Writing the Ancestral River. Jacklyn Cock

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Writing the Ancestral River - Jacklyn Cock


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      Writing the Ancestral River

      Writing the Ancestral River

       A biography of the Kowie

      Jacklyn Cock

      Published in South Africa by:

      Wits University Press

      1 Jan Smuts Avenue

      Johannesburg, 2001

       www.witspress.co.za

      Copyright © Jacklyn Cock 2018

      Published edition © Wits University Press 2018

      Photographs © Copyright holders 2018

      Poems © Copyright holders 2018, used with permission

      Cover images:

      Top: Map of the country between the Kowie and the Chalumna rivers, Caesar C. Henkel, 1876. University of Cape Town Libraries, Historical Map Collection.

      Bottom: ‘Kowie, looking seaward’, lithograph by F. Jones from painting by Thomas

      Bowler, hand coloured. Cory Library/Africa Media Online.

      First published 2018

      http://dx.doi.org.10.18772/12018031876

      978-1-77614-187-6 (Print)

      978-1-77614-188-3 (Web PDF)

      978-1-77614-189-0 (EPUB)

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the written permission of the publisher, except in accordance with the provisions of the Copyright Act, Act 98 of 1978.

      All images remain the property of the copyright holders. The publishers gratefully acknowledge the publishers, institutions and individuals referenced in the captions for the use of images. Every effort has been made to locate the original copyright holders of the images reproduced here; please contact Wits University Press in case of any omissions or errors

      Project manager: Hazel Cuthbertson

      Copy editor: Russell Martin

      Proofreader: Lisa Compton

      Indexer: Tessa Botha

      Cover design: Peter Bosman, Guineafolio

      Typesetter: Newgen

      The Kowie River runs through the centre of what was once called the ‘Zuurveld’, originally defined in the early 1800s as the area between the Bushmans River in the west and the Fish River in the east. The boundary was later extended further west to the Sundays River (Map by Hazel Crampton, from The Sunburnt Queen, Jacana, 2004).

      Contents

       Acknowledgements

       Photographic plates follow

       1 Motivations

       2 The Kowie River

       3 The Battle

       4 The Harbour

       5 The Marina

       6 Connecting Nature and Justice through Rivers

       Appendix

       Notes

       Glossary of isiXhosa Terms

       List of Figures

       Bibliography

       Index

      Acknowledgements

      This book draws heavily on the published work of many historians with far more knowledge and insight than I possess. I have learnt a great deal particularly from Tim Keegan, Basil Le Cordeur, Jeff Peires, Clifton Crais and especially Julie Wells, whose brilliant analysis of the Battle of Grahamstown fired my imagination. Walking with her on occasions through the forests of the Fish River valley and the desolate coast of Cove Rock has deepened my appreciation of the history of the Xhosa. The book has also benefited from the help of numerous people including all those who gave up their time, agreed to be interviewed, and trusted me with their opinions and experiences. I am particularly grateful to Kate Rowntree, who helped me find the source of the Kowie River, Chris Mann, whose poems about the river have been inspirational, and Helen Bradford, who gave much advice and spent hours in the Cape Town archives looking for photographs for this book. Thanks also to Candace Feit, Jo and Jaxon Rice and David Stott for the wonderful photographs, and all the other friends who read the whole or parts of the manuscript and commented helpfully, including Eddie Webster, David Fig, Glenn Moss, Georgina Jaffe, Malvern van Wyk Smith, Patricia Milliken, Nicholas Scarr, Michelle Williams, Vishwas Satgar, Dorothy Driver, Karl von Holdt, Tony Dold, Judith Hawarden and Kathie Satchwell. Several friends helped with difficult technical issues, especially Karin Pampallis, Brittany Kesselman and Ingrid Chunwill. I am also very grateful for the comments of two anonymous reviewers, which were extremely helpful, to my editor, Russell Martin, and to Hazel Cuthbertson and Roshan Cader of Wits University Press.

      1Motivations

      Rivers have the power to connect us to nature, to our past and to our collective selves. They sustain life, inspire poetry and fire our imaginations. As the young sailor in Joseph Conrad’s Heart of Darkness expressed it, they carry with them ‘the dreams of men, the seeds of commonwealth, the germs of empires’.1 Conrad clearly had in mind the great river highways such as the Amazon, the Congo, the Mississippi, the Mekong, the Thames and the Yangtze. This book tells the story of what is in comparison a ‘little’ estuarine river, which nevertheless raises large questions.

      This river, the Kowie, is not a major waterway and has not been the subject of any scholarly attention. While located in a war-ravaged frontier area, it was never an official frontier and it played a humbler role in South African history than the rivers which the colonial authorities used to mark the changing borders of the Cape Colony: the Bushmans, Fish, Keiskamma and Kei. The area was an open frontier until 1778, when the Fish was declared the official limit of the Cape Colony. Most importantly for this book, the Kowie River runs through the centre of the Zuurveld, the area first bounded by the Fish to the east and the Bushmans to the west.

      This was an area of blending and mixing, a meeting point not only of river and sea, of fresh and salt water, but of very different people, identities and traditions that have shaped South African history: Khoikhoi herders, Xhosa pastoralists, Dutch cattle farmers and British settlers. Their interaction often involved intense and violent encounters


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