The Haunter of the Dark and Other Tales. Говард Филлипс Лавкрафт
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have descended as quadrupeds through the last twenty or more generations.
Horror piled on horror as we began to interpret the architectural remains. The quadruped things – with their occasional recruits from the biped class – had been kept in stone pens, out of which they must have broken in their last delirium of hunger or rat-fear. There had been great herds of them, evidently fattened on the coarse vegetables whose remains could be found as a sort of poisonous ensilage at the bottom of the huge stone bins older that Rome. I knew now why my ancestors had had such excessive gardens – would to heaven I could forget! The purpose of the herds I did not have to ask.
Sir William, standing with his searchlight in the Roman ruin, translated aloud the most shocking ritual I have ever known; and told of the diet of the antediluvian cult which the priests of Cybele found and mingled with their own. Norrys, used as he was to the trenches, could not walk straight when he came out of the English building. It was a butcher shop and kitchen – he had expected that – but it was too much to see familiar English implements in such a place, and to read familiar English graffiti there, some as recent as 1610. I could not go in that building – that building whose daemon activities were stopped only by the dagger of my ancestor Walter de le Poer.
What I did venture to enter was the low Saxon building whose oaken door had fallen, and there I found a terrible row of ten stone cells with rusty bars. Three had tenants, all skeletons of high grade, and on the bony forefinger of one I found a seal ring with my own coat-of-arms. Sir William found a vault with far older cells below the Roman chapel, but these cells were empty. Below them was a low crypt with cases of formally arranged bones, some of them bearing terrible parallel inscriptions carved in Latin, Greek, and the tongue of Phyrgia.
Meanwhile, Dr Trask had opened one of the prehistoric tumuli, and brought to light skulls which were slightly more human than a gorilla’s, and which bore indescribably ideographic carvings. Through all this horror my cat stalked unperturbed. Once I saw him monstrously perched atop a mountain of bones, and wondered at the secrets that might lie behind his yellow eyes.
Having grasped to some slight degree the frightful revelations of this twilit area – an area so hideously foreshadowed by my recurrent dream – we turned to that apparently boundless depth of midnight cavern where no ray of light from the cliff could penetrate. We shall never know what sightless Stygian worlds yawn beyond the little distance we went, for it was decided that such secrets are not good for mankind. But there was plenty to engross us close at hand, for we had not gone far before the searchlights showed that accursed infinity of pits in which the rats had feasted, and whose sudden lack of replenishment had driven the ravenous rodent army first to turn on the living herds of starving things, and then to burst forth from the priory in that historic orgy of devastation which the peasants will never forget.
God! those carrion black pits of sawed, picked bones and opened skulls! Those nightmare chasms choked with the pithecanthropoid, Celtic, Roman, and English bones of countless unhallowed centuries! Some of them were full, and none can say how deep they had once been. Others were still bottomless to our searchlights, and peopled by unnamable fancies. What, I thought, of the hapless rats that stumbled into such traps amidst the blackness of their quests in this grisly Tartarus?
Once my foot slipped near a horribly yawning brink, and I had a moment of ecstatic fear. I must have been musing a long time, for I could not see any of the party but plump Capt. Norrys. Then there came a sound from that inky, boundless, farther distance that I thought I knew; and I saw my old black cat dart past me like a winged Egyptian god, straight into the illimitable gulf of the unknown. But I was not far behind, for there was no doubt after another second. It was the eldritch scurrying of those fiend-born rats, always questing for new horrors, and determined to lead me on even unto those grinning caverns of earth’s centre where Nyarlathotep, the mad faceless god, howls blindly in the darkness to the piping of two amorphous idiot flute-players.
My searchlight expired, but still I ran. I heard voices, and yowls, and echoes, but above all there gently rose that impious, insidious scurrying; gently rising, rising, as a stiff bloated corpse gently rises above an oily river that flows under the endless onyx bridges to a black, putrid sea.
Something bumped into me – something soft and plump. It must have been the rats; the viscous, gelatinous, ravenous army that feast on the dead and the living…Why shouldn’t rats eat a de la Poer as a de le Poer eats forbidden things?…The war ate my boy, damn them all…and the Yanks ate Carfax with flames and burnt Grandsire Delapore and the secret…No, no, I tell you, I am not that daemon swineherd in the twilit grotto! It was not Edward Norrys’ fat face on that flabby fungous thing! Who says I am a de la Poer? He lived, but my boy died!…Shall a Norrys hold the land of a de la Poer?…It’s voodoo, I tell you…that spotted snake…Curse you, Thornton, I’ll teach you to faint at what my family do!…‘Sblood, thou stinkard, I’ll learn ye how to gust…wolde ye swynke me thilke wys?…Magna Mater! Magna Mater!…Atys…Dia ad aghaidh’s ad aodaun…agus bas dunach ort! Dhonas ‘s dholas ort, agus leat-sa!…Ungl…unl…rrlh…chchch…
This is what they say I said when they found me in the blackness after three hours; found me crouching in the blackness over the plump, half-eaten body of Capt. Norrys, with my own cat leaping and tearing at my throat. Now they have blown up Exham Priory, taken my Nigger-Man away from me, and shut me into this barred room at Hanwell with fearful whispers about my heredity and experience. Thornton is in the next room, but they prevent me from talking to him. They are trying, too, to suppress most of the facts concerning the priory. When I speak of poor Norrys they accuse me of this hideous thing, but they must know that I did not do it. They must know it was the rats; the slithering scurrying rats whose scampering will never let me sleep; the daemon rats that race behind the padding in this room and beckon me down to greater horrors than I have ever known; the rats they can never hear; the rats, the rats in the walls.
You needn’t think I’m crazy, Eliot – plenty of others have queerer prejudices than this. Why don’t you laugh at Oliver’s grandfather, who won’t ride in a motor? If I don’t like that damned subway, it’s my own business; and we got here more quickly anyhow in the taxi. We’d have had to walk up the hill from Park Street if we’d taken the car.
I know I’m more nervous than I was when you saw me last year, but you don’t need to hold a clinic over it. There’s plenty of reason, God knows, and I fancy I’m lucky to be sane at all. Why the third degree? You didn’t use to be so inquisitive.
Well, if you must hear it, I don’t know why you shouldn’t. Maybe you ought to, anyhow, for you kept writing me like a grieved parent when you heard I’d begun to cut the Art Club and keep away from Pickman. Now that he’s disappeared I go round to the club once in a while, but my nerves aren’t what they were.
No, I don’t know what’s become of Pickman, and I don’t like to guess. You might have surmised I had some inside information when I dropped him – and that’s why I don’t want to think where he’s gone. Let the police find what they can – it won’t be much, judging from the fact that they don’t know yet of the old North End place he hired under the name of Peters. I’m not sure that I could find it again myself-not that I’d ever try, even in broad daylight! Yes, I do know, or am afraid I know, why he maintained it. I’m coming to that. And I think you’ll understand before I’m through why I don’t tell the police. They would ask me to guide them, but I couldn’t go back there even if I knew the way. There was something there – and now I can’t use the subway or (and you may as well have your laugh at this, too) go down into cellars any more.
I should think you’d have known I didn’t drop Pickman for the same silly reasons that fussy old women like Dr Reid or Joe Minot or Rosworth did. Morbid art doesn’t shock me, and when a man has the genius Pickman had I feel it an honour to know him, no matter what direction his work takes. Boston never had a greater painter than Richard Upton Pickman. I said it at first and I say it still, and I never swerved an inch, either, when he showed that ‘Ghoul Feeding’.