The First R. Austin Freeman MEGAPACK ®. R. Austin Freeman
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by a porter who was inspecting the carriages of the train which had just come in. On opening the door of a first-class compartment, he was horrified to find the body of a fashionably-dressed woman stretched upon the floor. Medical aid was immediately summoned, and on the arrival of the divisional surgeon, Dr. Morton, it was ascertained that the woman had not been dead more than a few minutes.
“The state of the corpse leaves no doubt that a murder of a most brutal kind has been perpetrated, the cause of death being a penetrating wound of the head, inflicted with some pointed implement, which must have been used with terrible violence, since it has perforated the skull and entered the brain. That robbery was not the motive of the crime is made clear by the fact that an expensively fitted dressing-bag was found on the rack, and that the dead woman’s jewellery, including several valuable diamond rings, was untouched. It is rumoured that an arrest has been made by the local police.”
“A gruesome affair,” I remarked, as I handed back the paper, “but the report does not give us much information.”
“It does not,” Thorndyke agreed, “and yet it gives us something to consider. Here is a perforating wound of the skull, inflicted with some pointed implement—that is, assuming that it is not a bullet wound. Now, what kind of implement would be capable of inflicting such an injury? How would such an implement be used in the confined space of a railway-carriage, and what sort of person would be in possession of such an implement? These are preliminary questions that are worth considering, and I commend them to you, together with the further problems of the possible motive—excluding robbery—and any circumstances other than murder which might account for the injury.”
“The choice of suitable implements is not very great,” I observed.
“It is very limited, and most of them, such as a plasterer’s pick or a geological hammer, are associated with certain definite occupations. You have a notebook?”
I had, and, accepting the hint, I produced it and pursued my further reflections in silence, while my companion, with his notebook also on his knee, gazed steadily out of the window. And thus he remained, wrapped in thought, jotting down an entry now and again in his book, until the train slowed down at Halbury Junction, where we had to change on to a branch line.
As we stepped out, I noticed a well-dressed man hurrying up the platform from the rear and eagerly scanning the faces of the few passengers who had alighted. Soon he espied us, and, approaching quickly, asked, as he looked from one of us to the other:
“Dr. Thorndyke?”
“Yes,” replied my colleague, adding: “And you, I presume, are Mr. Edward Stopford?”
The solicitor bowed. “This is a dreadful affair,” he said, in an agitated manner. “I see you have the paper. A most shocking affair. I am immensely relieved to find you here. Nearly missed the train, and feared I should miss you.”
“There appears to have been an arrest,” Thorndyke began.
“Yes—my brother. Terrible business. Let us walk up the platform; our train won’t start for a quarter of an hour yet.”
We deposited our joint Gladstone and Thorndyke’s travelling-case in an empty first-class compartment, and then, with the solicitor between us, strolled up to the unfrequented end of the platform.
“My brother’s position,” said Mr. Stopford, “fills me with dismay—but let me give you the facts in order, and you shall judge for yourself. This poor creature who has been murdered so brutally was a Miss Edith Grant. She was formerly an artist’s model, and as such was a good deal employed by my brother, who is a painter—Harold Stopford, you know, A.R.A. now—”
“I know his work very well, and charming work it is.”
“I think so, too. Well, in those days he was quite a youngster—about twenty—and he became very intimate with Miss Grant, in quite an innocent way, though not very discreet; but she was a nice respectable girl, as most English models are, and no one thought any harm. However, a good many letters passed between them, and some little presents, amongst which was a beaded chain carrying a locket, and in this he was fool enough to put his portrait and the inscription, ‘Edith, from Harold.’
“Later on Miss Grant, who had a rather good voice, went on the stage, in the comic opera line, and, in consequence, her habits and associates changed somewhat; and, as Harold had meanwhile become engaged, he was naturally anxious to get his letters back, and especially to exchange the locket for some less compromising gift. The letters she eventually sent him, but refused absolutely to part with the locket.
“Now, for the last month Harold has been staying at Halbury, making sketching excursions into the surrounding country, and yesterday morning he took the train to Shinglehurst, the third station from here, and the one before Woldhurst.
“On the platform here he met Miss Grant, who had come down from London, and was going on to Worthing. They entered the branch train together, having a first-class compartment to themselves. It seems she was wearing his locket at the time, and he made another appeal to her to make an exchange, which she refused, as before. The discussion appears to have become rather heated and angry on both sides, for the guard and a porter at Munsden both noticed that they seemed to be quarrelling; but the upshot of the affair was that the lady snapped the chain, and tossed it together with the locket to my brother, and they parted quite amiably at Shinglehurst, where Harold got out. He was then carrying his full sketching kit, including a large holland umbrella, the lower joint of which is an ash staff fitted with a powerful steel spike for driving into the ground.
“It was about half-past ten when he got out at Shinglehurst; by eleven he had reached his pitch and got to work, and he painted steadily for three hours. Then he packed up his traps, and was just starting on his way back to the station, when he was met by the police and arrested.
“And now, observe the accumulation of circumstantial evidence against him. He was the last person seen in company with the murdered woman—for no one seems to have seen her after they left Munsden; he appeared to be quarrelling with her when she was last seen alive, he had a reason for possibly wishing for her death, he was provided with an implement—a spiked staff—capable of inflicting the injury which caused her death, and, when he was searched, there was found in his possession the locket and broken chain, apparently removed from her person with violence.
“Against all this is, of course, his known character—he is the gentlest and most amiable of men—and his subsequent conduct—imbecile to the last degree if he had been guilty; but, as a lawyer, I can’t help seeing that appearances are almost hopelessly against him.”
“We won’t say ‘hopelessly,’” replied Thorndyke, as we took our places in the carriage, “though I expect the police are pretty cocksure. When does the inquest open?”
“Today at four. I have obtained an order from the coroner for you to examine the body and be present at the post-mortem.”
“Do you happen to know the exact position of the wound?”
“Yes; it is a little above and behind the left ear—a horrible round hole, with a ragged cut or tear running from it to the side of the forehead.”
“And how was the body lying?”
“Right along the floor, with the feet close to the off-side door.”
“Was the wound on the head the only one?”
“No; there was a long cut or bruise on the right cheek—a contused wound the police surgeon called it, which he believes to have been inflicted with a heavy and rather blunt weapon. I have not heard of any other wounds or bruises.”
“Did anyone enter the train yesterday at Shinglehurst?” Thorndyke asked.
“No one entered the train after it left Halbury.”
Thorndyke considered these statements in silence, and presently fell into a brown study, from which he roused only as the train moved out of Shinglehurst station.
“It would be about here