The Bravo of London: And ‘The Bunch of Violets’. Bramah Ernest
Читать онлайн книгу.
vaguely assented the dealer, opening drawer after drawer in the various desks and cabinets around and rooting about with elaborate slowness. ‘And you know all about Greek coins then?’
‘I hope not,’ was the smiling admission.
‘Hope not? Eh? Why?’
‘Because there would be nothing more to learn then. I should have to stop collecting. But doubtless you do?’
‘If I said I did—well, my mother was a Greek so that it should come natural. And my father was a—um, no; there was always a doubt about that man. But one grandfather was a Levantine Jew and the other an Italian cardinal. And one grandmamma was an American negress and the other a Polish revolutionary.’
‘That should ensure a tolerably versatile stock, Mr Joolby.’
‘And further back there was an authentic satyr came into the family tree—so I’m told,’ continued Mr Joolby, addressing himself to his prospective customer but turning to favour the scandalised Parkinson with an implicatory leer. ‘You find that amusing, Mr Carrados, I’m sure?’
‘Not half so amusing as the satyr found it I expect,’ was the retort. ‘But come now—’ for Mr Joolby had meanwhile discovered what he had sought and was looking over the contents of a box with provoking deliberation.
‘To be sure—you came for Greek coins, not for Greek family history, eh? Well, here is something very special indeed—a tetradrachm struck at Amphipolis, in Macedonia, by some Greek ruler of the province but I can’t say who. Perhaps Mr Carrados can enlighten me?’
Without committing himself to this the blind man received the coin on his outstretched hand and with subtile fingers delicately touched off the bold relief that still retained its superlative grace of detail. Next he weighed it carefully in a cupped palm, and then after breathing several times on the metal placed it against his lips. Meanwhile Parkinson looked on with the respect that he would have accorded to any high-class entertainment; Joolby merely sceptically indifferent.
‘Yes,’ announced Carrados at the end of this performance, ‘I think I can do that. At all events I know the man who made it.’
‘Come, come, use your eyes, my good sir,’ scoffed Mr Joolby with a contemptuous chuckle. ‘I thought you understood at least something about coins. This isn’t—I don’t know what you think—a Sunday school medal or a stores ticket. It’s a very rare and valuable specimen and it’s at least two thousand years old. And you “know the man who made it”!’
‘I can’t use my eyes because my eyes are useless: I am blind,’ replied Carrados with unruffled evenness of temper. ‘But I can use my hands, my finger-tips, my tongue, lips, my commonplace nose, and they don’t lead me astray as your credulous, self-opinionated eyes seem to have done—if you really take this thing for a genuine antique,’ and with uncanny proficiency he tossed the coin back into the box before him.
‘You can’t see—you say that you are blind—and yet you tell me, an expert, that it’s a forgery!’
‘It certainly is a forgery, but an exceptionally good one at that—so good that no one but Pietro Stelli, who lives in Padua, could in these degenerate days have made it. Pietro makes such beautiful forgeries that in my less experienced years they have taken even me in. Of course I couldn’t have that so I went to Padua to find out how he worked, and Peter, who is, according to his lights, as simple and honest a soul as ever breathed, willingly let me watch him at it.’
‘And how,’ demanded Mr Joolby, seeming almost to puff out aggression towards this imperturbable braggart; ‘how could you see him what you call “at it”, if, as you say, you are blind? You are just a little too clever, Mr Carrados.’
‘How could I see? Exactly as I can see’—stretching out his hand and manipulating the extraordinarily perceptive fingers meaningly—‘any of the ingenious fakes which sharp people offer the blind man; exactly as I could see any of the thousand and one things that you have about your shop. This’—handling it as he seemed to look tranquilly at Mr Joolby—‘this imitation Persian prayer-rug with its lattice-work design and pomegranate scroll, for instance; exactly as I could, if it were necessary, see you,’ and he took a step forward as though to carry out the word, if Mr Joolby hadn’t hastily fallen back at the prospect.
The prayer-rug was no news to Mr Joolby—although it was ticketed five guineas—but he had had complete faith in the tetradrachm notwithstanding that he had bought it at the price of silver; and despite the fact that he would still continue to describe it as a matchless gem it was annoying to have it so unequivocally doubted. He picked up the box without offering any more of its contents, and hobbling back to the desk with it slammed the drawer home in swelling mortification.
‘Well, if that is your way of judging a valuable antique, Mr Carrados, I don’t think that we shall do any business. I have nothing more to show, thank you.’
‘It is my way of judging everything—men included—Mr Joolby, and it never, never fails,’ replied Carrados, not in the least put out by the dealer’s brusqueness. It was a frequent grievance with certain of this rich and influential man’s friends that he never appeared to resent a rudeness. ‘And why should I,’ the blind man would cheerfully reply, ‘when I have the excellent excuse that I do not see it?’
‘Of course I don’t mean by touch alone,’ he continued, apparently unconscious of the fact that Mr Joolby’s indignant back was now pointedly towards him. ‘Taste, when it’s properly treated, becomes strangely communicative; smell’—there could be no doubt of the significance of this allusion from the direction of the speaker’s nose—‘the chief trouble is that at times smell becomes too communicative. And hearing—I daren’t even tell you what a super-trained ear sometimes learns of the goings-on behind the scenes—but a blind man seldom misses a whisper and he never forgets a voice.’
Apparently Mr Joolby was not interested in the subtleties of perception for he still remained markedly aloof, and yet, had he but known it, an exacting test of the boast so confidently made was even then in process, and one moreover surprisingly mixed up with his own plans. For at that moment, as the visitor turned to go, the inner door was opened a cautious couple of inches and:
‘Look here, J.J.,’ said the unseen in a certainly distinctive voice, ‘I hope you know that I’m waiting to go. If you’re likely to be another week—’
‘Don’t neglect your friend on our account, Mr Joolby,’ remarked Carrados very pleasantly—for Won Chou had at once slipped to the unlatched door as if to head off the intruder. ‘I quite agree. I don’t think that we are likely to do any business either. Good day.’
‘Dog dung!’ softly spat out Mr Joolby as the shop door closed on their departing footsteps.
MR BRONSKY HAS MISGIVINGS
AS Mr Carrados and Parkinson left the shop they startled a little group of street children who after the habit of their kind were whispering together, giggling, pushing one another about, screaming mysterious taunts, comparing sores and amusing themselves in the unaccountable but perfectly satisfactory manner of street childhood. Reassured by the harmless appearance of the two intruders the impulse of panic at once passed and a couple of the most precocious little girls went even so far as to smile up at the strangers. More remarkable still, although Parkinson felt constrained by his imperviable dignity to look away, Mr Carrados unerringly returned the innocent greeting.
This incident entailed a break in which the appearance of the visitors, their position in life, place of residence, object in coming and the probable amount of money possessed by each were frankly canvassed, but when that source of entertainment failed the band fell back on what had been their stock game at the moment of interruption. This apparently consisted in daring one another to do various things and in backing