CHAPTER IV.

      An Evening in Uncle Tom’s Cabin

      The cabin of Uncle Tom was a small log building, close adjoining to “the house,” as the negro par excellence designates his master’s dwelling. In front it had a neat garden-patch, where, every summer, strawberries, raspberries, and a variety of fruits and vegetables, flourished under careful tending. The whole front of it was covered by a large scarlet bignonia and a native multiflora rose, which, entwisting and interlacing, left scarce a vestige of the rough logs to be seen. Here, also, in summer, various brilliant annuals, such as marigolds, petunias, four-o’clocks, found an indulgent corner in which to unfold their splendors, and were the delight and pride of Aunt Chloe’s heart.

      Let us enter the dwelling. The evening meal at the house is over, and Aunt Chloe, who presided over its preparation as head cook, has left to inferior officers in the kitchen the business of clearing away and washing dishes, and come out into her own snug territories, to “get her ole man’s supper”; therefore, doubt not that it is her you see by the fire, presiding with anxious interest over certain frizzling items in a stew-pan, and anon with grave consideration lifting the cover of a bake-kettle, from whence steam forth indubitable intimations of “something good.” A round, black, shining face is hers, so glossy as to suggest the idea that she might have been washed over with white of eggs, like one of her own tea rusks. Her whole plump countenance beams with satisfaction and contentment from under her well-starched checked turban, bearing on it, however, if we must confess it, a little of that tinge of self-consciousness which becomes the first cook of the neighborhood, as Aunt Chloe was universally held and acknowledged to be.

      A cook she certainly was, in the very bone and centre of her soul. Not a chicken or turkey or duck in the barn-yard but looked grave when they saw her approaching, and seemed evidently to be reflecting on their latter end; and certain it was that she was always meditating on trussing, stuffing and roasting, to a degree that was calculated to inspire terror in any reflecting fowl living. Her corn-cake, in all its varieties of hoe-cake, dodgers, muffins, and other species too numerous to mention, was a sublime mystery to all less practised compounders; and she would shake her fat sides with honest pride and merriment, as she would narrate the fruitless efforts that one and another of her compeers had made to attain to her elevation.

      The arrival of company at the house, the arranging of dinners and suppers “in style,” awoke all the energies of her soul; and no sight was more welcome to her than a pile of travelling trunks launched on the veranda, for then she foresaw fresh efforts and fresh triumphs.

      Just at present, however, Aunt Chloe is looking into the bake-pan; in which congenial operation we shall leave her till we finish our picture of the cottage.

      In one corner of it stood a bed, covered neatly with a snowy spread; and by the side of it was a piece of carpeting, of some considerable size. On this piece of carpeting Aunt Chloe took her stand, as being decidedly in the upper walks of life; and it and the bed by which it lay, and the whole corner, in fact, were treated with distinguished consideration, and made, so far as possible, sacred from the marauding inroads and desecrations of little folks. In fact, that corner was the drawing-room of the establishment. In the other corner was a bed of much humbler pretensions, and evidently designed for use. The wall over the fireplace was adorned with some very brilliant scriptural prints, and a portrait of General Washington, drawn and colored in a manner which would certainly have astonished that hero, if ever he happened to meet with its like.

      On a rough bench in the corner, a couple of woolly-headed boys, with glistening black eyes and fat shining cheeks, were busy in superintending the first walking operations of the baby, which, as is usually the case, consisted in getting up on its feet, balancing a moment, and then tumbling down,—each successive failure being violently cheered, as something decidedly clever.

      A table, somewhat rheumatic in its limbs, was drawn out in front of the fire, and covered with a cloth, displaying cups and saucers of a decidedly brilliant pattern, with other symptoms of an approaching meal. At this table was seated Uncle Tom, Mr. Shelby’s best hand, who, as he is to be the hero of our story, we must daguerreotype for our readers. He was a large, broad-chested, powerfully-made man, of a full glossy black, and a face whose truly African features were characterized by an expression of grave and steady good sense, united with much kindliness and benevolence. There was something about his whole air self-respecting and dignified, yet united with a confiding and humble simplicity.

      He was very busily intent at this moment on a slate lying before him, on which he was carefully and slowly endeavoring to accomplish a copy of some letters, in which operation he was overlooked by young Mas’r George, a smart, bright boy of thirteen, who appeared fully to realize the dignity of his position as instructor.

      “Not that way, Uncle Tom,—not that way,” said he, briskly, as Uncle Tom laboriously brought up the tail of his g the wrong side out; “that makes a q, you see.”

      “La sakes, now, does it?” said Uncle Tom, looking with a respectful, admiring air, as his young teacher flourishingly scrawled q’s and g’s innumerable for his edification; and then, taking the pencil in his big, heavy fingers, he patiently recommenced.

      “How easy white folks al’us does things!” said Aunt Chloe, pausing while she was greasing a griddle with a scrap of bacon on her fork, and regarding young Master George with pride. “The way he can write, now! and read, too! and then to come out here evenings and read his lessons to us,—it’s mighty interestin’!”

      “But, Aunt Chloe, I’m getting mighty hungry,” said George. “Isn’t that cake in the skillet almost done?”

      “Mose done, Mas’r George,” said Aunt Chloe, lifting the lid and peeping in,—“browning beautiful—a real lovely brown. Ah! let me alone for dat. Missis let Sally try to make some cake, t’ other day, jes to larn her, she said. ‘O, go way, Missis,’ said I; ‘it really hurts my feelin’s, now, to see good vittles spiled dat ar way! Cake ris all to one side—no shape at all; no more than my shoe; go way!’”

      And with this final expression of contempt for Sally’s greenness, Aunt Chloe whipped the cover off the bake-kettle, and disclosed to view a neatly-baked pound-cake, of which no city confectioner need to have been ashamed. This being evidently the central point of the entertainment, Aunt Chloe began now to bustle about earnestly in the supper department.

      “Here you, Mose and Pete! get out de way, you niggers! Get away, Polly, honey,—mammy’ll give her baby somefin, by and by. Now, Mas’r George, you jest take off dem books, and set down now with my old man, and I’ll take up de sausages, and have de first griddle full of cakes on your plates in less dan no time.”

      “They wanted me to come to supper in the house,” said George; “but I knew what was what too well for that, Aunt Chloe.”

      “So you did—so you did, honey,” said Aunt Chloe, heaping the smoking batter-cakes on his plate; “you know’d your old aunty’d keep the best for you. O, let you alone for dat! Go way!” And, with that, aunty gave George a nudge with her finger, designed to be immensely facetious, and turned again to her griddle with great briskness.

      “Now for the cake,” said Mas’r George, when the activity of the griddle department had somewhat subsided; and, with that, the youngster