Tony Jr. poses with Tom and director B. Reeves “Breezy” Eason during Mix’s last film, a Mascot serial titled The Miracle Rider.

      Buck Jones and Silver

      Another veteran of the Miller Brothers 101 Ranch Wild West Show who transitioned to the silver screen was a rugged bronc buster and trick rider named Charles Gebhart. For the movies, he was rechristened Buck Jones.

      While touring with the Millers’ show in 1915, Buck married fifteen-year-old trick rider Dell Osborne in a horseback ceremony. During World War I, Buck broke horses in Chicago for the Allies’ cavalry units. After the war, he and Dell performed in several Wild West shows and the Ringling Brothers Circus as trick riders. With a child on the way, they decided to settle in Los Angeles, where Buck found work in the movies as a bit player and stuntman, sometimes doubling his eventual rival and friend Tom Mix.

      Buck had his first starring role in Fox Studios’ The Last Straw (1920), and his career skyrocketed. To compete with the other cowboy stars, however, he needed a special horse. His first horse, a black, unfortunately died in a filming accident. However, in 1922 Buck spotted a beautiful gray on the set of Roughshod and knew he’d found his movie mate. He bought the horse for $100 and named him Silver. He was to become almost as famous as Fritz and Tony.

      Although Buck preferred action to cute antics, Silver got to perform enough tricks to satisfy audience anticipation while also providing thrilling images as he and Buck streaked across the Western terrain. Silver was so intelligent that he learned to perform stunts, such as leaping through fire, with only one rehearsal. His skill as a one-take actor became legendary.

      Buck owned two other horses, Eagle and Sandy, who often doubled Silver. Eagle was usually used in long-shot galloping sequences; he can be easily identified as he swished his tail when he ran. Sandy was always used for rearing scenes. Almost indistinguishable from Silver, Sandy had a more photogenic head and was also used for close-ups. Buck loved all his horses and would never subject them to real danger. For hazardous stunts, unlucky rental horses from the studio stables served as doubles.

      Buck Jones Productions produced only one film, a non-Western, before folding. The intrepid Jones rallied to put together the traveling Buck Jones Wild West Show. The Great Depression ended that enterprise prematurely, but the actor rebounded and returned to the movies. Though semiretired, Silver was occasionally brought in to do specific stunts. Eagle received billing in some of Jones’s later films, and Sandy was billed as Silver in the Rough Riders series at the end of Buck’s career.

      Eagle, always prone to scours, was put down in 1941 after a particularly bad bout left him too weak to recover. When Buck returned from a trip to find Eagle gone, he shut himself in his bedroom and cried. Jones’s own life came to a tragic end in 1942, when he perished in a fire at a party being held in his honor in Boston. He died heroically while trying to rescue other guests.

      A few months later, Silver began to fail. According to Dell Jones: “It seemed he missed Buck and stopped eating. He would bow his beautiful head and grieve. He was very old for a horse—thirty-four years.” Sadly, Dell had the old horse put to sleep. Sandy passed away a few months later.

      The rugged Buck Jones with his elegant other half, Silver.

      From the left, Buck Jones and his trick-riding stuntwoman wife Dell and their matching white horses at the 1939 Santa Claus Lane Parade on Hollywood Boulevard. Next to Dell is singing cowboy Ray Whitley and on the far right, astride the paint, is the trick-riding cowboy star Montie Montana.

      Ken Maynard and Tarzan

      Buck Jones’s chief rival was Ken Maynard, a native Texan known throughout the Wild West show circuit as an incredible trick rider and roper. He had made a brief attempt to steal Dell away from Buck, and the men never became friends. Maynard made his name in films aboard a palomino mount called Tarzan.

      In 1926, Maynard purchased a ten-year-old gelding at a ranch in Newhall, California. The palomino was what would now be considered a National Show Horse, an Arabian/Saddlebred cross, and was given the name Tarzan at the suggestion of Maynard’s acquaintance Edgar Rice Burroughs, author of the novel Tarzan of the Apes. The popular film with the same title had come out in 1918, thrusting the name Tarzan into the minds of audiences throughout America.

      Former circus trainer Johnny Agee taught the gelding a repertoire of tricks. Tarzan often had the opportunity to display his talents on screen, thanks to Maynard, who wrote such moments into the script. His humanlike qualities allowed the palomino to rescue Maynard from danger on more than one movie occasion. Like Tony, he was billed as “the Wonder Horse,” by all accounts an apt, if not original, nickname.

      Tarzan was often doubled by one of eight palominos in Maynard’s stable. Though a daredevil rider whose stunts awed audiences, Maynard rarely put the real Tarzan in serious danger. Instead, the actor pampered his star horse and transported him in a custom trailer emblazoned with his name. Maynard and Tarzan successfully transitioned from silent to sound pictures, although the horse’s training in verbal cues, rather than visual signals, did create some production challenges.

      Tarzan made his last movie in 1940, a film called Lightning Strikes West, when he was twenty-four. He was retired to Maynard’s ranch soon after and died that same year. Maynard buried him in an undisclosed gravesite, reported to be under an elm or a Calabash tree in either the Hollywood Hills or the San Fernando Valley. The grieving Maynard kept Tarzan’s death a secret for years. The actor never again achieved the success he had had when the great palomino carried him to stardom.

      Fred Thomson and Silver King

      Fred Thomson was a college athlete who won the national All-Around title at Princeton University in 1913. He eschewed the Olympics to pursue the Presbyterian ministry and became interested in movies while prescreening them for the Boy Scouts. In 1921, after a brief stint in the military, he became an actor. Inspired by Tom Mix, the handsome Thomson became a skilled equestrian, performed his own stunts, and made a star of his horse, a striking gray 17-hand Irish stallion named Silver King. True to his name, the stallion was one of the most spectacular horses to ever grace the silver screen.

      The story of how Thomson and Silver King became partners may raise a few eyebrows given today’s emphasis on gentle training methods. Thomson was visiting a friend who owned a New York City

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