It Chooses You. Миранда Джулай
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with strangers, perhaps even inside their homes, where he has a series of interesting or hilarious or transformative conversations. It was actually easy to write these dialogues; I had sixty different drafts with sixty different tree-selling scenarios, and every single one had seemed truly inspired. Each time, I was convinced I had found the missing piece that completed the story, hilariously, transformatively. Each time, I had chuckled ruefully to myself as I proudly emailed the script to people I respected, thinking, Phew, sometimes it takes a while, but if you just have faith and keep trying, the right thing will come. And each of those emails had been followed by emails written a day, or sometimes even just an hour, later – “Subject: Don’t read the draft I just sent you!! New one coming soon!!”
So now I was past faith. I was lying in the field staring at the ants. I was googling my own name as if the answer to my problem might be secretly encoded in a blog post about how annoying I was. I had never really understood alcohol before, which was something that had alienated me from most people, but now I came home from the little house each day and tried not to talk to my husband before I’d had a thimbleful of wine. I’d been vividly in touch with myself for thirty-five years and now I’d had enough. I discussed alcohol with people as if it were a new kind of tea I’d discovered at Whole Foods: “It tastes yucky but it lowers your anxiety, and it makes you easier to be around – you have to try it!” I also became sullenly domestic. I did the dishes, loudly. I cooked complicated meals, presenting them with resentful despair. Apparently this was all I was capable of now.
I tell you all this so you can understand why I looked forward to Tuesdays. Tuesday was the day the PennySaver booklet was delivered. It came hidden among the coupons and other junk mail. I read it while I ate lunch, and then, because I was in no hurry to get back to not writing, I usually kept reading it straight through to the real estate ads in the back. I carefully considered each item – not as a buyer, but as a curious citizen of Los Angeles. Each listing was like a very brief newspaper article. News flash: someone in LA is selling a jacket. The jacket is leather. It is also large and black. The person thinks it is worth ten dollars. But the person is not very confident about that price, and is willing to consider other, lower prices. I wanted to know more things about what this leather-jacket person thought, how they were getting through the days, what they hoped, what they feared – but none of that information was listed. What was listed was the person’s phone number.
On one hand was my fictional problem with Jason and the trees, and on the other hand was this telephone number. Which, normally, I would never have called. I certainly didn’t need a leather jacket. But on this particular day I really didn’t want to return to the computer. Not just to the script, but also the internet, its thrall. So I picked up the phone. The implied rule of the classifieds is you can call the phone number only to talk about the item for sale. But the other rule, always, is that this is a free country, and I was trying hard to feel my freedom. This might be my only chance to feel free all day.
In my paranoid world every storekeeper thinks I’m stealing, every man thinks I’m a prostitute or a lesbian, every woman thinks I’m a lesbian or arrogant, and every child and animal sees the real me and it is evil. So when I called I was careful to not be myself; I asked about the jacket in a voice borrowed from The Beav on Leave It to Beaver. I was hoping for the same kind of bemused tolerance that he received.
The person who answered was a man with a hushed voice. He wasn’t surprised by my call – of course he wasn’t, he had placed the ad.
“It’s still for sale. You can make an offer when you see it,” he said.
“Okay, great.”
There was a pause. I sized up the giant space between the conversation we were having and the place I hoped to go. I leaped.
“Actually, I was wondering if, when I come over to look at the jacket, I could also interview you about your life and everything about you. Your hopes, your fears…”
My question was overtaken by the kind of silence that rings out like an alarm. I quickly added: “Of course, I would pay you for your time. Fifty dollars. It’ll take less than an hour.”
“Okay.”
“Okay, great. What’s your name?”
“Michael.”
MICHAEL
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LARGE BLACK LEATHER JACKET
$10
–
HOLLYWOOD
–
It was wonderful to have this opportunity to leave my cave. I packed a bag with yogurt, apples, bottles of water, and a little tape recorder. It was the kind that used mini-tapes; I’d gotten it when I was twenty-six in order to listen to the tapes the director Wayne Wang sent me after he recorded our conversations about my sexual history as part of his research for a movie he was making. I had always thought of this as a rather creepy exercise that I’d participated in for the money and because I liked to talk about myself. But now, putting the tape recorder in my purse, I felt a little more sympathetic. Maybe Mr. Wang had just wanted to talk to someone he hadn’t made up. Maybe it was a casualty of the job.
I drove to Michael’s with a photographer, Brigitte, and my assistant, Alfred. Brigitte had met all my family and friends, but I hadn’t known her very long, or very well – she was our wedding photographer. Her photographic equipment legitimized this outing in my mind; maybe I was a journalist or a detective – who knew? Alfred was there to protect us from rape.
The address was a giant old apartment building on Hollywood Boulevard, the kind of place where starlets lived in the ’30s, but now it was the cheapest sort of flophouse. It’s not that my world smells so good – my house, the houses of my friends, Target, my car, the post office – it’s just that I know those smells. I tried to pretend this too was a familiar smell, the overly sweet note combined with something burning on a hotplate thirty years ago. I also tried to appreciate small blessings, like that when we pressed 3 on the elevator, it went up and opened on a floor with a corresponding number 3.
The door opened and there was Michael, a man in his late sixties, burly, broad-shouldered, a bulbous nose, a magenta blouse, boobs, pink lipstick. Before he opened the door completely he quietly stated that he was going through a gender transformation. That’s great, I said, and he asked us to please come in. It was a one-bedroom apartment, the kind where the living room is delineated from the kitchen area by a metal strip on the floor, joining the carpet and the linoleum. He showed us the large leather jacket and I felt a little starstruck: here it was, the real thing. I touched its leather and immediately got a head-rush. This sometimes happens when I’m faced with actualities – it’s like déjà vu, but instead of the sensation that this has happened before, I’m suffused with the awareness that this is happening for the first time, that all the other times were in my head.
We murmured admiration for the jacket, which was entirely ordinary, and I asked if I could turn on the tape recorder. Michael settled into a medical-looking chair and I perched on the couch. I glanced at my questions, but now they seemed beside the point.
| Miranda: | When did you begin your gender transformation? |
| Michael: | Six months ago. |
| Miranda: | And when did you know that you – |
| Michael: | Oh, well, I knew it when I was a child, but I’ve been in the closet all my life. I came out in 1996 and then went back in the closet again, but this time I’m not going to go back in the closet. I’m going to complete the transformation. |