The First R. Austin Freeman MEGAPACK ®. R. Austin Freeman
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present,” Thorndyke rejoined dryly, “we are noting the facts.”
“Quite so,” agreed the other, reddening slightly; “and perhaps we had better move the body to the bedroom, and make a preliminary inspection of the wound.”
We carried the corpse into the bedroom, and, having examined the wound without eliciting anything new, covered the remains with a sheet, and returned to the sitting-room.
“Well, gentlemen,” said the inspector, “you have examined the body and the wound, and you have measured the floor and the furniture, and taken photographs, and made a plan, but we don’t seem much more forward. Here’s a man murdered in his rooms. There is only one entrance to the flat, and that was bolted on the inside at the time of the murder. The windows are some forty feet from the ground; there is no rain-pipe near any of them; they are set flush in the wall, and there isn’t a foothold for a fly on any part of that wall. The grates are modern, and there isn’t room for a good-sized cat to crawl up any of the chimneys. Now, the question is, How did the murderer get in, and how did he get out again?”
“Still,” said Mr. Marchmont, “the fact is that he did get in, and that he is not here now; and therefore he must have got out; and therefore it must have been possible for him to get out. And, further, it must be possible to discover how he got out.”
The inspector smiled sourly, but made no reply.
“The circumstances,” said Thorndyke, “appear to have been these: The deceased seems to have been alone; there is no trace of a second occupant of the room, and only one half-emptied tumbler on the table. He was sitting reading when apparently he noticed that the clock had stopped—at ten minutes to twelve; he laid his book, face downwards, on the table, and rose to wind the clock, and as he was winding it he met his death.”
“By a stab dealt by a left-handed man, who crept up behind him on tiptoe,” added the inspector.
Thorndyke nodded. “That would seem to be so,” he said. “But now let us call in the porter, and hear what he has to tell us.”
The custodian was not difficult to find, being, in fact, engaged at that moment in a survey of the premises through the slit of the letter-box.
“Do you know what persons visited these rooms last night?” Thorndyke asked him, when he entered looking somewhat sheepish.
“A good many were in and out of the building,” was the answer, “but I can’t say if any of them came to this flat. I saw Miss Curtis pass in about nine.”
“My daughter!” exclaimed Mr. Curtis, with a start. “I didn’t know that.”
“She left about nine-thirty,” the porter added.
“Do you know what she came about?” asked the inspector.
“I can guess,” replied Mr. Curtis.
“Then don’t say,” interrupted Mr. Marchmont. “Answer no questions.”
“You’re very close, Mr. Marchmont,” said the inspector; “we are not suspecting the young lady. We don’t ask, for instance, if she is left-handed.”
He glanced craftily at Mr. Curtis as he made this remark, and I noticed that our client suddenly turned deathly pale, whereupon the inspector looked away again quickly, as though he had not observed the change.
“Tell us about those Italians again,” he said, addressing the porter. “When did the first of them come here?”
“About a week ago,” was the reply. “He was a common-looking man—looked like an organ-grinder—and he brought a note to my lodge. It was in a dirty envelope, and was addressed ‘Mr. Hartridge, Esq., Brackenhurst Mansions,’ in a very bad handwriting. The man gave me the note and asked me to give it to Mr. Hartridge; then he went away, and I took the note up and dropped it into the letter-box.”
“What happened next?”
“Why, the very next day an old hag of an Italian woman—one of them fortune-telling swines with a cage of birds on a stand—came and set up just by the main doorway. I soon sent her packing, but, bless you, she was back again in ten minutes, birds and all. I sent her off again—I kept on sending her off, and she kept on coming back, until I was reg’lar wore to a thread.”
“You seem to have picked up a bit since then,” remarked the inspector with a grin and a glance at the sufferer’s very pronounced bow-window.
“Perhaps I have,” the custodian replied haughtily. “Well, the next day there was a ice-cream man—a reg’lar waster, he was. Stuck outside as if he was froze to the pavement. Kept giving the errand-boys tasters, and when I tried to move him on, he told me not to obstruct his business. Business, indeed! Well, there them boys stuck, one after the other, wiping their tongues round the bottoms of them glasses, until I was fit to bust with aggravation. And he kept me going all day.
“Then, the day after that there was a barrel-organ, with a mangy-looking monkey on it. He was the worst of all. Profane, too, he was. Kept mixing up sacred tunes and comic songs: ‘Rock of Ages,’ ‘Bill Bailey,’ ‘Cujus Animal,’ and ‘Over the Garden Wall.’ And when I tried to move him on, that little blighter of a monkey made a run at my leg; and then the man grinned and started playing, ‘Wait till the Clouds roll by.’ I tell you, it was fair sickening.”
He wiped his brow at the recollection, and the inspector smiled appreciatively.
“And that was the last of them?” said the latter; and as the porter nodded sulkily, he asked: “Should you recognize the note that the Italian gave you?”
“I should,” answered the porter with frosty dignity.
The inspector bustled out of the room, and returned a minute later with a letter-case in his hand.
“This was in his breast-pocket,” said he, laying the bulging case on the table, and drawing up a chair. “Now, here are three letters tied together. Ah! This will be the one.” He untied the tape, and held out a dirty envelope addressed in a sprawling, illiterate hand to “Mr. Hartridge, Esq.” “Is that the note the Italian gave you?”
The porter examined it critically. “Yes,” said he; “that is the one.”
The inspector drew the letter out of the envelope, and, as he opened it, his eyebrows went up.
“What do you make of that, Doctor?” he said, handing the sheet to Thorndyke.
Thorndyke regarded it for a while in silence, with deep attention. Then he carried it to the window, and, taking his lens from his pocket, examined the paper closely, first with the low power, and then with the highly magnifying Coddington attachment.
“I should have thought you could see that with the naked eye,” said the inspector, with a sly grin at me. “It’s a pretty bold design.”
“Yes,” replied Thorndyke; “a very interesting production. What do you say, Mr. Marchmont?”
The solicitor took the note, and I looked over his shoulder. It was certainly a curious production. Written in red ink, on the commonest notepaper, and in the same sprawling hand as the address, was the following message: “You are given six days to do what is just. By the sign above, know what to expect if you fail.” The sign referred to was a skull and crossbones, very neatly, but rather unskilfully, drawn at the top of the paper.
“This,” said Mr. Marchmont, handing the document to Mr. Curtis, “explains the singular letter that he wrote yesterday. You have it with you, I think?”
“Yes,” replied Mr. Curtis; “here it is.”
He produced a letter from his pocket, and read aloud:
“‘Yes: come if you like, though it is an ungodly hour. Your threatening letters have caused me great amusement. They are worthy of Sadler’s Wells in its prime.
“‘ALFRED HARTRIDGE.’”
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