The Invisible Eye: Tales of Terror by Emile Erckmann and Louis Alexandre Chatrian. Hugh Lamb
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Collins Chillers edition published 2018
First published in Canada by Ash-Tree Press 2002
Selection, introduction and notes © Hugh Lamb 2018
Cover design by Mike Topping © HarperCollinsPublishers Ltd 2018
Cover photographs © Shutterstock.com
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780008265380
Ebook Edition © October 2018 ISBN: 9780008265397
Version: 2018-09-06
To my wonderful family:
Richard and Maggie
My grandson Jack
Andrew, Tamar, Dylan and Ezra
Contents
It is still uncommon to find the names of Erckmann–Chatrian in studies of Continental literature, a sad reflection on the obscurity suffered by these fine writers for more than a century.
While their main writing efforts – military history and fiction – are now unread and unavailable, their tales of terror have managed to survive in part, even seeing a revival in the early 1970s. The Invisible Eye – the first collection of their stories in Britain since 1981 – will, I hope, introduce more readers to their masterful talent for the macabre.
Emile Erckmann (b. 20 May 1822) and Louis Alexandre Chatrian (b. 18 December 1826) were both natives of Alsace–Lorraine, the border region for so long a bone of contention between France and Germany. Erckmann was born in Phalsbourg, the son of a bookseller, and it is possible that his being surrounded by books from an early age did much to inspire him to his own imaginative works. Chatrian was born in Soldatenthal, the son of a glass-blower. He did not follow his father’s trade, instead becoming a teacher at Phalsbourg college.
It was here that Erckmann met Chatrian, while the former was studying law (a profession he never followed), and the two hit it off very well. It seems that Erckmann was the more literary and imaginative of the two, while Chatrian was of a much more practical