THE PEOPLE

      The Mass has been building to this point, to the solemn saying of those few hushed phrases known as the Sanctus. We have confessed, in a low, distinct murmur, our sins; we have become the people broken, and then the people made whole by our reluctant assent to the priest’s proclamation of God’s mercy. Now, as usual, we will, in the stillest voice, stunned, repeat the Sanctus, repeat why it is that we have come:

      Holy, holy, holy Lord,

       God of power and might,

       heaven and earth are full of your glory . . .

      It is here, if ever, that one loses oneself at sea. Here, one’s eyes roll up, and the sun rolls overhead, and the floe rolls underfoot, and the scene of unrelieved ice and sea rolls over the planet’s pole and over the world’s rim wide and unseen.

      Now, just as we are dissolved in our privacy and about to utter the words of the Sanctus, the lead singer of Wildflowers bursts onstage from the wings. I raise my head. He is taking enormous, enthusiastic strides and pumping his guitar’s neck up and down. Drooping after him come the orange-haired country-and-western-style woman; the soprano, who, to shorten herself, carries her neck forward like a horse; the withdrawn boy; and the Chinese man, who is holding a tambourine as if it had stuck by some defect to his fingers and he has resolved to forget about it. These array themselves in a clump downstage right. The priest is nowhere in sight.

      Alas, alack, oh brother, we are going to have to sing the Sanctus. There is, of course, nothing new about singing the Sanctus. The lead singer smiles disarmingly. There is a new arrangement. He hits a chord with the flat of his hand. The Chinese man with sudden vigor bangs the tambourine and looks at his hands, startled. They run us through the Sanctus three or four times. The words are altered a bit to fit the strong upbeat rhythm:

      Heaven and earth

       (Heaven and earth earth earth earth earth)

       Are full (full full full)

       Of your glory . . .