IX

      DELPHA DROVE AWAY from Kirk Properties. She turned into an abandoned parking lot and sat, thinking about Aileen, balancing what she didn’t understand against what she did: Aileen Kirk against Dolly Honeysett.

      Dolly was eighteen when she came in, like Delpha, and not full of rage as Delpha had been, but full of guilt. She had answered her mother’s screams for help by swinging a loaded kerosene heater at the back of her step-father’s neck. If he’d been making off with his wife’s purse or Pontiac, Dolly could have walked—by using deadly force to protect property. If she’d swung with less fright, if she’d just conked him, she’d have been sent home with her mother. But the man was only beating on his wife, not stealing from her, and in court the mother recanted. Why, she’d never urged her daughter to burn George with the heater, she was a loyal wife, you ask any of her neighbors. George, he’d a been sorry later, bless his heart, he always was sorry. She certainly didn’t mean for Dolly to set fire to him like she did…

      The Defense leapt howling onto his polished Florsheims and tried to sandbag her with her Grand Jury testimony, but the sobbing witness overran him like a hard rain overruns a ditch. The defendant sat stricken, her wide mouth downturned. Once the judge banished the sodden mother from the stand, the State of Texas went to town on Dolly.

      Or that was the story.

      Aileen Kirk looked nothing like Dolly Honeysett. Inside prison, Dolly’s white, five foot one, pudgy body faded behind other inmates’. She occupied no fixed spot in the chow hall, only nomadic outposts on the peripheries. Her upper lip was long, her nose a small knob high above it. Her brown hair, rubber-banded into a rat-tail, started off the morning flattening a pair of prominent ears that soon fought their way to freedom. Who came in with Dolly Honeysett were three other women and the good fairy Glinda, and it was maybe six months before anyone put that together. Nobody wanted to, did they? Glinda, named by an early recipient of her magic, was a positive force in their unit of Gatesville, even if you couldn’t see her. Because you couldn’t see her. Glinda divined a need and delivered tokens to the poor in heart. These items were puny and a surprise and their juju all the stronger for that.

      A woman whose parole had been denied slumped back to her cell to find just inside the bars, a Baby Ruth resting on the smooth surface of her special favorite, a banana Moon Pie. A month later, one going up for a parole hearing and climbing the walls about it discovered three packs of Luckys. Wasn’t her brand, but the omen heartened her. Maybe a couple months after that, a laundry worker losing her looks and her grip picked up a squat pink bottle of Oil of Olay. A young one, twenty-three, worried about her ten-year-old son, explosive about her lack of telephone time, found stamps and three four-packs of envelopes. Write him letters? Well, maybe. If somebody would spell for her.

      These were items anyone could buy at the commissary or receive from a relative. Not like a lacy negligee or a ride in a Cadillac convertible or an honest embrace. Something like that, though. This was all during—Delpha had to concentrate here—1965 or ‘66, when they got used to hearing that name, Vietnam, on the radio. When one of the Beatles said the four of them were more popular than Jesus—didn’t that remark get some dedicated chow-hall discussion? The gifts went on through 1967, the year that started off with the spirit of dough-faced Jack Ruby whistling past the bars of Death Row.

      Conversations about Glinda, like conversations about lottery-winning, were pleasurable in themselves. The speculation, the secret glances, the proposing and dismissal of names. People started calling out to Glinda that they wanted some Fritos and bean dip, some Dragon’s Blood nail polish, an ice cold Grapette, then they got crazy and wanted parole and a Thunderbird car, a snuggle-date with Rock Hudson. Women cried out for everything impossible. After an upsurge of such craziness, Glinda did not come for a long time, and speculation grew that whoever she was had left Gatesville. Then she came again, and once that news had circulated, people seemed relieved, content to hush-hush her name.

      In summer, in the scorching middle of it—the coarse white uniforms weighed like wet concrete on their backs and thighs, and the news outside was that the pretty boxer Cassius Clay, Muhammad Ali, could be headed for prison—the warden summoned Mary Buell, a black inmate, so that two Marines could notify her that her son had been killed in battle. Afterward, a chaplain ministered to her in her cell. A funeral could not be arranged until the body arrived, no certain time was given, and there was no consoling the shrieking mother.

      Had her son died in a car wreck or a forklift accident, her lack of consolation would have remained solely her business, and her shrieks the burden of her neighbors. But Ernest J. Johnson was the warden then, a veteran who’d been frozen, starved, and shot at a place called St. Vith, and when an African Methodist Episcopal pastor in Temple volunteered to hold an interim service, the warden arranged it. To Ernest Johnson one thing only divided men more surely than skin color, and that was Semper Fi. Two other inmates had sons in the Army, and a question meandered to the warden. Could the funeral service be opened to the unit?

      Friends of the bereaved took the right-side pews in the stifling chapel, and white inmates, including the two other servicemen’s mothers, filed into the left. One of those must have been a Catholic because she stayed on her knees the whole time, though there was no cushioned rail to kneel on. A Gatesville funeral home had donated fans, and these were passed out to all and gratefully used. Not until the pews had settled did the mother of the fallen Marine advance down the aisle in prison white,