.

      "Enough, I did not mean to frighten you, Grace, but only to show you what we must avoid—what we have still strength left to avoid. There is but one chance of escape; you know what it is—a desperate one, but no more desperate than this passive waiting for a certain end. I ask you again—will you share it with me? When I first spoke I was less sanguine than now. Since then I have explored the ground carefully, and studied the trend of these mountains. It is possible. I say no more."

      "But my sister and brother?"

      "The child would be a hopeless impediment, even if she could survive the fatigue and exposure. Your brother must stay with her; she will need all his remaining strength and all the hopefulness that keeps him up. No, Grace, we must go alone. Remember, our safety means theirs. Their strength will last until we can send relief; while they would sink in the attempt to reach it with us. I would go alone, but I cannot bear, dear Grace, to leave you here."

      "I should die if you left me," she said, simply.

      "I believe you would, Grace," he said as simply.

      "But can we not wait? Help may come at any moment—to-morrow."

      "To-morrow will find us weaker. I should not trust your strength nor my own a day longer."

      "But the old man—the Doctor?"

      "He will soon be beyond the reach of help," said the young man, sadly. "Hush, he is moving."

      One of the blanketed figures had rolled over. Philip walked to the fire, threw on a fresh stick, and stirred the embers. The upspringing flash showed the face of an old man whose eyes were fixed with feverish intensity upon him.

      "What are you doing with the fire?" he asked querulously, with a slight foreign accent.

      "Stirring it!"

      "Leave it alone!"

      Philip listlessly turned away.

      "Come here," said the old man.

      Philip approached.

      "You


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