Chapter Two

      If Miles had had any trepidation about coming back to Texas, the risk was certainly worth the reward, he thought as he made a concerted effort to keep his eyes from wandering back to Sydney James.

      She was sitting in a director-style chair, getting her hair and makeup touched up—last looks—before they began shooting.

      He walked over to the coffeepot, helped himself to a cup and stood back. He wanted to get a feel for how the cast members interacted without the glare of the lights and the intimidation of the camera.

      Now that he’d met Sydney, he got the same vibe from her in person that he’d gotten as he’d watched the dailies from recent shoots and footage from the first season. His instincts were right. She looked as fabulous in person as she had on screen.

      Even though he was only here for a short time, he was considering spotlighting her a little more by working in an interesting story line that featured her, but he needed to figure out how to best do that before he announced this plan to the rest of the cast.

      He needed to gather his thoughts before they resumed shooting. Aiden had asked him to be creative, to put his unique stamp on the episodes he shot. He had no idea what that meant for Bill Hines when he returned to Catering to Dallas after this personal leave. But hey, it wasn’t his place to ask. He had a job to do and he intended to do it well.

      Now that the whole cast and crew was together, instead of shooting right away, it would serve everyone well to have a meeting and talk about possibilities for the show and the progress he wanted to make while he was there.

      He probably hadn’t made the most favorable impression right out of the starting gate. But one of the problems he could see right off the bat was that the cast and crew sort of came and went as they pleased. That was hell on the budget. He was used to professionals adhering to a set schedule and giving their all to get the job done.

      That wasn’t too much to ask, especially since Aiden had voiced concerns over the show’s future. If they couldn’t streamline the budget and get the ratings up, the show might not be renewed for another season. It was easier to come in like a hard-ass and lighten up than the other way around.

      He’d had his reservations about filling in as interim director on a reality television show. But the timing had been right. Negotiations for his latest movie had fallen through. So the plea from Aiden had come at the perfect time. Plus, he also liked the irony that reality television seemed like a first cousin of the horror genre.

      When Hollywood had crowned him the king of horror for Past Midnight’s success, no one had been more astounded than Miles. He’d never intended to make a horror film, and he’d certainly never dreamed of making a career out of scaring the hell out of people. Midnight had been his final college project. It had started as a documentary he’d wanted to make, debunking a legend that had haunted his family for five generations. In the end, the project had driven a wedge between him and his father—because his father claimed he’d sold out his family. That so-called sell-out film had morphed into a career that continued to haunt him.

      This sojourn in Texas would give him some time to think over his next move while he was helping out a friend. Maybe he could even start the healing process with his father. Regardless, he was going to see his mother and five siblings while he was in Celebration. He could only hope for the best with his father.

      Miles joined Aiden by the camera, which was set up in the kitchen. “When do you want to get started?” Aiden asked.

      “Now?” Miles said. “But let’s start with a short meeting.”

      Aiden nodded and clapped his hands. The buzz on set stilled and the twenty-odd-member cast and crew looked at him. “Boys and girls, let’s all gather ’round for a short production meeting before we get started with the next scenes.”

      As soon as everyone had assembled, Aiden began again.

      “We’re happy to have Miles Mercer with us while Bill is away on leave. While Bill is gone, the powers that be and I thought it might be a good idea to try some new approaches. As you know, Catering to Dallas’s first ratings aren’t where we’d hoped they’d be. Since it’s crucial that we have as little interruption to the shooting schedule as possible, Bill is completely on board with Miles’s new vision for the show.”

      New vision? That might be a bit of a stretch at this point, Miles thought. He had some ideas, such as featuring Sydney, but he wouldn’t necessarily classify what he’d come up with so far as a vision. After he’d accepted the gig, he’d done some boning up on reality TV, since it wasn’t the type of program he usually watched. He’d studied some of the popular reality shows and reviewed the Catering to Dallas dailies and episodes that had already been produced. So he felt like he had a pretty good handle on the show, but he’d decided he needed to meet the cast before he could come up with a vision and determine the direction in which he’d lead them.

      He had to hand it to the ladies. They all had class and style. But he also had to admit that he had a particular leaning toward the brunette with the stunning green eyes: Sydney James. In her role as the marketer and publicist for Celebrations, Inc., she was the most unassuming of the cast members. Yet, as he’d watched the footage that Aiden had sent him, she was the one who stood out. He was drawn to her, and always found himself wanting to see more of her on the screen.

      “So without further ado, I will turn the floor over to Miles.”

      There was a smattering of applause, which caught him by surprise and pulled him out of his thoughts. Before, though, the old adage about faking it until you make it flitted through his head. “Thank you. I hope you’ll still applaud once you hear my ideas.” He laughed, and everyone chuckled along with him.

      That was a good start.

      “First, I want to apologize if we got off on the wrong foot this morning,” he said. “I realize that I’m the new guy on the set, but I do like to run a pretty tight ship. All I ask is that you’re prompt and professional and we will all get along just fine.”

      He didn’t want to single out Sydney. So he didn’t look at her. When they’d talked earlier, she’d been a good sport. Now, as he addressed the group, she wasn’t making his request for punctuality personal like so many Hollywood starlets he’d worked with might have done. He detested people who caused drama for drama’s sake. He got a completely different vibe from Sydney. It was refreshing.

      “So what are we cooking up this afternoon?” he asked, changing the subject.

      That time he did direct the question to Sydney, but A.J. answered.

      “We have a wedding we’re prepping for next month. It’s a pretty big deal among Dallas society. The only daughter of cattle baron Rick Ronstead is getting married. Everything has to be first class all the way. So we have a lot of work to do to get ready for the event itself, in addition to shooting the footage for the show.”

      “The television show has added an interesting dimension to our work,” Sydney chimed in. “Because even though we’re filming for television, we still have to keep our clients’ best interests at heart. Celebrations, Inc. is a catering company first. We’re television personalities second. We have to keep in mind that this event is Tasha Ronstead’s wedding and we must make sure that we do our part to make her day—and every event, for that matter—as special as it can be. We can’t sacrifice our clients for the sake of good TV.”

      Miles