The Essential Gene Stratton-Porter Collection. Stratton-Porter Gene
Читать онлайн книгу.
"John Maynard!" and then give the reply. "Aye, aye, sir!" His other until it sank to a mere gasp: favourite was the story of Clemanthe, and her lover's immortal answer to her question: "Shall we meet again?"
To this mother at forty-six, and this father at fifty, each at intellectual top-notch, every faculty having been stirred for years by the dire stress of Civil War, and the period immediately following, the author was born. From childhood she recalls "thinking things which she felt should be saved," and frequently tugging at her mother's skirts and begging her to "set down" what the child considered stories and poems. Most of these were some big fact in nature that thrilled her, usually expressed in Biblical terms; for the Bible was read twice a day before the family and helpers, and an average of three services were attended on Sunday.
Mrs. Porter says that her first all-alone effort was printed in wabbly letters on the fly-leaf of an old grammar. It was entitled: "Ode to the Moon." "Not," she comments, "that I had an idea what an 'ode' was, other than that I had heard it discussed in the family together with different forms of poetic expression. The spelling must have been by proxy: but I did know the words I used, what they meant, and the idea I was trying to convey.
"No other farm was ever quite so lovely as the one on which I was born after this father and mother had spent twenty-five years beautifying it," says the author. It was called "Hopewell" after the home of some of her father's British ancestors. The natural location was perfect, the land rolling and hilly, with several flowing springs and little streams crossing it in three directions, while plenty of forest still remained. The days of pioneer struggles were past. The roads were smooth and level as floors, the house and barn commodious; the family rode abroad in a double carriage trimmed in patent leather, drawn by a matched team of gray horses, and sometimes the father "speeded a little" for the delight of the children. "We had comfortable clothing," says Mrs. Porter, "and were getting our joy from life without that pinch of anxiety which must have existed in the beginning, although I know that father and mother always held steady, and took a large measure of joy from life in passing."
Her mother's health, which always had been perfect, broke about the time of the author's first remembrance due to typhoid fever contracted after nursing three of her children through it. She lived for several years, but with continual suffering, amounting at times to positive torture.
So it happened, that led by impulse and aided by an escape from the training given her sisters, instead of "sitting on a cushion and sewing a fine seam"--the threads of the fabric had to be counted and just so many allowed to each stitch!--this youngest child of a numerous household spent her waking hours with the wild. She followed her father and the boys afield, and when tired out slept on their coats in fence corners, often awaking with shy creatures peering into her face. She wandered where she pleased, amusing herself with birds, flowers, insects, and plays she invented. "By the day," writes the author, "I trotted from one object which attracted me to another, singing a little song of made-up phrases about everything I saw while I waded catching fish, chasing butterflies over clover fields, or following a bird with a hair in its beak; much of the time I carried the inevitable baby for a woman-child, frequently improvised from an ear of corn in the silk, wrapped in catalpa leaf blankets."
She had a corner of the garden under a big Bartlett pear tree for her very own, and each spring she began by planting radishes and lettuce when the gardening was done; and before these had time to sprout she set the same beds full of spring flowers, and so followed out the season. She made special pets of the birds, locating nest after nest, and immediately projecting herself into the daily life of the occupants. "No one," she says, "ever taught me more than that the birds were useful, a gift of God for our protection from insect pests on fruit and crops; and a gift of Grace in their beauty and music, things to be rigidly protected. From this cue I evolved the idea myself that I must be extremely careful, for had not my father tied a 'kerchief over my mouth when he lifted me for a peep into the nest of the humming-bird, and did he not walk softly and whisper when he approached the spot? So I stepped lightly, made no noise, and watched until I knew what a mother bird fed her young before I began dropping bugs, worms, crumbs, and fruit into little red mouths that opened at my tap on the nest quite as readily as at the touch of the feet of the mother bird."
In the nature of this child of the out-of-doors there ran a fibre of care for wild things. It was instinct with her to go slowly, to touch lightly, to deal lovingly with every living thing: flower, moth, bird, or animal. She never gathered great handfuls of frail wild flowers, carried them an hour and threw them away. If she picked any, she took only a few, mostly to lay on her mother's pillow--for she had a habit of drawing comfort from a cinnamon pink or a trillium laid where its delicate fragrance reached her with every breath. "I am quite sure," Mrs. Porter writes, "that I never in my life, in picking flowers, dragged up the plant by the roots, as I frequently saw other people do. I was taught from infancy to CUT a bloom I wanted. My regular habit was to lift one plant of each kind, especially if it were a species new to me, and set it in my wild-flower garden."
To the birds and flowers the child added moths and butterflies, because she saw them so frequently, the brilliance of colour in yard and garden attracting more than could be found elsewhere. So she grew with the wild, loving, studying, giving all her time. "I fed butterflies sweetened water and rose leaves inside the screen of a cellar window," Mrs. Porter tells us; "doctored all the sick and wounded birds and animals the men brought me from afield; made pets of the baby squirrels and rabbits they carried in for my amusement; collected wild flowers; and as I grew older, gathered arrow points and goose quills for sale in Fort Wayne. So I had the first money I ever earned."
Her father and mother had strong artistic tendencies, although they would have scoffed at the idea themselves, yet the manner in which they laid off their fields, the home they built, the growing things they preserved, the way they planted, the life they led, all go to prove exactly that thing. Their bush--and vine-covered fences crept around the acres they owned in a strip of gaudy colour; their orchard lay in a valley, a square of apple trees in the centre widely bordered by peach, so that it appeared at bloom time like a great pink-bordered white blanket on the face of earth. Swale they might have drained, and would not, made sheets of blue flag, marigold and buttercups. From the home you could not look in any direction without seeing a picture of beauty.
"Last spring," the author writes in a recent letter, "I went back with my mind fully made up to buy that land at any reasonable price, restore it to the exact condition in which I knew it as a child, and finish my life there. I found that the house had been burned, killing all the big trees set by my mother's hands immediately surrounding it. The hills were shorn and ploughed down, filling and obliterating the creeks and springs. Most of the forest had been cut, and stood in corn. My old catalpa in the fence corner beside the road and the Bartlett pear under which I had my wild-flower garden were all that was left of the dooryard, while a few gnarled apple trees remained of the orchard, which had been reset in another place. The garden had been moved, also the lanes; the one creek remaining out of three crossed the meadow at the foot of the orchard. It flowed a sickly current over a dredged bed between bare, straight banks. The whole place seemed worse than a dilapidated graveyard to me. All my love and ten times the money I had at command never could have put back the face of nature as I knew it on that land."
As a child the author had very few books, only three of her own outside of school books. "The markets did not afford the miracles common with the children of today," she adds. "Books are now so numerous, so cheap, and so bewildering in colour and make-up, that I sometimes think our children are losing their perspective and caring for none of them as I loved my few plain little ones filled with short story and poem, almost no illustration. I had a treasure house in the school books of my elders, especially the McGuffey series of Readers from One to Six. For pictures I was driven to the Bible, dictionary, historical works read by my father, agricultural papers, and medical books about cattle and sheep.
"Near the time of my mother's passing we moved from Hopewell to the city of Wabash in order that she might have constant medical attention, and the younger children better opportunities for schooling. Here we had magazines and more books in which I was interested. The one volume in