The Third R. Austin Freeman Megapack. R. Austin Freeman

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The Third R. Austin Freeman Megapack - R. Austin Freeman


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Then it was most fortunate for us that there was only one ditch on the factory land; and that that ditch was accessible at only one point, which must have been the place where Pedley was drowned.”

      “The duck-weed in this ditch is, of course, the Greater Duck-weed?”

      “Yes. I have taken some specimens as well as the horn-weed and shells.”

      He opened the vasculum and picked out one of the tiny plants, exhibiting the characteristic tassel of roots.

      “I shall write to Parton and tell him to preserve the jar and the horn-weed if it has not been thrown away. But the duck-weed alone, produced in evidence, would be proof enough that Pedley was not drowned in the Bantree ditch; and the dental plate will show where he was drowned.”

      “Are you going to pursue the case any farther?” I asked.

      “No,” he replied. “I shall call at Scotland Yard on my way home and report what I have learned and what I can prove in court. Then I shall have finished with the case. The rest is for the police, and I imagine they won’t have much difficulty. The circumstances seem to tell their own story. Pedley was employed by the Foreign Office, probably on some kind of secret service. I imagine that he discovered the existence of a gang of evil-doers—probably foreign revolutionaries, of whom we may assume that our friend the manager of the factory is one; that he contrived to associate himself with them and to visit the factory occasionally to ascertain what was made there besides Golomite—if Golomite is not itself an illicit product. Then I assume that he was discovered to be a spy, that he was lured down here; that he was pinioned and drowned some time on Tuesday night and his body put into the van and conveyed to a place miles away from the scene of his death, where it was deposited in a ditch apparently identical in character with that in which he was drowned. It was an extremely ingenious and well-thought-out plan. It seemed to have provided for every kind of inquiry, and it very narrowly missed being successful.”

      “Yes,” I agreed. “But it didn’t provide for Dr. John Thorndyke.”

      “It didn’t provide for a searching examination of all the details,” he replied; “and no criminal plan that I have ever met has done so. The completeness of the scheme is limited by the knowledge of the schemers, and, in practice, there is always something overlooked. In this case, the criminals were unlearned in the natural history of ditches.”

      Thorndyke’s theory of the crime turned out to be substantially correct. The Golomite Works proved to be a factory where high explosives were made by a gang of cosmopolitan revolutionaries who were all known to the police. But the work of the latter was simplified by a detailed report which the dead man had deposited at his bank and which was discovered in time to enable the police to raid the factory and secure the whole gang. When once they were under lock and key, further information was forthcoming; for a charge of murder against them jointly soon produced King’s Evidence sufficient to procure a conviction of the three actual perpetrators of the murder.

      MR. PONTING’S ALIBI (1927)

      Thorndyke looked doubtfully at the pleasant-faced athletic-looking clergyman who had just come in, bearing Mr. Brodribb’s card as an explanatory credential.

      “I don’t quite see,” said he, “why Mr. Brodribb sent you to me. It seems to be a purely legal matter which he could have dealt with himself, at least as well as I can.”

      “He appeared to think otherwise,” said the clergyman. (“The Revd. Charles Meade” was written on the card.)

      At any rate,” he added with a persuasive smile, “here I am, and I hope you are not going to send me away.”

      “I shouldn’t offer that affront to my old friend Brodribb,” replied Thorndyke, smiling in return; “so we may as well get to business, which, in the first place, involves the setting out of all the particulars. Let us begin with the lady who is the subject of the threats of which you spoke.”

      “Her name,” said Mr. Meade, “is Miss Mlillicent Fawcett. She is a person of independent means, which she employs in works of charity. She was formerly a hospital sister, and she does a certain amount of voluntary work in the parish as a sort of district nurse. She has been a very valuable help to me and we have been close friends for several years; and I may add, as a very material fact, that she has consented to marry me in about two months’ time. So that, you see, I am properly entitled to act on her behalf.”

      “Yes,” agreed Thorndyke. “You are an interested party. And now, as to the threats. What do they amount to?”

      “That,” replied Meade,” I can’t tell you. I gathered quite by chance, from some words that she dropped, that she had been threatened. But she was unwilling to say more on the subject, as she did not take the matter seriously. She is not at all nervous. However, I told her I was taking advice; and I hope you will be able to extract more details from her. For my own part, I am decidedly uneasy.”

      “And as to the person or persons who have uttered the threats. Who are they? and out of what circumstances have the threats arisen?”

      “The person is a certain William Ponting, who is Miss Fawcett’s step-brother—if that is the right term. Her father married, as his second wife, a Mrs. Ponting, a widow with one son. This is the son. His mother died before Mr. Fawcett, and the latter, when he died, left his daughter, Millicent, sole heir to his property. That has always been a grievance to Ponting. But now he has another. Miss Fawcett made a will some years ago by which the bulk of her rather considerable property is left to two cousins, Frederick and James Barnett, the sons of her father’s sister. A comparatively small amount goes to Ponting. When he heard this he was furious. He demanded a portion at least equal to the others, and has continued to make this demand from time to time. In fact, he has been extremely troublesome, and appears to be getting still more so. I gathered that the threats were due to her refusal to alter the will.”

      “But,” said I, “doesn’t he realise that her marriage will render that will null and void?”

      “Apparently not,” replied Meade; “nor, to tell the truth, did I realise it myself. Will she have to make a new will?”

      “Certainly,” I replied. “And as that new will may be expected to be still less favourable to him, that will presumably be a further grievance.”

      “One doesn’t understand,” said Thorndyke, “why he should excite himself so much about her will. What are their respective ages?”

      “Miss Fawcett is thirty-six and Ponting is about forty.”

      “And what kind of man is he?” Thorndyke asked.

      “A very unpleasant kind of man, I am sorry to say. Morose, rude, and violent-tempered. A spendthrift and a cadger. He has had quite a lot of money from Miss Fawcett—loans, which, of course, are never repaid. And he is none too industrious, though he has a regular job on the staff of a weekly paper. But he seems to be always in debt.”

      “We may as well note his address,” said Thorndyke.

      “He lives in a small flat in Bloomsbury—alone now, since he quarrelled with the man who used to share it with him. The address is 12 Borneo House, Devonshire Street.”

      “What sort of terms is he on with the cousins, his rivals?”

      “No sort of terms now,” replied Meade. “They used to be great friends. So much so that he took his present flat to be near them—they live in the adjoining flat, number 12 Sumatra House. But since the trouble about the wills he is hardly on speaking terms with them.”

      “They live together, then?”

      “Yes, Frederick and his wife and James, who is unmarried. They are rather a queer lot, too. Frederick is a singer on the variety stage, and James accompanies him on various instruments. But they are both sporting characters of a kind, especially James, who does a bit on the turf and engages in other odd activities. Of course, their musical habits are a grievance to Ponting. He is constantly making complaints of their disturbing him at his work.”

      Mr.


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